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Robert Genter

Datos Biográficos

ID201475
NOMBRERobert Genter
NOMBRESRobert
APELLIDOGenter
FIRMAGENTER R
AFILIACIONESNassau Community College
VERIFICADONo
TOTAL DE OBRAS17
TOTAL DE CITAS16
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2006
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Policing Show Business

    Open Access•Robert Genter•ARTICLE•Journal of American History•2026

  • “I Have No Past Life at All”

    Robert Genter•ARTICLE•Interdisciplinary Literary Studies•2020

    Although often linked in literary history to Beat writers such as Allen Ginsberg and Jack Kerouac, who upturned literary conventions in the 1950s by transforming the art of personal revelation into an aesthetic form, William Burroughs shared little interest in the desire of his friends to expose their deepest secrets to their literary audiences. He argued instead that their poetics of revelation actually played into the hands of the rising nation…

  • Stephen R. Duncan. The Rebel Café

    Open Access•Robert Genter•ARTICLE•The American Historical Review•2020

    In 1955, Allen Ginsberg gave his first public reading of his poem “Howl” at the Six Gallery in San Francisco, a performance and a jeremiad that brought the Beat Generation and the postwar literary renaissance in northern California in general to national attention. In his discussion of this literary event in The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground, historian Stephen Duncan reminds us that Ginsberg’s per…

  • When the Movies Mattered

    Open Access•Robert Genter•ARTICLE•Journal of American History•2020•Citada por: 1

    On December 8, 1967, the cover of Time announced the arrival of the “new Hollywood” following the success of Arthur Penn's Bonnie and Clyde (1967), a film that supposedly marked the end of a long-standing box office slump in the motion picture industry. Since then, the phrase “new Hollywood” has come to signify the grittier, more realistic films of Robert Altman, Martin Scorsese, Roman Polanski, Sidney Lumet, and other directors from the late 196…

  • An Unusual and Peculiar Relationship”

    Robert Genter, Robert Byron Genter•ARTICLE•Journal of the History of Sexuality•2019•Referencias: 7

  • Constructing a Plan for Survival

    Open Access•Robert Genter•ARTICLE•Religion and American Culture A…•2017•Referencias: 8

    Developed in the early 1950s by science fiction writer L. Ron Hubbard, Scientology was part of the larger postwar therapeutic culture that blended religion and psychology in a search for mental well-being. Unlike contemporaneous self-help gurus such as Norman Vincent Peale and Harry Overstreet, however, Hubbard painted a much bleaker portrait of modern life, one rife with forces of psychological and social control. Railing against communists, hom…

  • Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s

    Robert Genter•ARTICLE•The American Historical Review•2016

    Journal Article Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s: A Geopolitics of Western Art Worlds. Get access Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s: A Geopolitics of Western Art Worlds. Burlington, Vt.: Ashgate Publishing Co., 2015. Pp. x, 312. $119.95. Robert Genter Robert Genter Nassau Community College [email protected] Search for other works by this author on: Oxford Academic Google Scholar T…

  • Captain America, Masculinity, and Violence

    Robert Genter•ARTICLE•Journal of American History•2016•Citada por: 1

  • Understanding the Pow Experience

    Open Access•Robert Genter•ARTICLE•Journal of the History of the…•2015•Referencias: 35

    Facing accusations about weak military discipline following the supposedly poor behavior of American soldiers held captive during the Korean War, President Dwight Eisenhower instituted a Code of Conduct for the Armed Services in 1955. In response, military leaders hired numerous social and behavioral scientists to investigate the nature of the prisoner‐of‐war (POW) experience. These researchers not only challenged official government accounts of …

  • Debunking the Really Soft Sell

    Robert Genter•ARTICLE•Cultural Studies•2014

  • Art Interrupted

    Open Access•Robert Genter•ARTICLE•The Journal of American Culture•2013

  • American Literature and Culture in an Age of Cold War

    Robert Genter•ARTICLE•Journal of American History•2013

    The essays in American Literature and Culture in an Age of Cold War remind us once again that scholars working outside the history profession are currently producing some of the most innovative work in the field of Cold War studies. Inspired by the pathbreaking works of the literary critics Alan Nadel and Thomas Schaub, which link the U.S. policy of containment to corresponding efforts to contain domestic dissent, the editors of this collection h…

  • Sports and American Art from Benjamin West to Andy Warhol

    Robert Genter•ARTICLE•Journal of American History•2012

    Journal Article Sports and American Art from Benjamin West to Andy Warhol Get access Sports and American Art from Benjamin West to Andy Warhol. By Allen Guttmann. (Amherst: University of Massachusetts Press, 2011. xviii, 277 pp. $39.95, ISBN978-1-55849-874-7.) Robert Genter Robert Genter Nassau Community CollegeGarden City, New York [email protected] Search for other works by this author on: Oxford Academic Google Scholar Journal of American His…

