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L Sundstrom

Datos Biográficos

ID16699
NOMBREL Sundstrom
NOMBRESL
APELLIDOSundstrom
FIRMASUNDSTROM L
AFILIACIONESStar Technology and Research (United States)
ORCID0000-0001-6176-3747
VERIFICADOSí
TOTAL DE OBRAS25
TOTAL DE CITAS65
TOTAL COMO AUTOR25
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1989
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H5
  • Toward decolonizing rock art research

    L Sundstrom, Emily Van Alst•ARTICLE•World Archaeology•2026•Referencias: 53

    Biases in North American rock art research have privileged Western data, approaches, and values. These biases include the concept of unilinear cultural evolution, untested assumptions about division of labour by sex, amplifying archaeological data over ethnography and Indigenous knowledge, focusing on the visual aspects of rock art rather than associated behaviours, equating Native American rock art to fine art in Western cultures, and assumption…

  • When Charcoal Was Hung”

    David A Kaiser, James D Keyser et al.•ARTICLE•Plains Anthropologist•2023•Referencias: 6

    A petroglyph showing a hanging scene is incised at DgOv-2 at Writing-on-Stone in southern Alberta. Photographed in 1897 and recorded in 1976 as part of a wider documentation of rock art in the provincial park, the subject of the image remained unknown. Recent research and a better understanding of the Biographic art lexicon suggests this image documents the execution of the Blood (Káínawa) warrior Charcoal (Si’k-okskitsis) following a prolonged m…

  • Don’t fence them in

    L Sundstrom•ARTICLE•Plains Anthropologist•2022•Referencias: 2

  • Riding to the rescue

    Michael Paul Jordan, Timothy P Mccleary et al.•ARTICLE•Plains Anthropologist•2022•Referencias: 10

    Depictions of two riders mounted on a single horse appear in Plains Biographic rock art at five sites. Comparison of these images with late nineteenth century Plains Indian drawings on hide and paper indicates that the pictographs and petroglyphs commemorate instances in which mounted warriors rescued comrades who had been unhorsed in battle. Ethnographic material confirms that several Plains Indian societies held this deed in high esteem. These …

  • Where's the Mutton

    Open Access•L Sundstrom, Danny N Walker•ARTICLE•American Antiquity•2022•Referencias: 5

    Francis et alia (2022) propose that the Sheep Mountain net (48PA1022) was used for large game; however, they present no data to support this proposed function. The size and configuration of the net fall within the range for rabbit nets recorded elsewhere

  • The Sheep Mountain Animal Net Revisited

    Open Access•L Sundstrom, Danny N Walker•ARTICLE•American Antiquity•2021•Citada por: 3•Referencias: 10

    A juniper fiber net discovered in a cave near Cody, Wyoming, had been radiocarbon dated at 8860 BP (6910 ± 170 BC; RL-396) in 1986. Reanalysis and four additional AMS radiocarbon dates indicate an age younger than 1300 cal BP. Net metrics are consistent with archaeological and ethnographic examples identified as rabbit nets

  • Ambrose Bierce’s Indian inscriptions

    James D Keyser, L Sundstrom•ARTICLE•Plains Anthropologist•2020•Referencias: 17

    Western History is often understood primarily from the perspective of the United States westward expansion as reflected in the concept of manifest destiny. Rarely do we have the opportunity to view this period through the eyes of native artists who were fighting to maintain ownership of their ancestral lands. These two historical currents came together in 1866 with the Hazen Expedition, when the expedition’s cartographer, Ambrose Bierce, recorded…

  • Crow Indian Rock Art

    L Sundstrom•ARTICLE•Plains Anthropologist•2016

  • The Great Plains and Mississippi Valley

    L Sundstrom, T R Pauketat et al.•CHAPTER•Cambridge World Prehistory 3…•2014

    Environment The Great Plains and Mississippi Valley encompass most of eastern North America, from Canada to the Gulf of Mexico, including the Ohio River drainage, the Appalachians, and the Missouri River Basin. This vast area encompasses significant geomorphological, biotic and climatic diversity. Much of the midcontinent had been glaciated, characterised today by level to gently rolling topography. Uplifts and more heavily dissected regions make…

