Lauren Pikó
Datos Biográficos
| ID | 1634009 |
|---|---|
| NOMBRE | Lauren Pikó |
| NOMBRES | Lauren |
| APELLIDO | Pikó |
| FIRMA | PIKÓ L |
| AFILIACIONES | The University of Melbourne |
| ORCID | 0000-0003-4886-8602 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Who Makes the Far Right? Exploring Membership Application Data of the National Front of Australia
This paper addresses a problem for scholars examining the question of who supports far right political parties or movements. Due to the semi‐clandestine or oppositional nature of far right groups, historians, as well as those in adjacent disciplines, have often been unable to gain access to sufficient records or data to conduct analysis of who supports such groups, particularly accurate membership data. While this is a phenomenon experienced by s…
Understanding the Social Value of Geelong’s Design and Manufacturing Heritage for Extended Reality
Post-industrial cities often find themselves at a crossroads as to whether to find a new identity or embrace their industrial past. In late 2017, after the closure of major manufacturing plants in the region, the Australian city of Geelong was designated a UNESCO City of Design and embraced a “Clever and Creative” strategy which acknowledged Geelong’s industrial and design past in responding to contemporary technological, demographic, and economi…
The making of Canberra as captured on film (1900–1945)
This paper traces the Australian capital city of Canberra’s representation through official, government-sponsored, Australian documentary films made between 1900 and 1945. Through a small sample of selected films, that are well preserved and held in the national film archives, we discuss their filmic intention, form, technical production and reception. In these forty plus years which end prior to the advent of technicolour, there was a progressio…
Trove, disability, and researching history
In making research more accessible, Trove exposes crucial disparities and tensions within the historical discipline. Trove enables transcendence, but not erasure, of some material constraints, and in doing so it illustrates the ongoing effacement of embodied labour's centrality to the discipline. We argue that Trove provides a means of engaging with the precarious tools used by precarious bodies to produce historical knowledge
Urban histories of the nation and beyond in Australia and New Zealand
The state of the field of urban history has been the subject of debate in recent years. Whether it is in decline, or experiencing a resurgence of interest; whether its concerns have been subsumed w
“We’re full”
The language of urban fullness and finitude has long had an active life in British politics and popular culture. After 1945, however, ideas of the finite, overspilling British city, teeming with inert masses of working‐class people, drove the development of paternalistic state urban reconstruction and new town programmes. More infamously, post‐war immigration anxieties often used a sinister metaphorical language of flooding and drowning to descri…
You've never seen anything like it
From 1979, the new town of Milton Keynes embraced a new marketing approach which emphasised its capacity to elicit wondrous, uplifting, and desirable bodily sensations. This coincided with the transformation of the town’s central landscape, with Britain’s largest mall, The Shopping Building opening in 1979, followed in 1985 by Britain’s first multiplex cinema, The Point. This new direction in Milton Keynes’ marketing rejected national media narra…
You've never seen anything like it
From 1979, the new town of Milton Keynes embraced a new marketing approach which emphasised its capacity to elicit wondrous, uplifting, and desirable bodily sensations. This coincided with the transformation of the town’s central landscape, with Britain’s largest mall, The Shopping Building opening in 1979, followed in 1985 by Britain’s first multiplex cinema, The Point. This new direction in Milton Keynes’ marketing rejected national media narra…
Understanding the Social Value of Geelong’s Design and Manufacturing Heritage for Extended Reality
Post-industrial cities often find themselves at a crossroads as to whether to find a new identity or embrace their industrial past. In late 2017, after the closure of major manufacturing plants in the region, the Australian city of Geelong was designated a UNESCO City of Design and embraced a “Clever and Creative” strategy which acknowledged Geelong’s industrial and design past in responding to contemporary technological, demographic, and economi…
You've never seen anything like it
From 1979, the new town of Milton Keynes embraced a new marketing approach which emphasised its capacity to elicit wondrous, uplifting, and desirable bodily sensations. This coincided with the transformation of the town’s central landscape, with Britain’s largest mall, The Shopping Building opening in 1979, followed in 1985 by Britain’s first multiplex cinema, The Point. This new direction in Milton Keynes’ marketing rejected national media narra…
“We’re full”
The language of urban fullness and finitude has long had an active life in British politics and popular culture. After 1945, however, ideas of the finite, overspilling British city, teeming with inert masses of working‐class people, drove the development of paternalistic state urban reconstruction and new town programmes. More infamously, post‐war immigration anxieties often used a sinister metaphorical language of flooding and drowning to descri…
Urban histories of the nation and beyond in Australia and New Zealand
The state of the field of urban history has been the subject of debate in recent years. Whether it is in decline, or experiencing a resurgence of interest; whether its concerns have been subsumed w
Trove, disability, and researching history
In making research more accessible, Trove exposes crucial disparities and tensions within the historical discipline. Trove enables transcendence, but not erasure, of some material constraints, and in doing so it illustrates the ongoing effacement of embodied labour's centrality to the discipline. We argue that Trove provides a means of engaging with the precarious tools used by precarious bodies to produce historical knowledge
The making of Canberra as captured on film (1900–1945)
This paper traces the Australian capital city of Canberra’s representation through official, government-sponsored, Australian documentary films made between 1900 and 1945. Through a small sample of selected films, that are well preserved and held in the national film archives, we discuss their filmic intention, form, technical production and reception. In these forty plus years which end prior to the advent of technicolour, there was a progressio…
Understanding the Social Value of Geelong’s Design and Manufacturing Heritage for Extended Reality
Post-industrial cities often find themselves at a crossroads as to whether to find a new identity or embrace their industrial past. In late 2017, after the closure of major manufacturing plants in the region, the Australian city of Geelong was designated a UNESCO City of Design and embraced a “Clever and Creative” strategy which acknowledged Geelong’s industrial and design past in responding to contemporary technological, demographic, and economi…
Who Makes the Far Right? Exploring Membership Application Data of the National Front of Australia
This paper addresses a problem for scholars examining the question of who supports far right political parties or movements. Due to the semi‐clandestine or oppositional nature of far right groups, historians, as well as those in adjacent disciplines, have often been unable to gain access to sufficient records or data to conduct analysis of who supports such groups, particularly accurate membership data. While this is a phenomenon experienced by s…
Political science (6 obras) · Aesthetics (5 obras) · Art (5 obras) · Politics (5 obras) · Sociology (5 obras) · History (4 obras) · Law (4 obras) · Australian History and Society (2 obras) · Cinema and Media Studies (2 obras) · Commodification (2 obras)