Paul Van Duin
Datos Biográficos
| ID | 186273 |
|---|---|
| NOMBRE | Paul Van Duin |
| NOMBRES | Paul |
| APELLIDO | Van Duin |
| FIRMA | VAN DUIN P |
| AFILIACIONES | Rijksmuseum |
| ORCID | 0000-0001-9064-849X |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Half models from the Dutch Navy
This study investigates the function of bracket models within the maritime collection of the Rijksmuseum, Amsterdam. These half models, depicting the frames and ribbands of ship hulls, were transferred from the Navy Model Room in the 1880s. While bracket models are believed to have played a role in eighteenth- and nineteenth-century Dutch shipbuilding, their exact purpose remains uncertain. To elucidate their function, the authors examined the to…
Dendrochronological Dating of Northern Netherlandish Furniture from the Late-17th and Early-18th Centuries
Over the last 30 years, more than 70 pieces of furniture from the Rijksmuseum collection (Amsterdam, the Netherlands) have been dated using dendrochronology. Furniture from the northern Netherlands was seldom dated by the maker and never signed, and only a few documents indicating who and when it was made have survived. Here, we present an overview of the research carried out on 17th-century furniture objects from the Rijksmuseum, with a special …
A stepwise multidisciplinary approach to determine the date and provenance of historical wooden objects
We present a stepwise multidisciplinary approach combining woodworking expertise, dendrochronology, DNA genotyping and radiocarbon dating to determine when, where and how historical wooden objects were made. The effective implementation of this approach is demonstrated with a set of wooden stocks from the Rijksmuseum collections in Amsterdam (the Netherlands). In 2019, preceding an exhibition about slavery, stocks made of oak (Quercus sp.) were d…
Gelatine adhesives from mammalian and fish origins for historical art objects conservation
Gelatine adhesives aka ‘animal glues’ are water-soluble biopolymers used in historic objects such as wooden cabinets and panel paintings since ancient times. This paper investigates the correlations between microstructural features, namely triple helices, and macroscopic properties of four different types of gelatine adhesives, prevalently used in conservation practices, irrespective of the animal origin. These adhesives include bovine bone, bovi…
Dating and provenancing the Woman with lantern sculpture – A contribution towards attribution of Netherlandish art
Studying the wood of art objects such as sculptures, panel paintings and furniture can be crucial to elucidate their chronology and production centre. Here we present an approach that considers the provenance of the wood and its potential availability in different areas as a means to identify the provenance of wooden art objects. We illustrate this approach with an interdisciplinary study aimed to determine the date and provenance of the Woman wi…
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allow…
Dating and provenancing the Woman with lantern sculpture – A contribution towards attribution of Netherlandish art
Studying the wood of art objects such as sculptures, panel paintings and furniture can be crucial to elucidate their chronology and production centre. Here we present an approach that considers the provenance of the wood and its potential availability in different areas as a means to identify the provenance of wooden art objects. We illustrate this approach with an interdisciplinary study aimed to determine the date and provenance of the Woman wi…
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allow…
Dating and provenancing the Woman with lantern sculpture – A contribution towards attribution of Netherlandish art
Studying the wood of art objects such as sculptures, panel paintings and furniture can be crucial to elucidate their chronology and production centre. Here we present an approach that considers the provenance of the wood and its potential availability in different areas as a means to identify the provenance of wooden art objects. We illustrate this approach with an interdisciplinary study aimed to determine the date and provenance of the Woman wi…
Integrating expert feedback on the spot in a time-efficient explorative CT scanning workflow for cultural heritage objects
Computed Tomography (CT) has proven itself as a powerful technique for analysing the internal structure of cultural heritage objects. The process followed by conservators and technical art historians for investigating an object is explorative: each time a new question is asked based on the outcome of the previous investigation. This workflow however conflicts with the static nature of CT imaging, where the planning, execution and image analysis f…
Dendrochronological Dating of Northern Netherlandish Furniture from the Late-17th and Early-18th Centuries
Over the last 30 years, more than 70 pieces of furniture from the Rijksmuseum collection (Amsterdam, the Netherlands) have been dated using dendrochronology. Furniture from the northern Netherlands was seldom dated by the maker and never signed, and only a few documents indicating who and when it was made have survived. Here, we present an overview of the research carried out on 17th-century furniture objects from the Rijksmuseum, with a special …
A stepwise multidisciplinary approach to determine the date and provenance of historical wooden objects
We present a stepwise multidisciplinary approach combining woodworking expertise, dendrochronology, DNA genotyping and radiocarbon dating to determine when, where and how historical wooden objects were made. The effective implementation of this approach is demonstrated with a set of wooden stocks from the Rijksmuseum collections in Amsterdam (the Netherlands). In 2019, preceding an exhibition about slavery, stocks made of oak (Quercus sp.) were d…
Gelatine adhesives from mammalian and fish origins for historical art objects conservation
Gelatine adhesives aka ‘animal glues’ are water-soluble biopolymers used in historic objects such as wooden cabinets and panel paintings since ancient times. This paper investigates the correlations between microstructural features, namely triple helices, and macroscopic properties of four different types of gelatine adhesives, prevalently used in conservation practices, irrespective of the animal origin. These adhesives include bovine bone, bovi…
Half models from the Dutch Navy
This study investigates the function of bracket models within the maritime collection of the Rijksmuseum, Amsterdam. These half models, depicting the frames and ribbands of ship hulls, were transferred from the Navy Model Room in the 1880s. While bracket models are believed to have played a role in eighteenth- and nineteenth-century Dutch shipbuilding, their exact purpose remains uncertain. To elucidate their function, the authors examined the to…
Archaeology (4 obras) · Archaeology and ancient environmental studies (3 obras) · Art (3 obras) · Cultural Heritage Materials Analysis (3 obras) · History (3 obras) · Visual arts (3 obras) · Art history (2 obras) · Artificial Intelligence (2 obras) · Biology (2 obras) · Computer Science (2 obras)