  • Rock Art in Situ

    Open Access•L Sundstrom•OTHER•A Companion to Rock Art•2012

  • Un-Tranced

    L Sundstrom•ARTICLE•Time and Mind•2012

    Despite its current popularity, the neuroscience model of rock art interpretation reveals little of the ancient artists' motivations and messages. Defining all non-bureaucratized religions as shamanism and then linking all hunter-gatherer art to this poorly defined überreligion leaves one to conclude that the art is shamanic because it was produced in a culture different from our own, albeit using universal images. This article argues for a style…

  • Digital infra-red photography for recording painted rock art

    Open Access•Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Antiquity•2007•Citada por: 4•Referencias: 14

    Here is a new application of infra-red photography with a digital camera to record rock art. The need to make full and accurate records of the images, without touching (and thus degrading) the rock, requires a method of remote mapping. Trials with digital IR reported here are very promising and especially useful for painted rock art

  • Women in War

    James D Keyser, L Sundstrom et al.•ARTICLE•Plains Anthropologist•2006•Citada por: 6•Referencias: 10

    Women are not commonly drawn in northern Plains rock art, but they do occur in both the Ceremonial and Biographic traditions. When shown in Ceremonial rock art they appear in structure and content roles equivalent to those of males. In contrast, in later Biographic art they appear in various roles—from vanquished enemy to kidnapped wife—but these are nearly always subordinate to the male actors in these scenes. The newly recorded La Barge Bluffs …

  • Steel Awls for Stone Age Plainswomen

    L Sundstrom•ARTICLE•Plains Anthropologist•2002•Citada por: 16•Referencias: 20

    Archaeological, ethnographic, and historic data suggest the presence in Protohistoric times of a women s ceremonial tradition among Dakota and Lakota groups. The tradition involved creation of distinctive rock art, including deeply ground ungulate tracks, vulvas, and hand-and footprints, along with numerous abraded grooves commonly referred to as tool-sharpening grooves. Production of this rock art was related to vision experiences involving Doub…

  • Cheyenne Pronghorn Procurement and Ceremony

    L Sundstrom•ARTICLE•Plains Anthropologist•2000•Citada por: 6•Referencias: 7

    Ethnographic literature shows that historic Cheyenne pronghorn trapping was closely intertwined with ceremonial activity. These procurement and ceremonial activities left behind distinctive archaeological remains, including hunting camps, drive lines, pits, stone and bone alignments, and possibly rock art. The ceremonies are linked through oral tradition to specific landscape features

  • Plains Anthropological Society Student Paper Competition

    L Sundstrom•ARTICLE•Plains Anthropologist•1999

    "Plains Anthropological Society Student Paper Competition." Plains Anthropologist, 44(168), p. 208

  • Rock Art and Native Americans

    L Sundstrom•ARTICLE•Plains Anthropologist•1999•Citada por: 1

    As highly visible features of the archaeological landscape, rock art sites require special management aconsiderations. Native Americans contacted as part of a state-wide rock art survey in 1992-93 had firm, and sometimes surprising, views regarding such issues as opening sites for public visitation, interpretive materials, and site preservation. Public education, site protection, and studies of oral traditions concerning rock art sites were viewe…

  • International Rock Art Congress

    L Sundstrom•ARTICLE•Plains Anthropologist•1999

  • Attention

    L Sundstrom•ARTICLE•Plains Anthropologist•1998

  • Tribal Affiliation of Shield Petroglyphs from the Black Hills and Cave Hills

    L Sundstrom, James D Keyser•ARTICLE•Plains Anthropologist•1998•Citada por: 5

    This study compares 22 shield designs from Black Hills and Cave Hills rock art with 314 ethnographically recorded shield designs. Based on these comparisons, 11 of the petroglyphs were identified as Cheyenne, two as possibly Cheyenne, one as Lakota or Cheyenne, and one as either Cheyenne or Crow. The seven remaining designs could not be assigned a cultural affiliation