  • We All Go a Little Mad Sometimes”

    Robert Genter•ARTICLE•Canadian Review of American Studies•2010•Citada por: 1•Referencias: 20

    This article explores the image of the psychopath in Alfred Hitchcock’s 1960 film Psycho. The famed director’s portrayal of a psychologically damaged young man connected with a much larger discussion over political and sexual deviance in the early Cold War, a discussion that cantered on the image of the psychopath as the dominant threat to national security and that played upon normative assumptions about adolescent development and mother-son rel…

  • Witnessing Whittaker Chambers

    Robert Genter•ARTICLE•Intellectual History Review•2008•Citada por: 1

    On 9 July 1961, Whittaker Chambers was found collapsed on his bedroom floor, dead at the age of sixty, a surprising tragedy that led many to believe he had committed suicide. 1 Chambers of course h

  • With Great Power Comes Great Responsibility”

    Open Access•Robert Genter•ARTICLE•The Journal of Popular Culture•2007•Citada por: 11•Referencias: 5

  • Hypnotizzy” in the Cold War

    Open Access•Robert Genter•ARTICLE•The Journal of American Culture•2006•Citada por: 1•Referencias: 4

  • With Great Power Comes Great Responsibility”

    Open Access•Robert Genter•ARTICLE•The Journal of Popular Culture•2007•Citada por: 11•Referencias: 5

  • When the Movies Mattered

    Open Access•Robert Genter•ARTICLE•Journal of American History•2020•Citada por: 1

    On December 8, 1967, the cover of Time announced the arrival of the “new Hollywood” following the success of Arthur Penn's Bonnie and Clyde (1967), a film that supposedly marked the end of a long-standing box office slump in the motion picture industry. Since then, the phrase “new Hollywood” has come to signify the grittier, more realistic films of Robert Altman, Martin Scorsese, Roman Polanski, Sidney Lumet, and other directors from the late 196…

  • Captain America, Masculinity, and Violence

    Robert Genter•ARTICLE•Journal of American History•2016•Citada por: 1

  • We All Go a Little Mad Sometimes”

    Robert Genter•ARTICLE•Canadian Review of American Studies•2010•Citada por: 1•Referencias: 20

    This article explores the image of the psychopath in Alfred Hitchcock’s 1960 film Psycho. The famed director’s portrayal of a psychologically damaged young man connected with a much larger discussion over political and sexual deviance in the early Cold War, a discussion that cantered on the image of the psychopath as the dominant threat to national security and that played upon normative assumptions about adolescent development and mother-son rel…

  • Witnessing Whittaker Chambers

    Robert Genter•ARTICLE•Intellectual History Review•2008•Citada por: 1

    On 9 July 1961, Whittaker Chambers was found collapsed on his bedroom floor, dead at the age of sixty, a surprising tragedy that led many to believe he had committed suicide. 1 Chambers of course h

  • Hypnotizzy” in the Cold War

    Open Access•Robert Genter•ARTICLE•The Journal of American Culture•2006•Citada por: 1•Referencias: 4

  • Hypnotizzy” in the Cold War

    Open Access•Robert Genter•ARTICLE•The Journal of American Culture•2006•Citada por: 1•Referencias: 4

  • With Great Power Comes Great Responsibility”

    Open Access•Robert Genter•ARTICLE•The Journal of Popular Culture•2007•Citada por: 11•Referencias: 5

  • Witnessing Whittaker Chambers

    Robert Genter•ARTICLE•Intellectual History Review•2008•Citada por: 1

    On 9 July 1961, Whittaker Chambers was found collapsed on his bedroom floor, dead at the age of sixty, a surprising tragedy that led many to believe he had committed suicide. 1 Chambers of course h

  • We All Go a Little Mad Sometimes”

    Robert Genter•ARTICLE•Canadian Review of American Studies•2010•Citada por: 1•Referencias: 20

    This article explores the image of the psychopath in Alfred Hitchcock’s 1960 film Psycho. The famed director’s portrayal of a psychologically damaged young man connected with a much larger discussion over political and sexual deviance in the early Cold War, a discussion that cantered on the image of the psychopath as the dominant threat to national security and that played upon normative assumptions about adolescent development and mother-son rel…

