Michael H Bodden
Datos Biográficos
| ID | 204632 |
|---|---|
| NOMBRE | Michael H Bodden |
| NOMBRES | Michael H |
| APELLIDO | Bodden |
| FIRMA | BODDEN M H |
| AFILIACIONES | University of Victoria |
| VERIFICADO | No |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAS | 15 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1987 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2016 |
| ÍNDICE H | 2 |
Making Circles of Steel and Castles of Vanity Possible
Alfred McCoy's paper offers a masterful analysis of the way in which the Philippines, and more generally Southeast Asia, were used as base and laboratory for extending US dominance-its hegemony-in the twentieth century, and in particular the Cold War era and its aftermath. He offers a succinct summary of the way in which US organs of global domination-the National Security Council, the CIA, the Defense Department-worked throughout the developing …
Cosmopolitanism, Nation, and the Urban-Rural Split in the Novels of Ayu Utami
Ayu Utami’s novels Saman (1998) and Larung (2001) have attracted considerable attention, yet little of this attention has focused on their representation of cosmopolitanism. This article argues that the cosmopolitanism constructed in Utami’s works exists in a world of unequal power relations and thus can only be more fully realized through democratic struggles, including struggles for more equal gender relations, in Indonesia and throughout the w…
Regional identity and national theatre in South Sulawesi
This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and con…
Resistance on the National Stage
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater practitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and cri…
‘Tradition’, ‘Modernism’, and the Struggle for Cultural Hegemony in Indonesian National Art Theatre
Beginning with Rendra's Mastodon dan Burung Kondor (The mastodon and the condors) in 1973, and intensifying throughout the 1970s, the Indonesian New Order state began actively to ban selected theat
The Komedie Stamboel
Reviewed by: The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903 Michael Bodden (bio) The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903. Matthew Isaac Cohen. Athens, OH: Centre for International Studies, Ohio University, 2006. xviii + 473 pp., with photographic plates, glossary, bibliography, and appendix. The Komedie Stamboel was a pioneering, traveling theatre company of the 1890s Dutch East Indies. This …
Rap in Indonesian Youth Music of the 1990s
Throughout the 1990s, ‘‘alternative’ ’ musical genres such as rap, punk, and hard rock, derived from North American and European commercial cultures, cap-tured the enthusiasm of large numbers of Indonesian youth, propelling the songs of local Indonesian rock/punk groups such as Slank and rapper Iwa-K to the top of the Indonesian pop charts. Rap music had become popular enough that by January 1995 the Indonesian government, in the person of then m…
Seno Gumira Ajidarma and Fictional Resistance to an Authoritarian State in 1990s Indonesia
During the 1990s, Seno Gumira Ajidarma has emerged as perhaps the preeminent fiction writer of the Indonesian younger generation.He is certainly one of the most productive.Since 1993 he has published six collections of short stories, a highly experimental novel, and a collection of essays on journalism, literature, and politics.He can also be regarded as one of the more courageous of the younger writers.Many of his works touching on sensitive soc…
Clara
Imaging Indonesia
Teater Koma's Suksesi and Indonesia's New Order
Throughout the world, painful friction occurs whenever artists demand freedom of expression and repressive governments deny it. When Indonesia's Teater Koma produced Suksesi in 1990, the resultant conflict between artists and government created what may be viewed as a paradigm of this dilemma. Michael H. Bodden scrutinizes the events surrounding Suksesi's production and ponders the implications. Michael H. Bodden is assistant professor of Indones…
Desawarnana
Utopia and the shadow of nationalism; The plays of Sanusi Pane 1928-1940
Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater
Michael H. Bodden, Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater, Frontiers: A Journal of Women Studies, Vol. 16, No. 2/3, Gender, Nations, and Nationalisms (1996), pp. 24-50
"Woman as Nation in Mangunwijaya's "Durga Umayi
In 1991, Mangunwijaya published his eighth novel, Durga Umayi, a protean epic in which the history of modern Indonesia is inscribed in the life and experiences of a single female character, lin Sulinda Pertiwi Nusamusbida. lin is present at the ceremony proclaiming Indonesian Independence on the 17th of August, 1945; she serves in the Revolution both as a cook for irregular paramilitary units and as a soldier in her father's army detachment; she …
Adjustment and Discontent
The Songs of Salanda
In this engrossing collection of sixteen short stories, H. Arlo Nimmo tells of a young man coming of age while living among a remote cluster of islands in the southern Philippines with a people unlike any he had known. Nimmo combines an anthropologist's eye for the significant detail with a storyteller's gift for bringing his characters to life. His book is a vivid narrative of a people and their culture on the brink of momentous change. The Song…
Structure and Subjunctivity
Power Plays
The Dance That Makes You Vanish
Rap in Indonesian Youth Music of the 1990s
Throughout the 1990s, ‘‘alternative’ ’ musical genres such as rap, punk, and hard rock, derived from North American and European commercial cultures, cap-tured the enthusiasm of large numbers of Indonesian youth, propelling the songs of local Indonesian rock/punk groups such as Slank and rapper Iwa-K to the top of the Indonesian pop charts. Rap music had become popular enough that by January 1995 the Indonesian government, in the person of then m…
"Woman as Nation in Mangunwijaya's "Durga Umayi
In 1991, Mangunwijaya published his eighth novel, Durga Umayi, a protean epic in which the history of modern Indonesia is inscribed in the life and experiences of a single female character, lin Sulinda Pertiwi Nusamusbida. lin is present at the ceremony proclaiming Indonesian Independence on the 17th of August, 1945; she serves in the Revolution both as a cook for irregular paramilitary units and as a soldier in her father's army detachment; she …
