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Mary B Hollinshead

Datos Biográficos

ID1704635
NOMBREMary B Hollinshead
NOMBRESMary B
APELLIDOHollinshead
FIRMAHOLLINSHEAD M B
AFILIACIONESUniversity of Rhode Island
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS13
OBRAS COMO AUTOR7
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1985
AÑO MÁS RECIENTE DE PUBLICACIÓN2015
ÍNDICE H2
  • Shaping Ceremony

    Mary B Hollinshead, Mary Brooks Berg Hollinshead•BOOK•Shaping ceremony•2015

  • The North Court of the Erechtheion and the Ritual of the Plynteria

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•2015•Citada por: 4•Referencias: 13

    The north side of the uncanonical Temple of Athena Polias at Athens, conventionally called the Erechtheion, included a small paved court with banks of steps on the east and on the north against the Acropolis wall. The details of construction indicate that both the marble paving and the steps were built as part of the Erechtheion. This small, secluded North Court is a likely venue for the solemn ceremonies of the Plynteria and the Kallynteria, in …

  • Monumental Steps and the Shaping of Ceremony

    Open Access•Mary B Hollinshead•CHAPTER•Architecture of the Sacred•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Architecture of the Sacred

    Open Access•Joan R Branham, Slobodan Ćurčić et al.•BOOK•Architecture of the Sacred•2012

    In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in whic…

  • Adyton," "Opisthodomos," and the Inner Room of the Greek Temple

    Mary B Hollinshead•ARTICLE•Hesperia The Journal of the…•1999•Citada por: 6

  • The Swallows and Artists of Room Delta 2 at Akrotiri, Thera

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1989•Citada por: 1

    The "Spring Fresco" in Room 2 (the "Room of the Lilies") of Building Delta at Akrotiri, Thera is examined as an intact fresco with a known context. Art historical information is used to complement archaeological evidence and vice versa. The swallows and lilies of Delta 2 are attributed to two artists. The painter of the swallows is identified stylistically, and frescoes in Building Beta (antelopes) and Xeste 3 (swallow, young women) are attribute…

  • Against Iphigeneia's Adyton in Three Mainland Temples

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1985•Citada por: 2•Referencias: 1

    An argument is made against the hypothesis that temples of Artemis at Aulis, Brauron and Halai Araphenides (modern Loutsa) had adyta because of Artemis' association with a chthonian Iphigeneia at all three sites. A chronological survey of early testimonia reveals that Iphigeneia is a figure of legend at Aulis, but a goddess or former goddess at Brauron. Her presence at Halai is not documented. Much of Iphigeneia's renown (and our confusion about …

  • Adyton," "Opisthodomos," and the Inner Room of the Greek Temple

    Mary B Hollinshead•ARTICLE•Hesperia The Journal of the…•1999•Citada por: 6

  • The North Court of the Erechtheion and the Ritual of the Plynteria

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•2015•Citada por: 4•Referencias: 13

    The north side of the uncanonical Temple of Athena Polias at Athens, conventionally called the Erechtheion, included a small paved court with banks of steps on the east and on the north against the Acropolis wall. The details of construction indicate that both the marble paving and the steps were built as part of the Erechtheion. This small, secluded North Court is a likely venue for the solemn ceremonies of the Plynteria and the Kallynteria, in …

  • Against Iphigeneia's Adyton in Three Mainland Temples

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1985•Citada por: 2•Referencias: 1

    An argument is made against the hypothesis that temples of Artemis at Aulis, Brauron and Halai Araphenides (modern Loutsa) had adyta because of Artemis' association with a chthonian Iphigeneia at all three sites. A chronological survey of early testimonia reveals that Iphigeneia is a figure of legend at Aulis, but a goddess or former goddess at Brauron. Her presence at Halai is not documented. Much of Iphigeneia's renown (and our confusion about …

  • The Swallows and Artists of Room Delta 2 at Akrotiri, Thera

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1989•Citada por: 1

    The "Spring Fresco" in Room 2 (the "Room of the Lilies") of Building Delta at Akrotiri, Thera is examined as an intact fresco with a known context. Art historical information is used to complement archaeological evidence and vice versa. The swallows and lilies of Delta 2 are attributed to two artists. The painter of the swallows is identified stylistically, and frescoes in Building Beta (antelopes) and Xeste 3 (swallow, young women) are attribute…

  • Against Iphigeneia's Adyton in Three Mainland Temples

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1985•Citada por: 2•Referencias: 1

    An argument is made against the hypothesis that temples of Artemis at Aulis, Brauron and Halai Araphenides (modern Loutsa) had adyta because of Artemis' association with a chthonian Iphigeneia at all three sites. A chronological survey of early testimonia reveals that Iphigeneia is a figure of legend at Aulis, but a goddess or former goddess at Brauron. Her presence at Halai is not documented. Much of Iphigeneia's renown (and our confusion about …

  • The Swallows and Artists of Room Delta 2 at Akrotiri, Thera

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•1989•Citada por: 1

    The "Spring Fresco" in Room 2 (the "Room of the Lilies") of Building Delta at Akrotiri, Thera is examined as an intact fresco with a known context. Art historical information is used to complement archaeological evidence and vice versa. The swallows and lilies of Delta 2 are attributed to two artists. The painter of the swallows is identified stylistically, and frescoes in Building Beta (antelopes) and Xeste 3 (swallow, young women) are attribute…

  • Adyton," "Opisthodomos," and the Inner Room of the Greek Temple

    Mary B Hollinshead•ARTICLE•Hesperia The Journal of the…•1999•Citada por: 6

  • Monumental Steps and the Shaping of Ceremony

    Open Access•Mary B Hollinshead•CHAPTER•Architecture of the Sacred•2012

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Architecture of the Sacred

    Open Access•Joan R Branham, Slobodan Ćurčić et al.•BOOK•Architecture of the Sacred•2012

    In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in whic…

  • Shaping Ceremony

    Mary B Hollinshead, Mary Brooks Berg Hollinshead•BOOK•Shaping ceremony•2015

  • The North Court of the Erechtheion and the Ritual of the Plynteria

    Mary B Hollinshead•ARTICLE•American Journal of Archaeology•2015•Citada por: 4•Referencias: 13

    The north side of the uncanonical Temple of Athena Polias at Athens, conventionally called the Erechtheion, included a small paved court with banks of steps on the east and on the north against the Acropolis wall. The details of construction indicate that both the marble paving and the steps were built as part of the Erechtheion. This small, secluded North Court is a likely venue for the solemn ceremonies of the Plynteria and the Kallynteria, in …

Art (7 obras) · History (7 obras) · Archaeology (6 obras) · Classical Antiquity Studies (6 obras) · Ancient history (5 obras) · Ancient Mediterranean Archaeology and History (5 obras) · History (4 obras) · Ceremony (3 obras) · Visual arts (3 obras) · Architecture (2 obras)

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