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Patrick R Mcnaughton

Datos Biográficos

ID176990
NOMBREPatrick R Mcnaughton
NOMBRESPatrick R
APELLIDOMcnaughton
FIRMAMCNAUGHTON P R
AFILIACIONESIndiana University
VERIFICADONo
TOTAL DE OBRAS29
TOTAL DE CITAS35
TOTAL COMO AUTOR29
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1974
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H4
  • Agency in artistry

    Open Access•Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•Africa•2018•Referencias: 25

    Understanding masquerade performance is a difficult challenge because so many dimensions of expressive culture come together. There are questions of performer ambiguity and secret expertise, the confounding relationships between secular and spiritual, the many aspects of secrecy, and the involvement of higher powers. There is also the basic question of what a performance is supposed to accomplish, and the most fundamental issue of individual iden…

  • A Bird Dance near Saturday City

    Patrick Mcnaughton, Patrick R Mcnaughton•BOOK•Bird Dance near Saturday City•2008

  • Africa

    David Appleyard, Jonathan M Bloom et al.•CHAPTER•2003

  • CD-Roms for Africanists

    Trevor Getz, Trevor R Getz et al.•ARTICLE•African Studies Review•2001

  • "Comments on "Secrets and Lies

    Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•Mande Studies•2000

    COMMENTS ON "SECRETS AND LIES" Patrick McNaughton MypointsIfindcommentsgenerallyofimportance,heretoarebequiteacertainlyresponsegood.fortoTakentheMandeotherasascholars,group,paperstheyinbutthisofferalsovolume,aforgreatawhichmuchmany Ifindgenerallytobequitegood.Takenasagroup,theyofferagreatmany pointsofimportance,certainlyforMandescholars,butalsoforamuch broaderbocfyofstudentsofAfricanstudies,arthistoiy,anthropology,ethnomusicology, folklore,andhis…

  • Malian Antiquities and Contemporary Desire

    Patrick R Mcnaughton•ARTICLE•African Arts•1995•Citada por: 1

    Reflexion sur les restrictions des importations imposees par les Etats-Unis concernant les antiquites du Mali. Le gouvernement et les citoyens auraient tendance a vendre leurs objets d'art. La creation de musees au Mali permettrait de conserver et de proteger sur place le patrimoine

  • Sieberfest

    Patrick Mcnaughton, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1994

  • The Mande Blacksmiths

    Patrick Mcnaughton, Patrick R Mcnaughton•BOOK•The Mande Blacksmiths•1993

    "... finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." -American Ethnologist"The text is detailed and informative, and enjoyable reading... " -Choice"The Mande Blacksmith is an important book... sensitive, sympathetic, multifaceted, and thorough... " -African Arts"McNaughton's Mande Blacksmiths is undeniably the most profound study of …

  • Theoretical Angst and the Myth of Description

    Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•African Arts•1993•Citada por: 1

    I read Don Cosentino's "First Word" and I was moved by it.I have asked similar questions of Africa-and-the-world recently, not just in the area of arts but her entire cultural heritage.Some of my questioning has been motivated by the Martin Beral syndrome in our communities and schools, some by reflections in the commercial press like those in Time that Cosentino cites; but most Bloomington in a Sunday Herald-Times article by Kelly Rota) We want …

  • From Mande Komo to Jukun Akuma

    Patrick R Mcnaughton•ARTICLE•African Arts•1992•Citada por: 7

  • On "African Art and Authenticity" by Sidney Kasfir

    Patrick R Mcnaughton•ARTICLE•African Arts•1992

  • Can We Help Fight Cultural Illiteracy

    Patrick R Mcnaughton•ARTICLE•African Arts•1992

    An amateur astronomy magazine I read has a column very much like "Dialogue."Called "Focal Point," it "invites contributions from readers who wish to comment on contemporary issues in astronomy and space science

  • Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form

    Patrick R Mcnaughton•ARTICLE•African Arts•1991•Citada por: 7

    Response t o the Dilemma of Form I was an early Arnold student, the result of his three non-Western survey courses.As an undergraduate senior I had taken classes in Eastern and all sorts of Western art, but I had never thought about or really even looked at the arts of Africa, the Americas, or Oceania.Arnold was electrifying.For me he showed how complex artworks could be, how they were both intellectual and visceral, dramatic and subtle.He made a…

