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Rashmi Devi Sawhney

Datos Biográficos

ID180154
NOMBRERashmi Devi Sawhney
NOMBRESRashmi Devi
APELLIDOSawhney
FIRMASAWHNEY R D
AFILIACIONESNew York University
ORCID0000-0003-4258-4596
VERIFICADOSí
TOTAL DE OBRAS5
TOTAL DE CITAS0
OBRAS COMO AUTOR5
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2012
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0
  • The Indigenous Film and Media Alliance

    Rashmi Devi Sawhney•ARTICLE•Studies in World Cinema•2026

    The Indigenous Film and Media Alliance (IFMA), South Asia, formed in 2024, works to archive Indigenous films, curate screenings, conduct capacity-building workshops, and help generate livelihood options for Indigenous filmmakers and media producers. Reflecting on the IFMA experiment, this article proposes the idea of praxis as a dialectical inter-shaping of grounded action and conceptual thought. It provides a critical commentary on collaborative…

  • The other side of paradise

    Open Access•Rashmi Devi Sawhney•ARTICLE•South Asian Popular Culture•2024•Referencias: 2

  • I Don't Play Games

    Open Access•Amoolya Rajappa, Rashmi Devi Sawhney•ARTICLE•Society and Culture in South Asia•2024•Referencias: 22

    The great impact of media technologies in reordering almost every facet of modern life has been noted by theorists for over a century now, particularly since the idea of the 'global village' imagined by media theorists, and enabled by globalisation and digital technology has become an inescapable reality. The new experience of time and space bears upon various dimensions of life, including the nature of work, the organisation of time and the plac…

  • Shadowing the image archive

    Rashmi Devi Sawhney, Rashmi Sawhney•ARTICLE•Moving Image Review & Art Journal…•2018

    Berlin: Hatje Cantz Verlag, 440 pp., ISBN 9783775741460, hardback, €45

  • The Virtual Reality of Indian Cinema

    Rashmi Devi Sawhney, Rashmi Sawhney•ARTICLE•Interventions•2012

    Cinema and the city are products of modernity but are also rites of passage through which modern individuals become properly constituted, as Walter Benjamin implies, when he suggests that transformations in the perception of time and space are similarly experienced by a person in ‘big-city traffic’ and the spectator of cinema. This essay builds upon the foundations of early twentieth-century scholarship on Euro-American cinema and modernity to fo…

Sin obras prominentes en esta página.

  • The Virtual Reality of Indian Cinema

    Rashmi Devi Sawhney, Rashmi Sawhney•ARTICLE•Interventions•2012

    Cinema and the city are products of modernity but are also rites of passage through which modern individuals become properly constituted, as Walter Benjamin implies, when he suggests that transformations in the perception of time and space are similarly experienced by a person in ‘big-city traffic’ and the spectator of cinema. This essay builds upon the foundations of early twentieth-century scholarship on Euro-American cinema and modernity to fo…

  • Shadowing the image archive

    Rashmi Devi Sawhney, Rashmi Sawhney•ARTICLE•Moving Image Review & Art Journal…•2018

    Berlin: Hatje Cantz Verlag, 440 pp., ISBN 9783775741460, hardback, €45

  • The other side of paradise

    Open Access•Rashmi Devi Sawhney•ARTICLE•South Asian Popular Culture•2024•Referencias: 2

  • I Don't Play Games

    Open Access•Amoolya Rajappa, Rashmi Devi Sawhney•ARTICLE•Society and Culture in South Asia•2024•Referencias: 22

    The great impact of media technologies in reordering almost every facet of modern life has been noted by theorists for over a century now, particularly since the idea of the 'global village' imagined by media theorists, and enabled by globalisation and digital technology has become an inescapable reality. The new experience of time and space bears upon various dimensions of life, including the nature of work, the organisation of time and the plac…

  • The Indigenous Film and Media Alliance

    Rashmi Devi Sawhney•ARTICLE•Studies in World Cinema•2026

    The Indigenous Film and Media Alliance (IFMA), South Asia, formed in 2024, works to archive Indigenous films, curate screenings, conduct capacity-building workshops, and help generate livelihood options for Indigenous filmmakers and media producers. Reflecting on the IFMA experiment, this article proposes the idea of praxis as a dialectical inter-shaping of grounded action and conceptual thought. It provides a critical commentary on collaborative…

Art (3 obras) · Cinema and Media Studies (3 obras) · South Asian Cinema and Culture (3 obras) · Aesthetics (2 obras) · Computer Science (2 obras) · History (2 obras) · Movie theater (2 obras) · Political science (2 obras) · Psychology (2 obras) · Scholarship (2 obras)

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