Katherine Brewer Ball
Datos Biográficos
| ID | 1695997 |
|---|---|
| NOMBRE | Katherine Brewer Ball |
| NOMBRES | Katherine Brewer |
| APELLIDO | Ball |
| FIRMA | BALL K B |
| AFILIACIONES | New York University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2011 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 1 |
What Kind of Ancestor Do You Want to Be? First Nations Dialogues
Contemporary global indigenous performance, antinormalization of settler structures, and land acknowledgement in Lenapehoking (New York City) performance venues are all explored in 2019’s First Nations Dialogues featuring artists S.J Norman, Allison Akootchook Warden, Emily Johnson, Paola Balla, Genevieve Grieves, and many others
The Veering Escapology of Sharon Hayes and Patty Hearst
Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2003) by Sharon Hayes begins with the title card, Patricia Hearst s First Tape. An androgynous white woman with short hair that eagerly curls out around the ears begins speaking in a monotone voice. She gives very little away. On screen, Sharon Hayes takes the place of Patty Hearst, reading out the audio-screed ransom notes initially broadcast on Berkeleys KPFA radio station in 1974. Only…
Wandering
A Carrie Mae Weems photograph, All that Passes Before You, graces the cover of Sarah Jane Cervenak's Wandering: Philosophical Performances of Racial and Sexual Freedom. A figure in a dress gazes ou
The dirt on feminist landscapes
Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in
The dirt on feminist landscapes
Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in
The dirt on feminist landscapes
Suzanne Wright's images depict a series of openings, of holes that lead somewhere else (Figure 1). They propel us away from the place we find ourselves and yet these holes bounce back towards us in
The Veering Escapology of Sharon Hayes and Patty Hearst
Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2003) by Sharon Hayes begins with the title card, Patricia Hearst s First Tape. An androgynous white woman with short hair that eagerly curls out around the ears begins speaking in a monotone voice. She gives very little away. On screen, Sharon Hayes takes the place of Patty Hearst, reading out the audio-screed ransom notes initially broadcast on Berkeleys KPFA radio station in 1974. Only…
Wandering
A Carrie Mae Weems photograph, All that Passes Before You, graces the cover of Sarah Jane Cervenak's Wandering: Philosophical Performances of Racial and Sexual Freedom. A figure in a dress gazes ou
What Kind of Ancestor Do You Want to Be? First Nations Dialogues
Contemporary global indigenous performance, antinormalization of settler structures, and land acknowledgement in Lenapehoking (New York City) performance venues are all explored in 2019’s First Nations Dialogues featuring artists S.J Norman, Allison Akootchook Warden, Emily Johnson, Paola Balla, Genevieve Grieves, and many others
Aesthetics (3 obras) · Art (3 obras) · Sociology (3 obras) · History (2 obras) · Latin American and Latino Studies (2 obras) · Philosophy (2 obras) · Race, History, and American Society (2 obras) · Acknowledgement (1 obras) · Ancestor (1 obras) · Archaeology (1 obras)