  • "Social Control" and the Elephants We Scholars Make

    Patrick R Mcnaughton•ARTICLE•African Arts•1991

    Mande people have a deft way of describing insubstantial or unaccomplished people.They liken such individuals to elephants so light they can be carried on one's shoulders.Since the study of other cultures allows us to compound our insights and experience with theirs, I want to alter the Mande perception a bit and use it to reflect upon certain of our scholarly activities.When we think and write about African art we build elephants of our ideas th…

  • "On the Review of "TDR, The Drama Review

    Allen F Roberts, Patrick R Mcnaughton•ARTICLE•African Arts•1990

  • Wild Spirits, Strong Medicine

    T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  • Dokwaza

    Open Access•Patrick R Mcnaughton•ARTICLE•American Anthropologist•1990

  • The Mande Blacksmiths

    David C Conrad, Patrick R Mcnaughton•ARTICLE•The International Journal of…•1990•Citada por: 4

  • The Mande Blacksmiths

    Mahir Şaul, Patrick R Mcnaughton•ARTICLE•Journal of Religion in Africa•1990•Citada por: 2

  • The Mande Blacksmiths

    Serge Genest, Patrick R Mcnaughton•ARTICLE•Canadian Journal of African…•1990

  • Film Reviews

    Open Access•Patrick R Mcnaughton•ARTICLE•American Anthropologist•1989

    Book reviewed in this article: The Tree of Iron . 1988. A film by Peter O'Neill, Frank Muhly, Jr ., and Peter Schmidt The Blooms of Banjeli: Technology and Gender in African Ironmaking . 1986. A film by Carlyn Saltman, Candice Goucher , and Eugenia Herbert

  • The Mande Blacksmiths. Knowledge, Power, and Art in West Africa

    Kate Ezra, Patrick R Mcnaughton•ARTICLE•African Arts•1989•Citada por: 1

  • African Borderland Sculpture

    Patrick R Mcnaughton•ARTICLE•African Arts•1987•Citada por: 3

    The preceding five articles were presented as a panel called "African Borderland Sculpture: Liminal Space in the Study of Style," which I organized for the February 1987 meetings of the College Art Association in Boston.My original call for papers will give an idea of what we had in mind: "Studies of African sculpture style are most fruitful when they include explorations of cultural change and artists' motivations.Politics, commerce, the stature…

  • The Shirts That Mande Hunters Wear

    Patrick R Mcnaughton•ARTICLE•African Arts•1982•Citada por: 6

    The Shirts That Mande Hunters Wear "A tree trunk can stay forever in the water and never become a crocodile."Jirikuru men o men ji la, a te ke bama ye.n the Mande world, hunters are considered by the rest of their society to be extraordinary individuals (Fig.1).If we divide the enterprise of civilization into theory-what a society's ideology says people should be-and practice-what those people actually are-then theoretically Mande hunters hold un…

  • Bamana and Bozo Puppetry of the Segou Region Youth Societies

    Patrick R Mcnaughton, Mary Jo Arnoldi•ARTICLE•African Arts•1980

Siguiente
  • From Mande Komo to Jukun Akuma

    Patrick R Mcnaughton•ARTICLE•African Arts•1992•Citada por: 7

  • Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form

    Patrick R Mcnaughton•ARTICLE•African Arts•1991•Citada por: 7

    Response t o the Dilemma of Form I was an early Arnold student, the result of his three non-Western survey courses.As an undergraduate senior I had taken classes in Eastern and all sorts of Western art, but I had never thought about or really even looked at the arts of Africa, the Americas, or Oceania.Arnold was electrifying.For me he showed how complex artworks could be, how they were both intellectual and visceral, dramatic and subtle.He made a…

  • The Shirts That Mande Hunters Wear

    Patrick R Mcnaughton•ARTICLE•African Arts•1982•Citada por: 6

    The Shirts That Mande Hunters Wear "A tree trunk can stay forever in the water and never become a crocodile."Jirikuru men o men ji la, a te ke bama ye.n the Mande world, hunters are considered by the rest of their society to be extraordinary individuals (Fig.1).If we divide the enterprise of civilization into theory-what a society's ideology says people should be-and practice-what those people actually are-then theoretically Mande hunters hold un…

  • The Mande Blacksmiths

    David C Conrad, Patrick R Mcnaughton•ARTICLE•The International Journal of…•1990•Citada por: 4

