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Nataša Kovačević

Datos Biográficos

ID200489
NOMBRENataša Kovačević
NOMBRESNataša
APELLIDOKovačević
FIRMAKOVAČEVIĆ N
AFILIACIONESEastern Michigan University
ORCID0000-0002-3945-0952
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS5
OBRAS COMO AUTOR11
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2003
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Dark Tetrad Traits and Mental and Physical Health

    Open Access•Bojana M Dinić, Nataša Kovačević•ARTICLE•International Journal of Psychology•2026

    This correlational, cross-sectional study examined the mediating role of coping strategies (emotion-oriented, task-oriented and avoidant coping) in relationships between Dark Tetrad traits at the facet level and mental and physical health on a sample of 492 adults. Results of mediation analysis showed that secondary psychopathy and Machiavellianism were directly associated with poorer mental health, while narcissistic admiration and primary psych…

  • Guest Workers and Non-Aligned Friends

    Nataša Kovačević•ARTICLE•Comparative Literature Studies•2022

    This article examines the intersections of historic and contemporary trajectories of migration in Želimir Žilnik’s latest films. Docudrama Logbook Serbistan (2015) and feature film The Most Beautiful Country in the World (2018) focus on contemporary African and Asian migrants who cross the Balkan route to the European Union. Both films place in conversation the histories of emigration to western Europe from (post)colonial countries and (post)soci…

  • Dissolving into the sea

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Postcolonial Studies•2019•Citada por: 2

    Films about irregular migration to Europe that centre on the Mediterranean sea crossing often unwittingly strengthen the regime of migrant (in)visibility furthered by sensationalist media, which include topoi of shipwrecks, dramatic rescues, and body bags. Such films’ imagery of the Mediterranean as a metaphorical space of transformation into living death, actual death, or paradisiacal life also suggests that the identity of the migrant is indete…

  • Uncommon Alliances

    Nataša Kovačević, Nataša Žunić Kovačević•BOOK•Uncommon Alliances•2018

    Examines European Union’s neocolonial sovereignty in cultural narratives of migration Uncommon Alliances: Cultural Narratives of Migration in the New Europe takes a critical stance toward both assimilationist and multicultural imaginings of community in the European Union that occlude neocolonial relations of dependence and exclusion. Bringing into conversation postcolonial and post-communist migration narratives from Africa, Asia and Eastern Eur…

  • Introduction

    Nataša Kovačević•ARTICLE•Journal of Narrative Theory•2014•Citada por: 1•Referencias: 8

  • Storming the Eu Fortress

    Nataša Kovačević•ARTICLE•Cultural Critique•2013•Citada por: 1•Referencias: 6

  • Europe as Host/Hostage

    Nataša Kovačević•ARTICLE•Interventions•2012

    The legacies of European colonialism continue under the auspices of the European Union, as reflected in contemporary discriminatory policies towards immigrants from former colonies and Europe's postcommunist fringes. Across EU metropolises, the discourse of multiculturalism has become a damage-control mechanism for violence and disenfranchisement stemming from virtual political and economic apartheid. Contemporary cultural texts, including film a…

  • Narrating Post/Communism

    Nataša Kovačević, Nataša Žunić Kovačević•BOOK•Narrating post/communism•2008

    The transition of communist Eastern Europe to capitalist democracy post-1989 and in the aftermath of the Yugoslav wars has focused much scholarly attention - in history, political science and literature - on the fostering of new identities across Eastern European countries in the absence of the old communist social and ideological frameworks. This book examines an important, but hitherto largely neglected, part of this story: the ways in which th…

  • Yugoslavia, an 'Almost Forbidden Word' Cultural policy in times of nationalism-interview with Dubravka Ugresic

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Women & Performance a journal of…•2007•Citada por: 1

    In the 1990s wars in former Yugoslavia many intellectuals, including writers, artists, and scholars, supported nationalist right-wing regimes and promoted narratives of national exceptionalism to justify relevant political decisions and cultural policies. The intellectuals who opposed these regimes were frequently silenced (censored and/or assassinated) and many of them eventually left the country. The following interview features the renowned wr…

  • Linguistic imperialism revisited

    Open Access•Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•World Englishes•2004•Referencias: 3

  • East of West

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Theatre Journal•2003

    At the beginning of their eclectic anthology, East of West: Cross-Cultural Performance and the Staging of Difference, Claire Sponsler and Xiaomei Chen distance themselves from a "mere" textual exegesis of intercultural performance forms and transfer the spotlight of critical attention to social contexts in which such performances are produced. To the editors, it is important to look at "intercultural performance as a social act, examining what ha…

  • Dissolving into the sea

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Postcolonial Studies•2019•Citada por: 2

    Films about irregular migration to Europe that centre on the Mediterranean sea crossing often unwittingly strengthen the regime of migrant (in)visibility furthered by sensationalist media, which include topoi of shipwrecks, dramatic rescues, and body bags. Such films’ imagery of the Mediterranean as a metaphorical space of transformation into living death, actual death, or paradisiacal life also suggests that the identity of the migrant is indete…

  • Introduction

    Nataša Kovačević•ARTICLE•Journal of Narrative Theory•2014•Citada por: 1•Referencias: 8

