Timon Beyes
Datos Biográficos
| ID | 201409 |
|---|---|
| NOMBRE | Timon Beyes |
| NOMBRES | Timon |
| APELLIDO | Beyes |
| FIRMA | BEYES T |
| AFILIACIONES | Copenhagen Business School |
| ORCID | 0000-0001-7114-2717 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAS | 147 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2005 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 6 |
Organizing Counterpublics
Writings on counterpublics, publicness and the public realm present a theoretical and empirical dialectic of a public sphere in the singular and multiple counterpublics. We update and relocate this interplay by situating our paper in present-day Russia and the protests against the invasion of Ukraine. Through exemplary scenes of counterpublicness, and drawing upon Russian and Western scholarship, we develop a notion of counterpublics as a minimal…
Staying with the Secret
Investigating the structural transformation of the public sphere should reckon with the secret and its modes of organization. The expansion of secrecy effected by the infrastructures, platforms, and applications of media technology is constitutive for the emergence and transformation of 'digital publics'. Offering a rereading of Habermas's Structural Transformation of the Public Sphere that is attuned to the organizational principle of secrecy, t…
The organizational powers of (digital) media
Digital media are pervasive, ubiquitous and mundane constituents of organization. Organized life relies on, and is propelled by, technologies that store, transmit and process data and are based on networked computation. How can we understand and explore the fundamental mediatedness of organization? This article contextualizes and introduces the special issue on ‘The organizational powers of (digital) media’ by staging an encounter between organiz…
The Oxford Handbook of Media, Technology, and Organization Studies
Humans are woven with technology; since their inception in myth, tools – things ready to hand for use – have been what defines us. Understood prosthetically, they are extensions of our physiological and sensory apparatus. Our most basic relationship with the world is thus a technological one. Rather than simply an array of instrumental equipment that enables the creation of end products, technology sets our skills, our understanding, and our acti…
The Media Arcane
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Mischverhältnisse Zur Beziehung von Medien- und Organisationstheorie
Performing the Digital
How is performativity shaped by digital media – and how do performance practices themselves reflect and alter techno-social configurations? Performing the Digital inquires into the technological terms and conditions of performance and performance studies, and maps and theorizes the registers of performance at work in digital cultures. The contributions range from the performativity of algorithms and digital devices to the modulation of affect, at…
Adorno's grey, Taussig's blue
In this article, we seek to open up the study of affect and organization to colour. Often simply taken for granted in organizational life and usually neglected in organizational thought, colour is an affective force by default. Deploying and interweaving the languages of affect theory, critical theory and organization studies, we discuss colour as a primary phenomenon for the study of 'critical affect'. We then trace colour's affect in conditioni…
Art, aesthetics and organization
Strangely Familiar
This paper focuses on the aesthetics of the uncanny to inquire into and perform affective sites of organizing that are imbued with feelings of uncertainty and uneasiness. We argue that the uncanny forms an 'unconcept' that allows us to think and apprehend 'white spaces' of organization not as new or other spaces but through a process of relating intensively with the conventional places, streets and squares that form the backdrop to everyday life.…
Spacing organization
This article connects to and extends the attempts to bring space back into critical organizational theory, which, we argue, has mainly been based on the socio-spatial perspective as pioneered by Henri Lefebvre. Taking issue with the various ways in which Lefebvre’s work can be interpreted, we develop an alternative route. Adopting a mode of non-representational theorizing as outlined in human geography, we propose the concept of ‘spacing’, which …
The ontological politics of artistic interventions
The aim of our article is to reflect upon intervention as a threshold where art and action research meet. For this, we will relate calls to apply the capacity of the performing arts to the social sciences to examples of neo-avant-garde art practices which show a renewed interest in (intervening into) the everyday production of public space. We recount and analyze two vignettes of artistic interventions to illustrate the politico-aesthetic power o…
Uncontained
The aim of this paper is to explore (a vocabulary for) the potential effects of urban artistic interventions on the configuration of city space. It engages with a particular art project that took place in Vienna, Austria, in the summer of 2000. Through juxtaposing descriptions of the particular time space of the intervention with reflections on how the ensuing excess of spatial trajectories disrupts urban orders, I seek to illustrate the potentia…
Spaces of Intensity – Urban Entrepreneurship as Redistribution of the Sensible
Strategizing in NPOs
This article presents the main results of a longitudinal case study of a strategic change process in a cooperative bank. Pursuing both a “social” mission and an explicitly economic rationale, this particular nonprofit organization provides an exemplary research setting for inquiring into the delicate and contradictory interplay of mission focus and commercial imperatives. Departing from the practice perspective as a micro-view on everyday strateg…