  • Smallpox Used Them up

    L Sundstrom•ARTICLE•Ethnohistory•1997•Citada por: 7

    Northern Plains Indian winter counts (chronologies) provide a record of epidemic disease in the area from 1682 to 1920. These indicate that epidemics occurred on average every 5.7 years for the area and every 9.7-15.8 years for individual groups. Disease outbreaks tended to follow episodes of famine or disease and tended to be followed by episodes of abundance of game when human mortality had been high. Epidemics preceded sustained contact with n…

  • Crazy Mule’S Maps Of The Upper Missouri, 1877-1880

    Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Plains Anthropologist•1996•Citada por: 4•Referencias: 2

    Two maps from the Joslyn Art Museum are identified as the work of John Crazy Mule, a northern Cheyenne scout who served at Fort Keogh, Montana Territory, from 1877 to about 1891. The maps were drawn in pencil and ink on ledger paper between 1877 and 1880. The first shows the Yellowstone and Milk drainages and is a record of Crazy Mule's accomplishments as a government scout. These include the Lame Deer fight and the capture of Chief Joseph's Nez …

  • Mirror of heaven

    L Sundstrom•ARTICLE•World Archaeology•1996•Citada por: 10•Referencias: 9

    The Black Hills are a mountain group on the northern plains of North America considered sacred by several Native American groups. Several groups shared a conceptual association between Black Hills landscape features, constellations, seasonal movements and mythology. These groups include the Lakotas, Cheyennes, Kiowas and Kiowa‐Apaches. Beliefs about the sacred geography of the area were transferred from group to group as new peoples entered the a…

  • A Simple Mathematical Procedure for Estimating the Adequacy of Site Survey Strategies

    L Sundstrom•ARTICLE•Journal of Field Archaeology•1993•Citada por: 2•Referencias: 16

    A set of easily calculated formulas estimate the probability that archaeological sites of a given size and shape were intersected by survey transects. Estimates derived from the formulas can be used by archaeologists in planning surveys and by cultural resource management personnel in evaluating survey proposals and results

  • Archaic Hunting Practices Depicted In A Northwestern Plains Rock Art Style

    L Sundstrom•ARTICLE•Plains Anthropologist•1989•Citada por: 1

    A collection of about 75 panels of pecked rock art from the southern Black Hills, South Dakota and Wyoming, includes detailed depictions of Archaic period communal game hunts. The rock art illustrates use of artificial enclosures, atlatls, and other hunting paraphernalia. Humans in costumes or disguises are also included in the scenes. The communal hunting techniques detailed in the rock art imply a social organization capable of maintaining a hi…

  • Steel Awls for Stone Age Plainswomen

    L Sundstrom•ARTICLE•Plains Anthropologist•2002•Citada por: 16•Referencias: 20

    Archaeological, ethnographic, and historic data suggest the presence in Protohistoric times of a women s ceremonial tradition among Dakota and Lakota groups. The tradition involved creation of distinctive rock art, including deeply ground ungulate tracks, vulvas, and hand-and footprints, along with numerous abraded grooves commonly referred to as tool-sharpening grooves. Production of this rock art was related to vision experiences involving Doub…

  • Mirror of heaven

    L Sundstrom•ARTICLE•World Archaeology•1996•Citada por: 10•Referencias: 9

    The Black Hills are a mountain group on the northern plains of North America considered sacred by several Native American groups. Several groups shared a conceptual association between Black Hills landscape features, constellations, seasonal movements and mythology. These groups include the Lakotas, Cheyennes, Kiowas and Kiowa‐Apaches. Beliefs about the sacred geography of the area were transferred from group to group as new peoples entered the a…

