William Fagg
Datos Biográficos
| ID | 181559 |
|---|---|
| NOMBRE | William Fagg |
| NOMBRES | William |
| APELLIDO | Fagg |
| FIRMA | FAGG W |
| AFILIACIONES | Royal Anthropological Institute |
| VERIFICADO | No |
| TOTAL DE OBRAS | 43 |
| TOTAL DE CITAS | 54 |
| TOTAL COMO AUTOR | 43 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1947 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 1989 |
| ÍNDICE H | 3 |
Africa and the Renaissance
“Africa and the Renaissance: Art in Ivory“ is the eighth exhibition organized by the Center for African Art, New York, now in its fourth year. It explores the artistic and historical relationship between Africa and Renaissance Europe, as revealed by ivory objects sculpted by Africans for Europeans in the fifteenth and sixteenth centuries. The exhibition focuses on 105 carvings, drawn from private collections and museums worldwide, including the M…
To William Fagg
Yoruba
Yoruba Beadwork
African Majesty from Grassland and Forest
Kunst und Religion der Lobi in Westafrika
Masques D'afrique
Treasures of Ancient Nigeria
Primitive Government
Divine Kingship in Africa
The Tribal Image
The Tree of Life
Describes the mythological background of the tree of life, shows examples of this motif in art, and discusses the symbolic meanings associated with trees
The Living Arts of Nigeria
The Living Arts of Nigeria
The Living Arts of Nigeria
The Raffles Gamelan
African Sculpture from the Tara Collection
The African artist
Tribes and Forms in African Art
The Ritual Stools of Ancient Ife
On a Stone Head of Variant Style at Esie, Nigeria
Another Yoruba Hunter's Shrine
Grooved Rocks at Apoje Near Ijebu-Igbo, Western Nigeria
Elek,' a Ritual Sculpture of the Baga of French Guinea
On a Benin Bronze Plaque Representing a Girl
Africa and the Renaissance
“Africa and the Renaissance: Art in Ivory“ is the eighth exhibition organized by the Center for African Art, New York, now in its fourth year. It explores the artistic and historical relationship between Africa and Renaissance Europe, as revealed by ivory objects sculpted by Africans for Europeans in the fifteenth and sixteenth centuries. The exhibition focuses on 105 carvings, drawn from private collections and museums worldwide, including the M…
An Examination of the So-Called 'Olokun' Head of Ife, Nigeria
The 'Olokun' head was first brought to Europe in 1948 for a temporary exhibition. A history of the piece is given. The piece turned out to be a cast from the original. There is no chasing or surface cutting and the surface texture is granular. There is too rauch variation in thickness, and accretions are reproduced in bronze. The authors consider the piece to be a sandcasting from a plaster. The probable sequence of casting is described. -- AATA
Tribes and Forms in African Art
A Bronze Figure in Ife Style at Benin
Grooved Rocks at Apoje Near Ijebu-Igbo, Western Nigeria
The Seligman Ivory Mask from Benin
The Allman Collection of Benin Antiquities
Ironworking with a Stone Hammer Among the Tula of Northern Nigeria
A Master Sculptor of the Eastern Congo
The Ritual Stools of Ancient Ife
Another Yoruba Hunter's Shrine
Elek,' a Ritual Sculpture of the Baga of French Guinea
Two Early Masks from the Dan Tribes in the British Museum
A Nigerian Bronze Figure from the Benin Expedition
L'art nigérien avant Jésus-Christ
Tribal Sculpture and the Festival of Britain
Primitive and Modern Art in London
Two Woodcarvings from the Baga of French Guinea
International Congress of Anthropological and Ethnological Sciences
A Master Sculptor of the Eastern Congo
Primitive and Modern Art in London
An Examination of the So-Called 'Olokun' Head of Ife, Nigeria
The 'Olokun' head was first brought to Europe in 1948 for a temporary exhibition. A history of the piece is given. The piece turned out to be a cast from the original. There is no chasing or surface cutting and the surface texture is granular. There is too rauch variation in thickness, and accretions are reproduced in bronze. The authors consider the piece to be a sandcasting from a plaster. The probable sequence of casting is described. -- AATA
A Bronze Figure in Ife Style at Benin
A Yoruba Xylophone of Unusual Type
De l'art des Yoruba
L'art nigérien avant Jésus-Christ
Tribal Sculpture and the Festival of Britain
Notes on Some West African Americana
The Sibylline Books of Tribal Art
It is a charge commonly levelled by administrators against anthropologists-and by the more materialistic and revolutionary anthropologists against their more conservative colleagues (among whom I count myself)-that they advocate the preservation of primitive peoples as 'museum pieces', sheltered from the harmful influences of civilisation. There is a grain of truth in the taunt-for many an anthropologist must have wondered at times whether this t…
Ironworking with a Stone Hammer Among the Tula of Northern Nigeria
A Nigerian Bronze Figure from the Benin Expedition
The Allman Collection of Benin Antiquities
A Golden Ram Head from Ashanti
Two Early Masks from the Dan Tribes in the British Museum
The Seligman Ivory Mask from Benin
On a Benin Bronze Plaque Representing a Girl
On a Stone Head of Variant Style at Esie, Nigeria
Another Yoruba Hunter's Shrine
Grooved Rocks at Apoje Near Ijebu-Igbo, Western Nigeria
Elek,' a Ritual Sculpture of the Baga of French Guinea
The Ritual Stools of Ancient Ife
Tribes and Forms in African Art
Art (26 obras) · History (22 obras) · Geography (18 obras) · History (18 obras) · Ancient history (12 obras) · Archaeology (12 obras) · Visual arts (12 obras) · African history and culture studies (9 obras) · Global Maritime and Colonial Histories (8 obras) · Philosophy (8 obras)