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John A F Hopkins

Datos Biográficos

ID1679544
NOMBREJohn A F Hopkins
NOMBRESJohn A F
APELLIDOHopkins
FIRMAHOPKINS J A F
AFILIACIONESTamagawa University
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS5
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1967
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H2
  • Sparks from the Clouds

    Open Access•John A F Hopkins•ARTICLE•Chinese Semiotic Studies•2024

    Although published only two years after Eliot’s famous modernist poem “The Waste Land” (1922), Miyazawa Kenji’s 52-line “ Haru to Shura ” (1924) is already very nearly as modern. The two poems, examined here using my expanded version of Riffaterre’s semiotic theory, have analogous propositional structure. One proposition concerns the faithless majority of mankind; the other involves a heavenly personage of potentially rehabilitating power. In Miy…

  • Eco, Riffaterre, and a poem by Baudelaire

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2024

    In Eco’s work between around 1960 and 1992, “openness” in a modern literary text can mean (a) “permitting more than one interpretation,” and (b) “requiring a good deal of decoding work from the reader,” which is close to my own position. These two aspects of openness are demonstrated using Baudelaire’s Les Chats , in regard to which Eco denies that the text may be cristallin in Lévi-Strauss’s sense, while still requiring constructive effort from …

  • Two different semiotic frameworks for viewing Japan

    Open Access•John A F Hopkins•ARTICLE•Chinese Semiotic Studies•2023

    In this paper, I would like to examine, within a semiotic framework, two contrasting views of the contemporary culture of Japan – which is still relatively little-known outside its own shores. First, there is the outsider’s view , according to which Japan is firmly situated in the “Far East”. This is the usual interpretant of subject-sign Japan, which is taken to refer – as its object-sign – to all that is different from the “West”: language, cul…

  • Little music" or "rough music

    Open Access•John A F Hopkins, John Hopkins•ARTICLE•Semiotica•2023•Citada por: 2•Referencias: 5

    In this essay I will suggest that part of what makes the young Jamaican poet Ishion Hutchinson so remarkable is the fact that much of his work - in this age of "anything goes" post-postmodernism - is clearly modernist poetry, in both structure and effect. This structure will be that explained in my expanded version of Michael Riffaterre's semiotic theory of poetry, which deals withmodernistwork. I will suggest that one of the distinctive features…

  • Icarus ignored

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2015•Citada por: 2•Referencias: 1

    In his 2007 book dealing with poetry in English, Terry Eagleton sacrifices integrity on the altar of the popularizing impulse. His partial analysis of an Auden poem also treated by Michael Riffaterre reveals the advantages of a semiotic approach, which can show how images on the textual surface signify indirectly by pointing to an underlying matricial structure. The author's expanded version of Riffaterrian theory accounts for the added complexit…

  • Superreader

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2007•Citada por: 1•Referencias: 11

    This overview of Michael Riffaterre's work in poetics aims to trace the development of the key concepts of Semiotics of Poetry , from his initial ‘stylistics’ phase, moving through the subsequent New Criticism and Piagetian structuralist phases. There is an account of the debate with Jakobson and Lévi-Strauss over a valid method for interpreting a Baudelaire sonnet, in the course of which several elements of the mature theory are developed. These…

  • English Madrigal Verse: 1588–1632 (Third Edition)

    Sir Walter Ralegh [Raleigh], Sir Walter Ralegh Raleigh et al.•BOOK•English Madrigal Verse 1588-1632•1967

  • Little music" or "rough music

    Open Access•John A F Hopkins, John Hopkins•ARTICLE•Semiotica•2023•Citada por: 2•Referencias: 5

    In this essay I will suggest that part of what makes the young Jamaican poet Ishion Hutchinson so remarkable is the fact that much of his work - in this age of "anything goes" post-postmodernism - is clearly modernist poetry, in both structure and effect. This structure will be that explained in my expanded version of Michael Riffaterre's semiotic theory of poetry, which deals withmodernistwork. I will suggest that one of the distinctive features…

  • Icarus ignored

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2015•Citada por: 2•Referencias: 1