  • Smallpox Used Them up

    L Sundstrom•ARTICLE•Ethnohistory•1997•Citada por: 7

    Northern Plains Indian winter counts (chronologies) provide a record of epidemic disease in the area from 1682 to 1920. These indicate that epidemics occurred on average every 5.7 years for the area and every 9.7-15.8 years for individual groups. Disease outbreaks tended to follow episodes of famine or disease and tended to be followed by episodes of abundance of game when human mortality had been high. Epidemics preceded sustained contact with n…

  • Women in War

    James D Keyser, L Sundstrom et al.•ARTICLE•Plains Anthropologist•2006•Citada por: 6•Referencias: 10

    Women are not commonly drawn in northern Plains rock art, but they do occur in both the Ceremonial and Biographic traditions. When shown in Ceremonial rock art they appear in structure and content roles equivalent to those of males. In contrast, in later Biographic art they appear in various roles—from vanquished enemy to kidnapped wife—but these are nearly always subordinate to the male actors in these scenes. The newly recorded La Barge Bluffs …

  • Cheyenne Pronghorn Procurement and Ceremony

    L Sundstrom•ARTICLE•Plains Anthropologist•2000•Citada por: 6•Referencias: 7

    Ethnographic literature shows that historic Cheyenne pronghorn trapping was closely intertwined with ceremonial activity. These procurement and ceremonial activities left behind distinctive archaeological remains, including hunting camps, drive lines, pits, stone and bone alignments, and possibly rock art. The ceremonies are linked through oral tradition to specific landscape features

  • Tribal Affiliation of Shield Petroglyphs from the Black Hills and Cave Hills

    L Sundstrom, James D Keyser•ARTICLE•Plains Anthropologist•1998•Citada por: 5

    This study compares 22 shield designs from Black Hills and Cave Hills rock art with 314 ethnographically recorded shield designs. Based on these comparisons, 11 of the petroglyphs were identified as Cheyenne, two as possibly Cheyenne, one as Lakota or Cheyenne, and one as either Cheyenne or Crow. The seven remaining designs could not be assigned a cultural affiliation

  • Digital infra-red photography for recording painted rock art

    Open Access•Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Antiquity•2007•Citada por: 4•Referencias: 14

    Here is a new application of infra-red photography with a digital camera to record rock art. The need to make full and accurate records of the images, without touching (and thus degrading) the rock, requires a method of remote mapping. Trials with digital IR reported here are very promising and especially useful for painted rock art

  • Crazy Mule’S Maps Of The Upper Missouri, 1877-1880

    Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Plains Anthropologist•1996•Citada por: 4•Referencias: 2

    Two maps from the Joslyn Art Museum are identified as the work of John Crazy Mule, a northern Cheyenne scout who served at Fort Keogh, Montana Territory, from 1877 to about 1891. The maps were drawn in pencil and ink on ledger paper between 1877 and 1880. The first shows the Yellowstone and Milk drainages and is a record of Crazy Mule's accomplishments as a government scout. These include the Lame Deer fight and the capture of Chief Joseph's Nez …

  • The Sheep Mountain Animal Net Revisited

    Open Access•L Sundstrom, Danny N Walker•ARTICLE•American Antiquity•2021•Citada por: 3•Referencias: 10

    A juniper fiber net discovered in a cave near Cody, Wyoming, had been radiocarbon dated at 8860 BP (6910 ± 170 BC; RL-396) in 1986. Reanalysis and four additional AMS radiocarbon dates indicate an age younger than 1300 cal BP. Net metrics are consistent with archaeological and ethnographic examples identified as rabbit nets

  • A Simple Mathematical Procedure for Estimating the Adequacy of Site Survey Strategies

    L Sundstrom•ARTICLE•Journal of Field Archaeology•1993•Citada por: 2•Referencias: 16

    A set of easily calculated formulas estimate the probability that archaeological sites of a given size and shape were intersected by survey transects. Estimates derived from the formulas can be used by archaeologists in planning surveys and by cultural resource management personnel in evaluating survey proposals and results

