Regula Qureshi
Datos Biográficos
| ID | 178391 |
|---|---|
| NOMBRE | Regula Qureshi |
| NOMBRES | Regula |
| APELLIDO | Qureshi |
| FIRMA | QURESHI R |
| AFILIACIONES | University of Alberta |
| VERIFICADO | No |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAS | 41 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1969 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2011 |
| ÍNDICE H | 3 |
Manifestations of Sainthood in Islam
This collection of papers by various scholars discusses a wide range of practices and beliefs relating to saints in Islam. The studies also demonstrate the influence of sainthood on political structures in many societies
India, Religious musics
India, Chant
India, subcontinent of
India, Religious musics
India, cultural context and musical categories
Indian Chant
Pakistan, Islamic Republic of
How Does Music mean? Embodied Memories and the Politics of Affect in the Indian Sarangi
In this article, I bring the multidimensional sensory medium of music into the anthropological conversation on meaning and embodiment Based on a study of the sarangi that is frankly experiential as well as broadly referenced (India, Pakistan, North America), I explore how an instrument can become an icon of intense affect and performance contexts privileged sites for enacting and contesting cultural memories in the face of hegemonic resign ificat…
The Indian Sarangi
Cet article aborde les multiples significations (symboliques, sociales, economiques, sonores) du sarangi, instrument a cordes frottees de l'Inde. Cet instrument evoque le son de la voix et est souvent associe au chant humain ; la pratique instrumentale revient suelement aux musiciens professionnels hereditaires de l'ancienne tradition classique. L'A. s'est interesse aux effets sonores de cet instrument, a la memoire culturelle qu'il suggere, a sa…
Muslim Devotional
Sufi Music of India and Pakistan
Indo-Muslim Religious Music, an Overview
Ethnomusicological Research among Canadian Communities of Arab and East Indian Origin
he musical life of groups in North America belongs to the less explored phenomena of ethnomusicology, expecially when such groups are urban and of non-European origin. The pioneering contributions made by folklorists tend to be focused on rural groups or, at least, urban groups of a low socio-economic background (folk), as part of an essentially Europeanoriented discipline, applied usually to European materials. On the other hand, ethnomusicologi…
Tarannum
T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…
How Does Music mean? Embodied Memories and the Politics of Affect in the Indian Sarangi
In this article, I bring the multidimensional sensory medium of music into the anthropological conversation on meaning and embodiment Based on a study of the sarangi that is frankly experiential as well as broadly referenced (India, Pakistan, North America), I explore how an instrument can become an icon of intense affect and performance contexts privileged sites for enacting and contesting cultural memories in the face of hegemonic resign ificat…
Muslim Devotional
Indo-Muslim Religious Music, an Overview
The Indian Sarangi
Cet article aborde les multiples significations (symboliques, sociales, economiques, sonores) du sarangi, instrument a cordes frottees de l'Inde. Cet instrument evoque le son de la voix et est souvent associe au chant humain ; la pratique instrumentale revient suelement aux musiciens professionnels hereditaires de l'ancienne tradition classique. L'A. s'est interesse aux effets sonores de cet instrument, a la memoire culturelle qu'il suggere, a sa…
Tarannum
T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…
Tarannum
T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…
Indo-Muslim Religious Music, an Overview
Ethnomusicological Research among Canadian Communities of Arab and East Indian Origin
he musical life of groups in North America belongs to the less explored phenomena of ethnomusicology, expecially when such groups are urban and of non-European origin. The pioneering contributions made by folklorists tend to be focused on rural groups or, at least, urban groups of a low socio-economic background (folk), as part of an essentially Europeanoriented discipline, applied usually to European materials. On the other hand, ethnomusicologi…
Sufi Music of India and Pakistan
Muslim Devotional
The Indian Sarangi
Cet article aborde les multiples significations (symboliques, sociales, economiques, sonores) du sarangi, instrument a cordes frottees de l'Inde. Cet instrument evoque le son de la voix et est souvent associe au chant humain ; la pratique instrumentale revient suelement aux musiciens professionnels hereditaires de l'ancienne tradition classique. L'A. s'est interesse aux effets sonores de cet instrument, a la memoire culturelle qu'il suggere, a sa…
How Does Music mean? Embodied Memories and the Politics of Affect in the Indian Sarangi
In this article, I bring the multidimensional sensory medium of music into the anthropological conversation on meaning and embodiment Based on a study of the sarangi that is frankly experiential as well as broadly referenced (India, Pakistan, North America), I explore how an instrument can become an icon of intense affect and performance contexts privileged sites for enacting and contesting cultural memories in the face of hegemonic resign ificat…
India, Religious musics
India, Chant
India, subcontinent of
India, Religious musics
India, cultural context and musical categories
Indian Chant
Pakistan, Islamic Republic of
Manifestations of Sainthood in Islam
This collection of papers by various scholars discusses a wide range of practices and beliefs relating to saints in Islam. The studies also demonstrate the influence of sainthood on political structures in many societies
History (9 obras) · Art (6 obras) · Ancient history (5 obras) · Literature (5 obras) · Archaeology (4 obras) · Aesthetics (3 obras) · Gender Studies (3 obras) · Islam (3 obras) · Law (3 obras) · Music History and Culture (3 obras)