    In his 2007 book dealing with poetry in English, Terry Eagleton sacrifices integrity on the altar of the popularizing impulse. His partial analysis of an Auden poem also treated by Michael Riffaterre reveals the advantages of a semiotic approach, which can show how images on the textual surface signify indirectly by pointing to an underlying matricial structure. The author's expanded version of Riffaterrian theory accounts for the added complexit…

  • Superreader

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2007•Citada por: 1•Referencias: 11

    This overview of Michael Riffaterre's work in poetics aims to trace the development of the key concepts of Semiotics of Poetry , from his initial ‘stylistics’ phase, moving through the subsequent New Criticism and Piagetian structuralist phases. There is an account of the debate with Jakobson and Lévi-Strauss over a valid method for interpreting a Baudelaire sonnet, in the course of which several elements of the mature theory are developed. These…

  • English Madrigal Verse: 1588–1632 (Third Edition)

    Sir Walter Ralegh [Raleigh], Sir Walter Ralegh Raleigh et al.•BOOK•English Madrigal Verse 1588-1632•1967

  • Superreader

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2007•Citada por: 1•Referencias: 11

    This overview of Michael Riffaterre's work in poetics aims to trace the development of the key concepts of Semiotics of Poetry , from his initial ‘stylistics’ phase, moving through the subsequent New Criticism and Piagetian structuralist phases. There is an account of the debate with Jakobson and Lévi-Strauss over a valid method for interpreting a Baudelaire sonnet, in the course of which several elements of the mature theory are developed. These…

  • Icarus ignored

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2015•Citada por: 2•Referencias: 1

    In his 2007 book dealing with poetry in English, Terry Eagleton sacrifices integrity on the altar of the popularizing impulse. His partial analysis of an Auden poem also treated by Michael Riffaterre reveals the advantages of a semiotic approach, which can show how images on the textual surface signify indirectly by pointing to an underlying matricial structure. The author's expanded version of Riffaterrian theory accounts for the added complexit…

  • Two different semiotic frameworks for viewing Japan

    Open Access•John A F Hopkins•ARTICLE•Chinese Semiotic Studies•2023

    In this paper, I would like to examine, within a semiotic framework, two contrasting views of the contemporary culture of Japan – which is still relatively little-known outside its own shores. First, there is the outsider’s view , according to which Japan is firmly situated in the “Far East”. This is the usual interpretant of subject-sign Japan, which is taken to refer – as its object-sign – to all that is different from the “West”: language, cul…

  • Little music" or "rough music

    Open Access•John A F Hopkins, John Hopkins•ARTICLE•Semiotica•2023•Citada por: 2•Referencias: 5

    In this essay I will suggest that part of what makes the young Jamaican poet Ishion Hutchinson so remarkable is the fact that much of his work - in this age of "anything goes" post-postmodernism - is clearly modernist poetry, in both structure and effect. This structure will be that explained in my expanded version of Michael Riffaterre's semiotic theory of poetry, which deals withmodernistwork. I will suggest that one of the distinctive features…

  • Sparks from the Clouds

    Open Access•John A F Hopkins•ARTICLE•Chinese Semiotic Studies•2024

    Although published only two years after Eliot’s famous modernist poem “The Waste Land” (1922), Miyazawa Kenji’s 52-line “ Haru to Shura ” (1924) is already very nearly as modern. The two poems, examined here using my expanded version of Riffaterre’s semiotic theory, have analogous propositional structure. One proposition concerns the faithless majority of mankind; the other involves a heavenly personage of potentially rehabilitating power. In Miy…

  • Eco, Riffaterre, and a poem by Baudelaire

    Open Access•John A F Hopkins•ARTICLE•Semiotica•2024

    In Eco’s work between around 1960 and 1992, “openness” in a modern literary text can mean (a) “permitting more than one interpretation,” and (b) “requiring a good deal of decoding work from the reader,” which is close to my own position. These two aspects of openness are demonstrated using Baudelaire’s Les Chats , in regard to which Eco denies that the text may be cristallin in Lévi-Strauss’s sense, while still requiring constructive effort from …

Philosophy (6 obras) · Art (5 obras) · Linguistics (5 obras) · Literature (5 obras) · Semiotics (5 obras) · Poetry (4 obras) · History (3 obras) · French Literature and Criticism (2 obras) · French Literature and Poetry (2 obras) · Historical and Literary Studies (2 obras)

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