  • Rock Art and Native Americans

    L Sundstrom•ARTICLE•Plains Anthropologist•1999•Citada por: 1

    As highly visible features of the archaeological landscape, rock art sites require special management aconsiderations. Native Americans contacted as part of a state-wide rock art survey in 1992-93 had firm, and sometimes surprising, views regarding such issues as opening sites for public visitation, interpretive materials, and site preservation. Public education, site protection, and studies of oral traditions concerning rock art sites were viewe…

  • Archaic Hunting Practices Depicted In A Northwestern Plains Rock Art Style

    L Sundstrom•ARTICLE•Plains Anthropologist•1989•Citada por: 1

    A collection of about 75 panels of pecked rock art from the southern Black Hills, South Dakota and Wyoming, includes detailed depictions of Archaic period communal game hunts. The rock art illustrates use of artificial enclosures, atlatls, and other hunting paraphernalia. Humans in costumes or disguises are also included in the scenes. The communal hunting techniques detailed in the rock art imply a social organization capable of maintaining a hi…

  • Archaic Hunting Practices Depicted In A Northwestern Plains Rock Art Style

    L Sundstrom•ARTICLE•Plains Anthropologist•1989•Citada por: 1

    A collection of about 75 panels of pecked rock art from the southern Black Hills, South Dakota and Wyoming, includes detailed depictions of Archaic period communal game hunts. The rock art illustrates use of artificial enclosures, atlatls, and other hunting paraphernalia. Humans in costumes or disguises are also included in the scenes. The communal hunting techniques detailed in the rock art imply a social organization capable of maintaining a hi…

  • A Simple Mathematical Procedure for Estimating the Adequacy of Site Survey Strategies

    L Sundstrom•ARTICLE•Journal of Field Archaeology•1993•Citada por: 2•Referencias: 16

    A set of easily calculated formulas estimate the probability that archaeological sites of a given size and shape were intersected by survey transects. Estimates derived from the formulas can be used by archaeologists in planning surveys and by cultural resource management personnel in evaluating survey proposals and results

  • Crazy Mule’S Maps Of The Upper Missouri, 1877-1880

    Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Plains Anthropologist•1996•Citada por: 4•Referencias: 2

    Two maps from the Joslyn Art Museum are identified as the work of John Crazy Mule, a northern Cheyenne scout who served at Fort Keogh, Montana Territory, from 1877 to about 1891. The maps were drawn in pencil and ink on ledger paper between 1877 and 1880. The first shows the Yellowstone and Milk drainages and is a record of Crazy Mule's accomplishments as a government scout. These include the Lame Deer fight and the capture of Chief Joseph's Nez …

  • Mirror of heaven

    L Sundstrom•ARTICLE•World Archaeology•1996•Citada por: 10•Referencias: 9

    The Black Hills are a mountain group on the northern plains of North America considered sacred by several Native American groups. Several groups shared a conceptual association between Black Hills landscape features, constellations, seasonal movements and mythology. These groups include the Lakotas, Cheyennes, Kiowas and Kiowa‐Apaches. Beliefs about the sacred geography of the area were transferred from group to group as new peoples entered the a…

  • Smallpox Used Them up

    L Sundstrom•ARTICLE•Ethnohistory•1997•Citada por: 7

    Northern Plains Indian winter counts (chronologies) provide a record of epidemic disease in the area from 1682 to 1920. These indicate that epidemics occurred on average every 5.7 years for the area and every 9.7-15.8 years for individual groups. Disease outbreaks tended to follow episodes of famine or disease and tended to be followed by episodes of abundance of game when human mortality had been high. Epidemics preceded sustained contact with n…