  • African Borderland Sculpture

    Patrick R Mcnaughton•ARTICLE•African Arts•1987•Citada por: 3

    The preceding five articles were presented as a panel called "African Borderland Sculpture: Liminal Space in the Study of Style," which I organized for the February 1987 meetings of the College Art Association in Boston.My original call for papers will give an idea of what we had in mind: "Studies of African sculpture style are most fruitful when they include explorations of cultural change and artists' motivations.Politics, commerce, the stature…

  • The Mande Blacksmiths

    Mahir Şaul, Patrick R Mcnaughton•ARTICLE•Journal of Religion in Africa•1990•Citada por: 2

  • Bamana Blacksmiths

    Patrick R Mcnaughton•ARTICLE•African Arts•1979•Citada por: 2

  • Malian Antiquities and Contemporary Desire

    Patrick R Mcnaughton•ARTICLE•African Arts•1995•Citada por: 1

    Reflexion sur les restrictions des importations imposees par les Etats-Unis concernant les antiquites du Mali. Le gouvernement et les citoyens auraient tendance a vendre leurs objets d'art. La creation de musees au Mali permettrait de conserver et de proteger sur place le patrimoine

  • Theoretical Angst and the Myth of Description

    Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•African Arts•1993•Citada por: 1

    I read Don Cosentino's "First Word" and I was moved by it.I have asked similar questions of Africa-and-the-world recently, not just in the area of arts but her entire cultural heritage.Some of my questioning has been motivated by the Martin Beral syndrome in our communities and schools, some by reflections in the commercial press like those in Time that Cosentino cites; but most Bloomington in a Sunday Herald-Times article by Kelly Rota) We want …

  • Wild Spirits, Strong Medicine

    T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  • The Mande Blacksmiths. Knowledge, Power, and Art in West Africa

    Kate Ezra, Patrick R Mcnaughton•ARTICLE•African Arts•1989•Citada por: 1

  • Islam and Tribal Art in West Africa

    Patrick R Mcnaughton, Rene A Bravmann•ARTICLE•African Arts•1974

  • African Images

    Patrick R Mcnaughton, Daniel F Mccall et al.•ARTICLE•African Arts•1976

  • Bamana Blacksmiths

    Patrick R Mcnaughton•ARTICLE•African Arts•1979•Citada por: 2

  • Bamana and Bozo Puppetry of the Segou Region Youth Societies

    Patrick R Mcnaughton, Mary Jo Arnoldi•ARTICLE•African Arts•1980

  • African Weapons

    Patrick R Mcnaughton, Werner Fischer et al.•ARTICLE•African Arts•1980

  • The Shirts That Mande Hunters Wear

    Patrick R Mcnaughton•ARTICLE•African Arts•1982•Citada por: 6

    The Shirts That Mande Hunters Wear "A tree trunk can stay forever in the water and never become a crocodile."Jirikuru men o men ji la, a te ke bama ye.n the Mande world, hunters are considered by the rest of their society to be extraordinary individuals (Fig.1).If we divide the enterprise of civilization into theory-what a society's ideology says people should be-and practice-what those people actually are-then theoretically Mande hunters hold un…

  • African Borderland Sculpture

    Patrick R Mcnaughton•ARTICLE•African Arts•1987•Citada por: 3

    The preceding five articles were presented as a panel called "African Borderland Sculpture: Liminal Space in the Study of Style," which I organized for the February 1987 meetings of the College Art Association in Boston.My original call for papers will give an idea of what we had in mind: "Studies of African sculpture style are most fruitful when they include explorations of cultural change and artists' motivations.Politics, commerce, the stature…

  • Film Reviews

    Open Access•Patrick R Mcnaughton•ARTICLE•American Anthropologist•1989

    Book reviewed in this article: The Tree of Iron . 1988. A film by Peter O'Neill, Frank Muhly, Jr ., and Peter Schmidt The Blooms of Banjeli: Technology and Gender in African Ironmaking . 1986. A film by Carlyn Saltman, Candice Goucher , and Eugenia Herbert

  • The Mande Blacksmiths. Knowledge, Power, and Art in West Africa

    Kate Ezra, Patrick R Mcnaughton•ARTICLE•African Arts•1989•Citada por: 1

  • "On the Review of "TDR, The Drama Review

    Allen F Roberts, Patrick R Mcnaughton•ARTICLE•African Arts•1990

  • Wild Spirits, Strong Medicine

    T O Beidelman, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1990•Citada por: 1

  • Dokwaza

    Open Access•Patrick R Mcnaughton•ARTICLE•American Anthropologist•1990

  • The Mande Blacksmiths

    David C Conrad, Patrick R Mcnaughton•ARTICLE•The International Journal of…•1990•Citada por: 4