Justifying Theatre in Organisational Analysis
Drawing upon recent developments in “post‐dramatic theatre”, this article inquires how the aesthetics and art of theatre has been justified and used in the organisational context and tries to re‐imagine possible relations between theatre and organisation. Referring to the simultaneously provocative and self‐reflective staging of Dostojevski’s “The Idiot” by the German director Castorf, we suggest to break up an all‐too‐easily established relation…
Commentary on Hasenfeld and Gidron
Discussing the state of research on non-profit organizations, DiMaggio (2003) identified three fallacies that, from his point of view, characterize much thinking about non-profit organisations. Fir
Spacing organization
This article connects to and extends the attempts to bring space back into critical organizational theory, which, we argue, has mainly been based on the socio-spatial perspective as pioneered by Henri Lefebvre. Taking issue with the various ways in which Lefebvre’s work can be interpreted, we develop an alternative route. Adopting a mode of non-representational theorizing as outlined in human geography, we propose the concept of ‘spacing’, which …
The ontological politics of artistic interventions
The aim of our article is to reflect upon intervention as a threshold where art and action research meet. For this, we will relate calls to apply the capacity of the performing arts to the social sciences to examples of neo-avant-garde art practices which show a renewed interest in (intervening into) the everyday production of public space. We recount and analyze two vignettes of artistic interventions to illustrate the politico-aesthetic power o…
Strangely Familiar
This paper focuses on the aesthetics of the uncanny to inquire into and perform affective sites of organizing that are imbued with feelings of uncertainty and uneasiness. We argue that the uncanny forms an 'unconcept' that allows us to think and apprehend 'white spaces' of organization not as new or other spaces but through a process of relating intensively with the conventional places, streets and squares that form the backdrop to everyday life.…
Uncontained
The aim of this paper is to explore (a vocabulary for) the potential effects of urban artistic interventions on the configuration of city space. It engages with a particular art project that took place in Vienna, Austria, in the summer of 2000. Through juxtaposing descriptions of the particular time space of the intervention with reflections on how the ensuing excess of spatial trajectories disrupts urban orders, I seek to illustrate the potentia…
Strategizing in NPOs
This article presents the main results of a longitudinal case study of a strategic change process in a cooperative bank. Pursuing both a “social” mission and an explicitly economic rationale, this particular nonprofit organization provides an exemplary research setting for inquiring into the delicate and contradictory interplay of mission focus and commercial imperatives. Departing from the practice perspective as a micro-view on everyday strateg…
Staying with the Secret
Investigating the structural transformation of the public sphere should reckon with the secret and its modes of organization. The expansion of secrecy effected by the infrastructures, platforms, and applications of media technology is constitutive for the emergence and transformation of 'digital publics'. Offering a rereading of Habermas's Structural Transformation of the Public Sphere that is attuned to the organizational principle of secrecy, t…
Adorno's grey, Taussig's blue
In this article, we seek to open up the study of affect and organization to colour. Often simply taken for granted in organizational life and usually neglected in organizational thought, colour is an affective force by default. Deploying and interweaving the languages of affect theory, critical theory and organization studies, we discuss colour as a primary phenomenon for the study of 'critical affect'. We then trace colour's affect in conditioni…
Organizing Counterpublics
Writings on counterpublics, publicness and the public realm present a theoretical and empirical dialectic of a public sphere in the singular and multiple counterpublics. We update and relocate this interplay by situating our paper in present-day Russia and the protests against the invasion of Ukraine. Through exemplary scenes of counterpublicness, and drawing upon Russian and Western scholarship, we develop a notion of counterpublics as a minimal…
The Media Arcane
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Justifying Theatre in Organisational Analysis
Drawing upon recent developments in “post‐dramatic theatre”, this article inquires how the aesthetics and art of theatre has been justified and used in the organisational context and tries to re‐imagine possible relations between theatre and organisation. Referring to the simultaneously provocative and self‐reflective staging of Dostojevski’s “The Idiot” by the German director Castorf, we suggest to break up an all‐too‐easily established relation…
Commentary on Hasenfeld and Gidron
Discussing the state of research on non-profit organizations, DiMaggio (2003) identified three fallacies that, from his point of view, characterize much thinking about non-profit organisations. Fir
Justifying Theatre in Organisational Analysis
Drawing upon recent developments in “post‐dramatic theatre”, this article inquires how the aesthetics and art of theatre has been justified and used in the organisational context and tries to re‐imagine possible relations between theatre and organisation. Referring to the simultaneously provocative and self‐reflective staging of Dostojevski’s “The Idiot” by the German director Castorf, we suggest to break up an all‐too‐easily established relation…