  • Attention

    L Sundstrom•ARTICLE•Plains Anthropologist•1998

  • Tribal Affiliation of Shield Petroglyphs from the Black Hills and Cave Hills

    L Sundstrom, James D Keyser•ARTICLE•Plains Anthropologist•1998•Citada por: 5

    This study compares 22 shield designs from Black Hills and Cave Hills rock art with 314 ethnographically recorded shield designs. Based on these comparisons, 11 of the petroglyphs were identified as Cheyenne, two as possibly Cheyenne, one as Lakota or Cheyenne, and one as either Cheyenne or Crow. The seven remaining designs could not be assigned a cultural affiliation

  • Plains Anthropological Society Student Paper Competition

    L Sundstrom•ARTICLE•Plains Anthropologist•1999

    "Plains Anthropological Society Student Paper Competition." Plains Anthropologist, 44(168), p. 208

  • Rock Art and Native Americans

    L Sundstrom•ARTICLE•Plains Anthropologist•1999•Citada por: 1

    As highly visible features of the archaeological landscape, rock art sites require special management aconsiderations. Native Americans contacted as part of a state-wide rock art survey in 1992-93 had firm, and sometimes surprising, views regarding such issues as opening sites for public visitation, interpretive materials, and site preservation. Public education, site protection, and studies of oral traditions concerning rock art sites were viewe…

  • International Rock Art Congress

    L Sundstrom•ARTICLE•Plains Anthropologist•1999

  • Cheyenne Pronghorn Procurement and Ceremony

    L Sundstrom•ARTICLE•Plains Anthropologist•2000•Citada por: 6•Referencias: 7

    Ethnographic literature shows that historic Cheyenne pronghorn trapping was closely intertwined with ceremonial activity. These procurement and ceremonial activities left behind distinctive archaeological remains, including hunting camps, drive lines, pits, stone and bone alignments, and possibly rock art. The ceremonies are linked through oral tradition to specific landscape features

  • Steel Awls for Stone Age Plainswomen

    L Sundstrom•ARTICLE•Plains Anthropologist•2002•Citada por: 16•Referencias: 20

    Archaeological, ethnographic, and historic data suggest the presence in Protohistoric times of a women s ceremonial tradition among Dakota and Lakota groups. The tradition involved creation of distinctive rock art, including deeply ground ungulate tracks, vulvas, and hand-and footprints, along with numerous abraded grooves commonly referred to as tool-sharpening grooves. Production of this rock art was related to vision experiences involving Doub…

  • Women in War

    James D Keyser, L Sundstrom et al.•ARTICLE•Plains Anthropologist•2006•Citada por: 6•Referencias: 10

    Women are not commonly drawn in northern Plains rock art, but they do occur in both the Ceremonial and Biographic traditions. When shown in Ceremonial rock art they appear in structure and content roles equivalent to those of males. In contrast, in later Biographic art they appear in various roles—from vanquished enemy to kidnapped wife—but these are nearly always subordinate to the male actors in these scenes. The newly recorded La Barge Bluffs …

  • Digital infra-red photography for recording painted rock art

    Open Access•Glen Fredlund, Glen G Fredlund et al.•ARTICLE•Antiquity•2007•Citada por: 4•Referencias: 14

    Here is a new application of infra-red photography with a digital camera to record rock art. The need to make full and accurate records of the images, without touching (and thus degrading) the rock, requires a method of remote mapping. Trials with digital IR reported here are very promising and especially useful for painted rock art

  • Rock Art in Situ

    Open Access•L Sundstrom•OTHER•A Companion to Rock Art•2012

  • Un-Tranced

    L Sundstrom•ARTICLE•Time and Mind•2012

    Despite its current popularity, the neuroscience model of rock art interpretation reveals little of the ancient artists' motivations and messages. Defining all non-bureaucratized religions as shamanism and then linking all hunter-gatherer art to this poorly defined überreligion leaves one to conclude that the art is shamanic because it was produced in a culture different from our own, albeit using universal images. This article argues for a style…