  • The Mande Blacksmiths

    Mahir Şaul, Patrick R Mcnaughton•ARTICLE•Journal of Religion in Africa•1990•Citada por: 2

  • The Mande Blacksmiths

    Serge Genest, Patrick R Mcnaughton•ARTICLE•Canadian Journal of African…•1990

  • Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form

    Patrick R Mcnaughton•ARTICLE•African Arts•1991•Citada por: 7

    Response t o the Dilemma of Form I was an early Arnold student, the result of his three non-Western survey courses.As an undergraduate senior I had taken classes in Eastern and all sorts of Western art, but I had never thought about or really even looked at the arts of Africa, the Americas, or Oceania.Arnold was electrifying.For me he showed how complex artworks could be, how they were both intellectual and visceral, dramatic and subtle.He made a…

  • "Social Control" and the Elephants We Scholars Make

    Patrick R Mcnaughton•ARTICLE•African Arts•1991

    Mande people have a deft way of describing insubstantial or unaccomplished people.They liken such individuals to elephants so light they can be carried on one's shoulders.Since the study of other cultures allows us to compound our insights and experience with theirs, I want to alter the Mande perception a bit and use it to reflect upon certain of our scholarly activities.When we think and write about African art we build elephants of our ideas th…

  • From Mande Komo to Jukun Akuma

    Patrick R Mcnaughton•ARTICLE•African Arts•1992•Citada por: 7

  • On "African Art and Authenticity" by Sidney Kasfir

    Patrick R Mcnaughton•ARTICLE•African Arts•1992

  • Can We Help Fight Cultural Illiteracy

    Patrick R Mcnaughton•ARTICLE•African Arts•1992

    An amateur astronomy magazine I read has a column very much like "Dialogue."Called "Focal Point," it "invites contributions from readers who wish to comment on contemporary issues in astronomy and space science

  • The Mande Blacksmiths

    Patrick Mcnaughton, Patrick R Mcnaughton•BOOK•The Mande Blacksmiths•1993

    "... finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." -American Ethnologist"The text is detailed and informative, and enjoyable reading... " -Choice"The Mande Blacksmith is an important book... sensitive, sympathetic, multifaceted, and thorough... " -African Arts"McNaughton's Mande Blacksmiths is undeniably the most profound study of …

  • Theoretical Angst and the Myth of Description

    Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•African Arts•1993•Citada por: 1

    I read Don Cosentino's "First Word" and I was moved by it.I have asked similar questions of Africa-and-the-world recently, not just in the area of arts but her entire cultural heritage.Some of my questioning has been motivated by the Martin Beral syndrome in our communities and schools, some by reflections in the commercial press like those in Time that Cosentino cites; but most Bloomington in a Sunday Herald-Times article by Kelly Rota) We want …

  • Sieberfest

    Patrick Mcnaughton, Patrick R Mcnaughton et al.•ARTICLE•African Arts•1994

  • Malian Antiquities and Contemporary Desire

    Patrick R Mcnaughton•ARTICLE•African Arts•1995•Citada por: 1

    Reflexion sur les restrictions des importations imposees par les Etats-Unis concernant les antiquites du Mali. Le gouvernement et les citoyens auraient tendance a vendre leurs objets d'art. La creation de musees au Mali permettrait de conserver et de proteger sur place le patrimoine

  • "Comments on "Secrets and Lies

    Patrick Mcnaughton, Patrick R Mcnaughton•ARTICLE•Mande Studies•2000

    COMMENTS ON "SECRETS AND LIES" Patrick McNaughton MypointsIfindcommentsgenerallyofimportance,heretoarebequiteacertainlyresponsegood.fortoTakentheMandeotherasascholars,group,paperstheyinbutthisofferalsovolume,aforgreatawhichmuchmany Ifindgenerallytobequitegood.Takenasagroup,theyofferagreatmany pointsofimportance,certainlyforMandescholars,butalsoforamuch broaderbocfyofstudentsofAfricanstudies,arthistoiy,anthropology,ethnomusicology, folklore,andhis…

Art (15 obras) · History (13 obras) · African history and culture studies (12 obras) · Geography (12 obras) · Visual arts (8 obras) · Sociology (7 obras) · Anthropology (5 obras) · Archaeology (5 obras) · Global Maritime and Colonial Histories (5 obras) · History (5 obras)

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