Spaces of Intensity – Urban Entrepreneurship as Redistribution of the Sensible
Strategizing in NPOs
This article presents the main results of a longitudinal case study of a strategic change process in a cooperative bank. Pursuing both a “social” mission and an explicitly economic rationale, this particular nonprofit organization provides an exemplary research setting for inquiring into the delicate and contradictory interplay of mission focus and commercial imperatives. Departing from the practice perspective as a micro-view on everyday strateg…
Uncontained
The aim of this paper is to explore (a vocabulary for) the potential effects of urban artistic interventions on the configuration of city space. It engages with a particular art project that took place in Vienna, Austria, in the summer of 2000. Through juxtaposing descriptions of the particular time space of the intervention with reflections on how the ensuing excess of spatial trajectories disrupts urban orders, I seek to illustrate the potentia…
Spacing organization
This article connects to and extends the attempts to bring space back into critical organizational theory, which, we argue, has mainly been based on the socio-spatial perspective as pioneered by Henri Lefebvre. Taking issue with the various ways in which Lefebvre’s work can be interpreted, we develop an alternative route. Adopting a mode of non-representational theorizing as outlined in human geography, we propose the concept of ‘spacing’, which …
The ontological politics of artistic interventions
The aim of our article is to reflect upon intervention as a threshold where art and action research meet. For this, we will relate calls to apply the capacity of the performing arts to the social sciences to examples of neo-avant-garde art practices which show a renewed interest in (intervening into) the everyday production of public space. We recount and analyze two vignettes of artistic interventions to illustrate the politico-aesthetic power o…
Strangely Familiar
This paper focuses on the aesthetics of the uncanny to inquire into and perform affective sites of organizing that are imbued with feelings of uncertainty and uneasiness. We argue that the uncanny forms an 'unconcept' that allows us to think and apprehend 'white spaces' of organization not as new or other spaces but through a process of relating intensively with the conventional places, streets and squares that form the backdrop to everyday life.…
Art, aesthetics and organization
Performing the Digital
How is performativity shaped by digital media – and how do performance practices themselves reflect and alter techno-social configurations? Performing the Digital inquires into the technological terms and conditions of performance and performance studies, and maps and theorizes the registers of performance at work in digital cultures. The contributions range from the performativity of algorithms and digital devices to the modulation of affect, at…
Adorno's grey, Taussig's blue
In this article, we seek to open up the study of affect and organization to colour. Often simply taken for granted in organizational life and usually neglected in organizational thought, colour is an affective force by default. Deploying and interweaving the languages of affect theory, critical theory and organization studies, we discuss colour as a primary phenomenon for the study of 'critical affect'. We then trace colour's affect in conditioni…
Mischverhältnisse Zur Beziehung von Medien- und Organisationstheorie
The organizational powers of (digital) media
Digital media are pervasive, ubiquitous and mundane constituents of organization. Organized life relies on, and is propelled by, technologies that store, transmit and process data and are based on networked computation. How can we understand and explore the fundamental mediatedness of organization? This article contextualizes and introduces the special issue on ‘The organizational powers of (digital) media’ by staging an encounter between organiz…
The Oxford Handbook of Media, Technology, and Organization Studies
Humans are woven with technology; since their inception in myth, tools – things ready to hand for use – have been what defines us. Understood prosthetically, they are extensions of our physiological and sensory apparatus. Our most basic relationship with the world is thus a technological one. Rather than simply an array of instrumental equipment that enables the creation of end products, technology sets our skills, our understanding, and our acti…
The Media Arcane
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Staying with the Secret
Investigating the structural transformation of the public sphere should reckon with the secret and its modes of organization. The expansion of secrecy effected by the infrastructures, platforms, and applications of media technology is constitutive for the emergence and transformation of 'digital publics'. Offering a rereading of Habermas's Structural Transformation of the Public Sphere that is attuned to the organizational principle of secrecy, t…
Organizing Counterpublics
Writings on counterpublics, publicness and the public realm present a theoretical and empirical dialectic of a public sphere in the singular and multiple counterpublics. We update and relocate this interplay by situating our paper in present-day Russia and the protests against the invasion of Ukraine. Through exemplary scenes of counterpublicness, and drawing upon Russian and Western scholarship, we develop a notion of counterpublics as a minimal…
Political science (11 obras) · Sociology (11 obras) · Computer Science (6 obras) · Epistemology (6 obras) · Aesthetics (5 obras) · Art (5 obras) · Law (5 obras) · Law (5 obras) · Management and Organizational Studies (5 obras) · Philosophy (5 obras)