Gretchen Holbrook Gerzina

Datos Biográficos

ID1665756
NOMBREGretchen Holbrook Gerzina
NOMBRESGretchen Holbrook
APELLIDOGerzina
FIRMAGERZINA G H
AFILIACIONESUniversity of Massachusetts Amherst
VERIFICADONo
TOTAL DE OBRAS8
TOTAL DE CITAS5
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1994
AÑO MÁS RECIENTE DE PUBLICACIÓN2015
ÍNDICE H1

  • Jenna M. Gibbs. Performing the Temple of Liberty

    Gretchen Holbrook GerzinaARTICLEThe American Historical Review2015

    In 1768, Isaac Bickerstaffe’s afterpiece opera The Padlock opened to great acclaim in London’s Drury Lane Theatre and featured an African slave named Mungo, played by the actor Charles Dibdin. When it traveled to Philadelphia’s Southwark Theatre the following year, it was an even greater hit. In both productions, as well as in the frequent subsequent restagings on both sides of the Atlantic, the overworked Mungo was played by a white actor in bla…

  • Sara Baartman and the Hottentot Venus

    Gretchen Holbrook GerzinaARTICLEThe English Historical Review2011

    Journal Article Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography, by Clifton Crais and Pamela Scully Get access Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography, by Clifton Crais and Pamela Scully (Princeton, NJ: Princeton U.P., 2009; pp. 232. £17.95). Gretchen Holbrook Gerzina Gretchen Holbrook Gerzina Dartmouth College, USA [email protected] Search for other works by this author on: Oxford…

  • Racism on the Victorian Stage

    Gretchen Holbrook GerzinaARTICLEVictorian Studies2008

    Reviewed by: Racism on the Victorian Stage: Representation of Slavery and the Black Character Gretchen Holbrook Gerzina (bio) Racism on the Victorian Stage: Representation of Slavery and the Black Character, by Hazel Waters; pp. viii + 243. Cambridge and New York: Cambridge University Press, 2007, £50.00, $96.00. A look at mainstream British films over the past twenty-two years explains why a book like Racism on the Victorian Stage: Representatio…

  • Mobility in Chains

    Gretchen Holbrook GerzinaARTICLESouth Atlantic Quarterly2001Citada por: 5Referencias: 3

    Research Article| January 01 2001 Mobility in Chains: Freedom of Movement in the Early Black Atlantic Gretchen Holbrook Gerzina Gretchen Holbrook Gerzina Search for other works by this author on: This Site Google South Atlantic Quarterly (2001) 100 (1): 41–59. https://doi.org/10.1215/00382876-100-1-41 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tool…

  • The Art of Dora Carrington

    Jane Hill, Gretchen Holbrook GerzinaARTICLEWoman s Art Journal1999

  • Black London

    Allison Blakely, Gretchen Gerzina et al.ARTICLEThe William and Mary Quarterly1996

  • Black London

    Open AccessGretchen Gerzina, Gretchen Holbrook GerzinaBOOKBlack London1995

  • The Art of Dora Carrington

    Open AccessJane Hill, Gretchen Holbrook Gerzina et al.ARTICLEThe Art Book1994

    London 1910-1914: The Slade years of apprenticeship Hurstbourne Tarrant 1914-1917. Own voice. The modern movement: Black and white Tidmarsh Mill 1917-1924. At home: people and place portraiture. The English tradition of popular art. An expanding world: At home and abroad Ham Spray 1924-1932. A green world: Conversation pieces. Vanitas: Fugitive light. Conclusion: Time and tide wait for no man