  • Sports and American Art from Benjamin West to Andy Warhol

    Robert Genter•ARTICLE•Journal of American History•2012

    Journal Article Sports and American Art from Benjamin West to Andy Warhol Get access Sports and American Art from Benjamin West to Andy Warhol. By Allen Guttmann. (Amherst: University of Massachusetts Press, 2011. xviii, 277 pp. $39.95, ISBN978-1-55849-874-7.) Robert Genter Robert Genter Nassau Community CollegeGarden City, New York [email protected] Search for other works by this author on: Oxford Academic Google Scholar Journal of American His…

  • Art Interrupted

    Open Access•Robert Genter•ARTICLE•The Journal of American Culture•2013

  • American Literature and Culture in an Age of Cold War

    Robert Genter•ARTICLE•Journal of American History•2013

    The essays in American Literature and Culture in an Age of Cold War remind us once again that scholars working outside the history profession are currently producing some of the most innovative work in the field of Cold War studies. Inspired by the pathbreaking works of the literary critics Alan Nadel and Thomas Schaub, which link the U.S. policy of containment to corresponding efforts to contain domestic dissent, the editors of this collection h…

  • Debunking the Really Soft Sell

    Robert Genter•ARTICLE•Cultural Studies•2014

  • Understanding the Pow Experience

    Open Access•Robert Genter•ARTICLE•Journal of the History of the…•2015•Referencias: 35

    Facing accusations about weak military discipline following the supposedly poor behavior of American soldiers held captive during the Korean War, President Dwight Eisenhower instituted a Code of Conduct for the Armed Services in 1955. In response, military leaders hired numerous social and behavioral scientists to investigate the nature of the prisoner‐of‐war (POW) experience. These researchers not only challenged official government accounts of …

  • Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s

    Robert Genter•ARTICLE•The American Historical Review•2016

    Journal Article Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s: A Geopolitics of Western Art Worlds. Get access Catherine Dossin. The Rise and Fall of American Art, 1940s–1980s: A Geopolitics of Western Art Worlds. Burlington, Vt.: Ashgate Publishing Co., 2015. Pp. x, 312. $119.95. Robert Genter Robert Genter Nassau Community College [email protected] Search for other works by this author on: Oxford Academic Google Scholar T…

  • Captain America, Masculinity, and Violence

    Robert Genter•ARTICLE•Journal of American History•2016•Citada por: 1

  • Constructing a Plan for Survival

    Open Access•Robert Genter•ARTICLE•Religion and American Culture A…•2017•Referencias: 8

    Developed in the early 1950s by science fiction writer L. Ron Hubbard, Scientology was part of the larger postwar therapeutic culture that blended religion and psychology in a search for mental well-being. Unlike contemporaneous self-help gurus such as Norman Vincent Peale and Harry Overstreet, however, Hubbard painted a much bleaker portrait of modern life, one rife with forces of psychological and social control. Railing against communists, hom…

  • An Unusual and Peculiar Relationship”

    Robert Genter, Robert Byron Genter•ARTICLE•Journal of the History of Sexuality•2019•Referencias: 7

  • “I Have No Past Life at All”

    Robert Genter•ARTICLE•Interdisciplinary Literary Studies•2020

    Although often linked in literary history to Beat writers such as Allen Ginsberg and Jack Kerouac, who upturned literary conventions in the 1950s by transforming the art of personal revelation into an aesthetic form, William Burroughs shared little interest in the desire of his friends to expose their deepest secrets to their literary audiences. He argued instead that their poetics of revelation actually played into the hands of the rising nation…

  • Stephen R. Duncan. The Rebel Café

    Open Access•Robert Genter•ARTICLE•The American Historical Review•2020

    In 1955, Allen Ginsberg gave his first public reading of his poem “Howl” at the Six Gallery in San Francisco, a performance and a jeremiad that brought the Beat Generation and the postwar literary renaissance in northern California in general to national attention. In his discussion of this literary event in The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground, historian Stephen Duncan reminds us that Ginsberg’s per…

  • When the Movies Mattered

    Open Access•Robert Genter•ARTICLE•Journal of American History•2020•Citada por: 1

    On December 8, 1967, the cover of Time announced the arrival of the “new Hollywood” following the success of Arthur Penn's Bonnie and Clyde (1967), a film that supposedly marked the end of a long-standing box office slump in the motion picture industry. Since then, the phrase “new Hollywood” has come to signify the grittier, more realistic films of Robert Altman, Martin Scorsese, Roman Polanski, Sidney Lumet, and other directors from the late 196…

  • Policing Show Business

    Open Access•Robert Genter•ARTICLE•Journal of American History•2026

History (14 obras) · Political science (13 obras) · Law (12 obras) · History (10 obras) · Art (9 obras) · Art history (9 obras) · Law (8 obras) · Literature (8 obras) · Sociology (8 obras) · Politics (7 obras)

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