Nicholas Hengen Fox
Datos Biográficos
| ID | 183424 |
|---|---|
| NOMBRE | Nicholas Hengen Fox |
| NOMBRES | Nicholas Hengen |
| APELLIDO | Fox |
| FIRMA | FOX N H |
| AFILIACIONES | Portland Community College |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 1 |
| OBRAS COMO AUTOR | 4 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 1 |
Can the working-class novel exist today? Maybe
Poetry, Recognition, and Redistribution
This essay engages the mass publication of poetry—ranging from W. H. Auden’s “September 1, 1939” to Lorna Dee Cervantes’s “Palestine” and Amiri Baraka’s “Somebody Blew Up America”—in the months after September 11, 2001. I label this set of texts linked together by near-simultaneous (re)publication a chronocanon. The chronocanon, I argue, can serve as a means by which an oppositional group articulates its position to a broadly construed public and…
Teaching (is not) Activism
A Habermasian Literary Criticism
Among literary scholars, Jürgen Habermas has never been the most popular Frankfurt School thinker. With his "communicative turn" in the early 1980s-a move that, for him, involved rejecting almost completely the political value of the aesthetic-he alienated what few allies he had left in the literary field. Despite this, "A Habermasian Literary Criticism" argues that Habermas's thinking holds serious value for literary studies today. The essay beg…
Teaching (is not) Activism
A Habermasian Literary Criticism
Among literary scholars, Jürgen Habermas has never been the most popular Frankfurt School thinker. With his "communicative turn" in the early 1980s-a move that, for him, involved rejecting almost completely the political value of the aesthetic-he alienated what few allies he had left in the literary field. Despite this, "A Habermasian Literary Criticism" argues that Habermas's thinking holds serious value for literary studies today. The essay beg…
Poetry, Recognition, and Redistribution
This essay engages the mass publication of poetry—ranging from W. H. Auden’s “September 1, 1939” to Lorna Dee Cervantes’s “Palestine” and Amiri Baraka’s “Somebody Blew Up America”—in the months after September 11, 2001. I label this set of texts linked together by near-simultaneous (re)publication a chronocanon. The chronocanon, I argue, can serve as a means by which an oppositional group articulates its position to a broadly construed public and…
Can the working-class novel exist today? Maybe
Law (4 obras) · Political science (4 obras) · Politics (4 obras) · Sociology (4 obras) · Art (2 obras) · Literature (2 obras) · Aesthetics (1 obra) · Artificial Intelligence (1 obra) · Business (1 obra) · Class (philosophy (1 obra)