Donna Soto-Morettini
Datos Biográficos
| ID | 1710306 |
|---|---|
| NOMBRE | Donna Soto-Morettini |
| NOMBRES | Donna |
| APELLIDO | Soto-Morettini |
| FIRMA | SOTO-MORETTINI D |
| ORCID | 0000-0001-9163-3601 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 1 |
| OBRAS COMO AUTOR | 3 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1984 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2010 |
| ÍNDICE H | 1 |
The philosophical actor
There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human nature unexamined in past treatments, from the first great essay by Diderot to the exhaustive sy…
Disrupting the Spectacle
The last scene of Magnificence sets in motion a recurring exploration in Howard Brenton's work: the fragile distinction between the revolutionary and the terrorist in any attempt to get to the political real. In the play's final moments, the young radical, Jed, threatens Alice, an aging, homosexual, Tory MP, with an explosive gelignite mask which fails to ignite. With an utterly helpless glance, Jed takes in the simultaneous vision of both the bo…
The Visions of Simone Machard
The Visions of Simone Machard
Disrupting the Spectacle
The last scene of Magnificence sets in motion a recurring exploration in Howard Brenton's work: the fragile distinction between the revolutionary and the terrorist in any attempt to get to the political real. In the play's final moments, the young radical, Jed, threatens Alice, an aging, homosexual, Tory MP, with an explosive gelignite mask which fails to ignite. With an utterly helpless glance, Jed takes in the simultaneous vision of both the bo…
The philosophical actor
There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human nature unexamined in past treatments, from the first great essay by Diderot to the exhaustive sy…
Art (2 obras) · Philosophy (2 obras) · Act (philosophy) (1 obra) · Acting (1 obra) · Acting (1 obra) · Acting & Auditioning (1 obra) · Acting & Auditioning (1 obra) · Aesthetics (1 obra) · Hermeneutics and Narrative Identity (1 obra) · Performing arts (1 obra)