  • The Great Plains and Mississippi Valley

    L Sundstrom, T R Pauketat et al.•CHAPTER•Cambridge World Prehistory 3…•2014

    Environment The Great Plains and Mississippi Valley encompass most of eastern North America, from Canada to the Gulf of Mexico, including the Ohio River drainage, the Appalachians, and the Missouri River Basin. This vast area encompasses significant geomorphological, biotic and climatic diversity. Much of the midcontinent had been glaciated, characterised today by level to gently rolling topography. Uplifts and more heavily dissected regions make…

  • Crow Indian Rock Art

    L Sundstrom•ARTICLE•Plains Anthropologist•2016

  • Ambrose Bierce’s Indian inscriptions

    James D Keyser, L Sundstrom•ARTICLE•Plains Anthropologist•2020•Referencias: 17

    Western History is often understood primarily from the perspective of the United States westward expansion as reflected in the concept of manifest destiny. Rarely do we have the opportunity to view this period through the eyes of native artists who were fighting to maintain ownership of their ancestral lands. These two historical currents came together in 1866 with the Hazen Expedition, when the expedition’s cartographer, Ambrose Bierce, recorded…

  • The Sheep Mountain Animal Net Revisited

    Open Access•L Sundstrom, Danny N Walker•ARTICLE•American Antiquity•2021•Citada por: 3•Referencias: 10

    A juniper fiber net discovered in a cave near Cody, Wyoming, had been radiocarbon dated at 8860 BP (6910 ± 170 BC; RL-396) in 1986. Reanalysis and four additional AMS radiocarbon dates indicate an age younger than 1300 cal BP. Net metrics are consistent with archaeological and ethnographic examples identified as rabbit nets

  • Don’t fence them in

    L Sundstrom•ARTICLE•Plains Anthropologist•2022•Referencias: 2

  • Riding to the rescue

    Michael Paul Jordan, Timothy P Mccleary et al.•ARTICLE•Plains Anthropologist•2022•Referencias: 10

    Depictions of two riders mounted on a single horse appear in Plains Biographic rock art at five sites. Comparison of these images with late nineteenth century Plains Indian drawings on hide and paper indicates that the pictographs and petroglyphs commemorate instances in which mounted warriors rescued comrades who had been unhorsed in battle. Ethnographic material confirms that several Plains Indian societies held this deed in high esteem. These …

  • Where's the Mutton

    Open Access•L Sundstrom, Danny N Walker•ARTICLE•American Antiquity•2022•Referencias: 5

    Francis et alia (2022) propose that the Sheep Mountain net (48PA1022) was used for large game; however, they present no data to support this proposed function. The size and configuration of the net fall within the range for rabbit nets recorded elsewhere

  • When Charcoal Was Hung”

    David A Kaiser, James D Keyser et al.•ARTICLE•Plains Anthropologist•2023•Referencias: 6

    A petroglyph showing a hanging scene is incised at DgOv-2 at Writing-on-Stone in southern Alberta. Photographed in 1897 and recorded in 1976 as part of a wider documentation of rock art in the provincial park, the subject of the image remained unknown. Recent research and a better understanding of the Biographic art lexicon suggests this image documents the execution of the Blood (Káínawa) warrior Charcoal (Si’k-okskitsis) following a prolonged m…

  • Toward decolonizing rock art research

    L Sundstrom, Emily Van Alst•ARTICLE•World Archaeology•2026•Referencias: 53

    Biases in North American rock art research have privileged Western data, approaches, and values. These biases include the concept of unilinear cultural evolution, untested assumptions about division of labour by sex, amplifying archaeological data over ethnography and Indigenous knowledge, focusing on the visual aspects of rock art rather than associated behaviours, equating Native American rock art to fine art in Western cultures, and assumption…

Archaeology (22 obras) · Geography (18 obras) · History (17 obras) · Archaeology and Rock Art Studies (13 obras) · Pleistocene-Era Hominins and Archaeology (12 obras) · Rock art (11 obras) · Archaeology and ancient environmental studies (9 obras) · Art (8 obras) · Geology (7 obras) · Sociology (7 obras)

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