  • Storming the Eu Fortress

    Nataša Kovačević•ARTICLE•Cultural Critique•2013•Citada por: 1•Referencias: 6

  • Yugoslavia, an 'Almost Forbidden Word' Cultural policy in times of nationalism-interview with Dubravka Ugresic

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Women & Performance a journal of…•2007•Citada por: 1

    In the 1990s wars in former Yugoslavia many intellectuals, including writers, artists, and scholars, supported nationalist right-wing regimes and promoted narratives of national exceptionalism to justify relevant political decisions and cultural policies. The intellectuals who opposed these regimes were frequently silenced (censored and/or assassinated) and many of them eventually left the country. The following interview features the renowned wr…

  • East of West

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Theatre Journal•2003

    At the beginning of their eclectic anthology, East of West: Cross-Cultural Performance and the Staging of Difference, Claire Sponsler and Xiaomei Chen distance themselves from a "mere" textual exegesis of intercultural performance forms and transfer the spotlight of critical attention to social contexts in which such performances are produced. To the editors, it is important to look at "intercultural performance as a social act, examining what ha…

  • Linguistic imperialism revisited

    Open Access•Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•World Englishes•2004•Referencias: 3

  • Yugoslavia, an 'Almost Forbidden Word' Cultural policy in times of nationalism-interview with Dubravka Ugresic

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Women & Performance a journal of…•2007•Citada por: 1

    In the 1990s wars in former Yugoslavia many intellectuals, including writers, artists, and scholars, supported nationalist right-wing regimes and promoted narratives of national exceptionalism to justify relevant political decisions and cultural policies. The intellectuals who opposed these regimes were frequently silenced (censored and/or assassinated) and many of them eventually left the country. The following interview features the renowned wr…

  • Narrating Post/Communism

    Nataša Kovačević, Nataša Žunić Kovačević•BOOK•Narrating post/communism•2008

    The transition of communist Eastern Europe to capitalist democracy post-1989 and in the aftermath of the Yugoslav wars has focused much scholarly attention - in history, political science and literature - on the fostering of new identities across Eastern European countries in the absence of the old communist social and ideological frameworks. This book examines an important, but hitherto largely neglected, part of this story: the ways in which th…

  • Europe as Host/Hostage

    Nataša Kovačević•ARTICLE•Interventions•2012

    The legacies of European colonialism continue under the auspices of the European Union, as reflected in contemporary discriminatory policies towards immigrants from former colonies and Europe's postcommunist fringes. Across EU metropolises, the discourse of multiculturalism has become a damage-control mechanism for violence and disenfranchisement stemming from virtual political and economic apartheid. Contemporary cultural texts, including film a…

  • Storming the Eu Fortress

    Nataša Kovačević•ARTICLE•Cultural Critique•2013•Citada por: 1•Referencias: 6

  • Introduction

    Nataša Kovačević•ARTICLE•Journal of Narrative Theory•2014•Citada por: 1•Referencias: 8

  • Uncommon Alliances

    Nataša Kovačević, Nataša Žunić Kovačević•BOOK•Uncommon Alliances•2018

    Examines European Union’s neocolonial sovereignty in cultural narratives of migration Uncommon Alliances: Cultural Narratives of Migration in the New Europe takes a critical stance toward both assimilationist and multicultural imaginings of community in the European Union that occlude neocolonial relations of dependence and exclusion. Bringing into conversation postcolonial and post-communist migration narratives from Africa, Asia and Eastern Eur…

  • Dissolving into the sea

    Nataša Kovačević, Nataša Žunić Kovačević•ARTICLE•Postcolonial Studies•2019•Citada por: 2

    Films about irregular migration to Europe that centre on the Mediterranean sea crossing often unwittingly strengthen the regime of migrant (in)visibility furthered by sensationalist media, which include topoi of shipwrecks, dramatic rescues, and body bags. Such films’ imagery of the Mediterranean as a metaphorical space of transformation into living death, actual death, or paradisiacal life also suggests that the identity of the migrant is indete…

  • Guest Workers and Non-Aligned Friends

    Nataša Kovačević•ARTICLE•Comparative Literature Studies•2022

    This article examines the intersections of historic and contemporary trajectories of migration in Želimir Žilnik’s latest films. Docudrama Logbook Serbistan (2015) and feature film The Most Beautiful Country in the World (2018) focus on contemporary African and Asian migrants who cross the Balkan route to the European Union. Both films place in conversation the histories of emigration to western Europe from (post)colonial countries and (post)soci…

  • Dark Tetrad Traits and Mental and Physical Health

    Open Access•Bojana M Dinić, Nataša Kovačević•ARTICLE•International Journal of Psychology•2026

    This correlational, cross-sectional study examined the mediating role of coping strategies (emotion-oriented, task-oriented and avoidant coping) in relationships between Dark Tetrad traits at the facet level and mental and physical health on a sample of 492 adults. Results of mediation analysis showed that secondary psychopathy and Machiavellianism were directly associated with poorer mental health, while narcissistic admiration and primary psych…

Political science (9 obras) · Law (7 obras) · Politics (7 obras) · Sociology (7 obras) · History (5 obras) · Art (4 obras) · Colonialism (4 obras) · Political economy (4 obras) · Aesthetics (3 obras) · Balkans: History, Politics, Society (3 obras)

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