Seno Gumira Ajidarma and Fictional Resistance to an Authoritarian State in 1990s Indonesia
During the 1990s, Seno Gumira Ajidarma has emerged as perhaps the preeminent fiction writer of the Indonesian younger generation.He is certainly one of the most productive.Since 1993 he has published six collections of short stories, a highly experimental novel, and a collection of essays on journalism, literature, and politics.He can also be regarded as one of the more courageous of the younger writers.Many of his works touching on sensitive soc…
Utopia and the shadow of nationalism; The plays of Sanusi Pane 1928-1940
Regional identity and national theatre in South Sulawesi
This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and con…
Structure and Subjunctivity
The Songs of Salanda
In this engrossing collection of sixteen short stories, H. Arlo Nimmo tells of a young man coming of age while living among a remote cluster of islands in the southern Philippines with a people unlike any he had known. Nimmo combines an anthropologist's eye for the significant detail with a storyteller's gift for bringing his characters to life. His book is a vivid narrative of a people and their culture on the brink of momentous change. The Song…
Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater
Michael H. Bodden, Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater, Frontiers: A Journal of Women Studies, Vol. 16, No. 2/3, Gender, Nations, and Nationalisms (1996), pp. 24-50
"Woman as Nation in Mangunwijaya's "Durga Umayi
In 1991, Mangunwijaya published his eighth novel, Durga Umayi, a protean epic in which the history of modern Indonesia is inscribed in the life and experiences of a single female character, lin Sulinda Pertiwi Nusamusbida. lin is present at the ceremony proclaiming Indonesian Independence on the 17th of August, 1945; she serves in the Revolution both as a cook for irregular paramilitary units and as a soldier in her father's army detachment; she …
Adjustment and Discontent
Teater Koma's Suksesi and Indonesia's New Order
Throughout the world, painful friction occurs whenever artists demand freedom of expression and repressive governments deny it. When Indonesia's Teater Koma produced Suksesi in 1990, the resultant conflict between artists and government created what may be viewed as a paradigm of this dilemma. Michael H. Bodden scrutinizes the events surrounding Suksesi's production and ponders the implications. Michael H. Bodden is assistant professor of Indones…
Desawarnana
Utopia and the shadow of nationalism; The plays of Sanusi Pane 1928-1940
Seno Gumira Ajidarma and Fictional Resistance to an Authoritarian State in 1990s Indonesia
During the 1990s, Seno Gumira Ajidarma has emerged as perhaps the preeminent fiction writer of the Indonesian younger generation.He is certainly one of the most productive.Since 1993 he has published six collections of short stories, a highly experimental novel, and a collection of essays on journalism, literature, and politics.He can also be regarded as one of the more courageous of the younger writers.Many of his works touching on sensitive soc…
Clara
Imaging Indonesia
Rap in Indonesian Youth Music of the 1990s
Throughout the 1990s, ‘‘alternative’ ’ musical genres such as rap, punk, and hard rock, derived from North American and European commercial cultures, cap-tured the enthusiasm of large numbers of Indonesian youth, propelling the songs of local Indonesian rock/punk groups such as Slank and rapper Iwa-K to the top of the Indonesian pop charts. Rap music had become popular enough that by January 1995 the Indonesian government, in the person of then m…
‘Tradition’, ‘Modernism’, and the Struggle for Cultural Hegemony in Indonesian National Art Theatre
Beginning with Rendra's Mastodon dan Burung Kondor (The mastodon and the condors) in 1973, and intensifying throughout the 1970s, the Indonesian New Order state began actively to ban selected theat
The Komedie Stamboel
Reviewed by: The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903 Michael Bodden (bio) The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903. Matthew Isaac Cohen. Athens, OH: Centre for International Studies, Ohio University, 2006. xviii + 473 pp., with photographic plates, glossary, bibliography, and appendix. The Komedie Stamboel was a pioneering, traveling theatre company of the 1890s Dutch East Indies. This …
Resistance on the National Stage
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater practitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and cri…
Regional identity and national theatre in South Sulawesi
This article details the development of Indonesian national art theatre in Makassar, South Sulawesi from the 1950s to the present. It argues that through a commitment to modernity and modern aesthetics strong bonds to the idea of the nation were formed by Makassar theatre workers. Furthermore, in charting the relationship between local Makassar theatre and national trends often pioneered in Jakarta, I argue that beginning in the New Order and con…
Making Circles of Steel and Castles of Vanity Possible
Alfred McCoy's paper offers a masterful analysis of the way in which the Philippines, and more generally Southeast Asia, were used as base and laboratory for extending US dominance-its hegemony-in the twentieth century, and in particular the Cold War era and its aftermath. He offers a succinct summary of the way in which US organs of global domination-the National Security Council, the CIA, the Defense Department-worked throughout the developing …
Cosmopolitanism, Nation, and the Urban-Rural Split in the Novels of Ayu Utami
Ayu Utami’s novels Saman (1998) and Larung (2001) have attracted considerable attention, yet little of this attention has focused on their representation of cosmopolitanism. This article argues that the cosmopolitanism constructed in Utami’s works exists in a world of unequal power relations and thus can only be more fully realized through democratic struggles, including struggles for more equal gender relations, in Indonesia and throughout the w…
Power Plays
The Dance That Makes You Vanish
Asian Studies and History (14 obras) · Political science (13 obras) · Law (11 obras) · History (10 obras) · Philippine History and Culture (10 obras) · Sociology (10 obras) · Politics (9 obras) · Art (8 obras) · Gender Studies (6 obras) · Aesthetics (5 obras)