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Matthias Mauch

Datos Biográficos

ID1753571
NOMBREMatthias Mauch
NOMBRESMatthias
APELLIDOMauch
FIRMAMAUCH M
AFILIACIONESQueen Mary University of London
ORCID0000-0002-4352-6809
VERIFICADOSí
TOTAL DE OBRAS5
TOTAL DE CITAS0
OBRAS COMO AUTOR5
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2020
ÍNDICE H0
  • On revolutions

    Open Access•Armand M Leroi, Bernd Lambert et al.•ARTICLE•Palgrave Communications•2020

    Sometimes the normal course of events is disrupted by a particularly swift and profound change. Historians have often referred to such changes as “revolutions”, and, though they have identified many of them, they have rarely supported their claims with statistical evidence. Here, we present a method to identify revolutions based on a measure of multivariate rate of change called Foote novelty. We define revolutions as those periods of time when t…

  • The pace of modern culture

    Open Access•Bernd Lambert, Georgios Kontonatsios et al.•ARTICLE•Nature Human Behaviour•2020•Referencias: 92

  • Investigating style evolution of Western classical music

    Open Access•Christof Weiß, Ch Weiß et al.•ARTICLE•Musicae Scientiae•2019

    In musicology, there has been a long debate about a meaningful partitioning and description of music history regarding composition styles. Particularly, concepts of historical periods have been criticized since they cannot account for the continuous and interwoven evolution of style. To systematically study this evolution, large corpora are necessary suggesting the use of computational strategies. This article presents such strategies and experim…

  • TempEst

    Dan Tidhar, György Fazekas et al.•ARTICLE•Journal of New Music Research•2010•Referencias: 6

    Issues concerning tuning and temperament bear relevance to music research in areas such as historical musicology, performance and recording studies, and music perception. We have recently demonstrated that it is possible to classify keyboard temperament automatically from audio recordings of standard musical works to the extent of accurately distinguishing between six different temperaments often used in harpsichord recordings. The current paper …

  • Improving Music Genre Classification Using Automatically Induced Harmony Rules

    Amélie Anglade, E Benetos et al.•ARTICLE•Journal of New Music Research•2010•Referencias: 20

    We present a new genre classification framework using both low-level signal-based features and high-level harmony features. A state-of-the-art statistical genre classifier based on timbral features is extended using a first-order random forest containing for each genre rules derived from harmony or chord sequences. This random forest has been automatically induced, using the first-order logic induction algorithm TILDE, from a dataset, in which fo…

Sin obras prominentes en esta página.

  • TempEst

    Dan Tidhar, György Fazekas et al.•ARTICLE•Journal of New Music Research•2010•Referencias: 6

    Issues concerning tuning and temperament bear relevance to music research in areas such as historical musicology, performance and recording studies, and music perception. We have recently demonstrated that it is possible to classify keyboard temperament automatically from audio recordings of standard musical works to the extent of accurately distinguishing between six different temperaments often used in harpsichord recordings. The current paper …

  • Improving Music Genre Classification Using Automatically Induced Harmony Rules

    Amélie Anglade, E Benetos et al.•ARTICLE•Journal of New Music Research•2010•Referencias: 20

    We present a new genre classification framework using both low-level signal-based features and high-level harmony features. A state-of-the-art statistical genre classifier based on timbral features is extended using a first-order random forest containing for each genre rules derived from harmony or chord sequences. This random forest has been automatically induced, using the first-order logic induction algorithm TILDE, from a dataset, in which fo…

  • Investigating style evolution of Western classical music

    Open Access•Christof Weiß, Ch Weiß et al.•ARTICLE•Musicae Scientiae•2019

    In musicology, there has been a long debate about a meaningful partitioning and description of music history regarding composition styles. Particularly, concepts of historical periods have been criticized since they cannot account for the continuous and interwoven evolution of style. To systematically study this evolution, large corpora are necessary suggesting the use of computational strategies. This article presents such strategies and experim…

  • On revolutions

    Open Access•Armand M Leroi, Bernd Lambert et al.•ARTICLE•Palgrave Communications•2020

    Sometimes the normal course of events is disrupted by a particularly swift and profound change. Historians have often referred to such changes as “revolutions”, and, though they have identified many of them, they have rarely supported their claims with statistical evidence. Here, we present a method to identify revolutions based on a measure of multivariate rate of change called Foote novelty. We define revolutions as those periods of time when t…

  • The pace of modern culture

    Open Access•Bernd Lambert, Georgios Kontonatsios et al.•ARTICLE•Nature Human Behaviour•2020•Referencias: 92

Computer Science (5 obras) · Art (3 obras) · Artificial Intelligence (3 obras) · Music and Audio Processing (3 obras) · Music Technology and Sound Studies (3 obras) · Psychology (3 obras) · Epistemology (2 obras) · Philosophy (2 obras) · Aesthetics (1 obra) · Anthropology (1 obra)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae