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P Armstrong

Datos Biográficos

ID21118
NOMBREP Armstrong
NOMBRESP
APELLIDOArmstrong
FIRMAARMSTRONG P
AFILIACIONESCalifornia State University Los Angeles
ORCID0000-0003-3042-3074
VERIFICADOSí
TOTAL DE OBRAS15
TOTAL DE CITAS21
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1975
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H3
  • Supplemental Material for Field-Specific Ability Beliefs as an Explanation for Gender Differences in Academics’ Career Trajectories

    S-J Leslie, A Cimpian et al.•ARTICLE•Journal of Personality and Social…•2023•Referencias: 1

    an aggregated ORCID public data file [2] and also made available on demand to ORCID member institutions.The most recent version of ORCID public data were accessed on February 18, 2021

  • O porta-voz da polifonia

    Open Access•P Armstrong•ARTICLE•Revista Crítica Cultural•2016

    Examinamos o uso pragmático do conceito de etnicidade, conforme conotações contextuais e inserções sócio-políticas específicas. Contrastam-se os usos mais correntes nos EUA e no Brasil. Enfocamos estes usos em relação à política cultural do governo Lula e ao desenvolvimento dos estudos afro. Argüi-se que, como ministro da cultura, Gilberto Gil exerce um papel simbólico central na relação entre estes dois campos. A filosofia socio-estética do trop…

  • Afro-Latin Carnival and the Carnivalesque in the African American Novel

    P Armstrong•ARTICLE•Latin American and Caribbean…•2012•Citada por: 2•Referencias: 24

    This article examines the overlap of conceptions of blackness and the carnivalesque in a pan-American context, from the popular praxis of Brazil, where carnival stands as a performative narrative of popular identity, to prominent works in African-American literature featuring abstract notions of the carnivalesque. Seminal theories of carnival and their relation to performance theory and the revitalization of festivals in the West are briefly outl…

  • Reading the ethnic Other

    P Armstrong•ARTICLE•Textual Practice•2010

  • Bahian carnival and social carnivalesque in trans-Atlantic context

    P Armstrong•ARTICLE•Social Identities•2010•Citada por: 7•Referencias: 10

    This article outlines strands of carnival theory from Bakhtin to Black Atlantic and East African post-colonial scholarship, then describes the carnival of Bahia, Brazil. In New World carnivals, race is a critical rhetorical category in the exchange between everyday authority and the subaltern cultures whose energies manifest in the event. The most racially self-conscious of such carnivals, the Bahian carnival is generally considered a beacon of A…

  • Carnival praxis, carnivalesque strategies and Atlantic interstices

    Michaeline A Crichlow, P Armstrong•ARTICLE•Social Identities•2010•Citada por: 5•Referencias: 15

    Somo crioulo doido e somo bem legal Temos cabelo duro e so no black pau Que bloco e esse? Eu quero saber. E o mundo negro que viemos mostrar pra voce. Branco, se voce soubesse o valor que o preto t

  • Essaying the real

    P Armstrong•ARTICLE•Journal of Iberian & Latin…•2009•Referencias: 2

    American and European reception of creative art from the developing world is usually framed by the assumption that it has a testimonial value and points to a collective condition. The expectation h

  • The creative constraints of tradition

    P Armstrong•ARTICLE•Atlantic Studies•2005•Referencias: 8

    The historic 2002 election victory of the Workers Party in Brazil promised a more democratic cultural policy. A key symbol of change was the appointment as Minister of Culture of Gilberto Gil, pop star of the 1960s tropicalist counter-culture movement, organic activist of the Afro-centric carnival of Bahia state and Green Party politician. In racial and cultural politics, the moment coincides with steady assimilation into the Brazilian academic l…

  • Borim, Dario, Jr.Perplexidades

    P Armstrong•ARTICLE•Luso-Brazilian Review•2005

  • Cunha, Maria Clementina Pereira, org. Carnavais e outras f(r)estas Ensaios de historia social da cultura. Campinas, SP

    P Armstrong•ARTICLE•Luso-Brazilian Review•2003

  • Pragmatic, Dynamic, Subjective

    P Armstrong•ARTICLE•Luso-Brazilian Review•2003

  • Third World Literary Fortunes

    Dario Borim, P Armstrong•ARTICLE•Revista de Crítica Literaria…•2001

  • The Brazilianists' Brazil

    Open Access•P Armstrong•ARTICLE•Latin American Research Review•2000

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • The aesthetic escape hatch

    P Armstrong•ARTICLE•Journal of Iberian and Latin…•1999•Citada por: 5

    Introduction: Bahian carnaval The carnaval of Salvador, capital of Bahia State in Brazil, has grown immensely in popularity in recent years, so that it now rivals the more famous Rio carnaval in terms of numbers of visitors. Carnaval culture—music, dance, consumption and consequent entrepreneurial opportunities—has spread to the whole calendar of annual and weekly festivities, religious and secular, and has transformed Bahian society both in term…

  • A comparison of program and contraceptive use continuation rates in a family planning clinic

    F J Romm, P Armstrong et al.•ARTICLE•American Journal of Public Health•1975•Citada por: 2•Referencias: 7

    Programs and contraceptive use continuation rates were obtained for a rural Georgia family planning clinic. Program continuation is a measurement of maintenance of clinic attendance, while use continuation is related to actual use of effective contraceptives regardless of clinic activity status. Program continuation rates ranged from 0.77 at 12 months to 0.48 at 36 months. Contraceptive use continuation rates were 0.78 at 12 months and 0.58 at 36…

  • Bahian carnival and social carnivalesque in trans-Atlantic context

    P Armstrong•ARTICLE•Social Identities•2010•Citada por: 7•Referencias: 10

    This article outlines strands of carnival theory from Bakhtin to Black Atlantic and East African post-colonial scholarship, then describes the carnival of Bahia, Brazil. In New World carnivals, race is a critical rhetorical category in the exchange between everyday authority and the subaltern cultures whose energies manifest in the event. The most racially self-conscious of such carnivals, the Bahian carnival is generally considered a beacon of A…

  • Carnival praxis, carnivalesque strategies and Atlantic interstices

    Michaeline A Crichlow, P Armstrong•ARTICLE•Social Identities•2010•Citada por: 5•Referencias: 15

    Somo crioulo doido e somo bem legal Temos cabelo duro e so no black pau Que bloco e esse? Eu quero saber. E o mundo negro que viemos mostrar pra voce. Branco, se voce soubesse o valor que o preto t

  • The aesthetic escape hatch

    P Armstrong•ARTICLE•Journal of Iberian and Latin…•1999•Citada por: 5

    Introduction: Bahian carnaval The carnaval of Salvador, capital of Bahia State in Brazil, has grown immensely in popularity in recent years, so that it now rivals the more famous Rio carnaval in terms of numbers of visitors. Carnaval culture—music, dance, consumption and consequent entrepreneurial opportunities—has spread to the whole calendar of annual and weekly festivities, religious and secular, and has transformed Bahian society both in term…

  • Afro-Latin Carnival and the Carnivalesque in the African American Novel

    P Armstrong•ARTICLE•Latin American and Caribbean…•2012•Citada por: 2•Referencias: 24

    This article examines the overlap of conceptions of blackness and the carnivalesque in a pan-American context, from the popular praxis of Brazil, where carnival stands as a performative narrative of popular identity, to prominent works in African-American literature featuring abstract notions of the carnivalesque. Seminal theories of carnival and their relation to performance theory and the revitalization of festivals in the West are briefly outl…

  • A comparison of program and contraceptive use continuation rates in a family planning clinic

    F J Romm, P Armstrong et al.•ARTICLE•American Journal of Public Health•1975•Citada por: 2•Referencias: 7

    Programs and contraceptive use continuation rates were obtained for a rural Georgia family planning clinic. Program continuation is a measurement of maintenance of clinic attendance, while use continuation is related to actual use of effective contraceptives regardless of clinic activity status. Program continuation rates ranged from 0.77 at 12 months to 0.48 at 36 months. Contraceptive use continuation rates were 0.78 at 12 months and 0.58 at 36…

  • A comparison of program and contraceptive use continuation rates in a family planning clinic

    F J Romm, P Armstrong et al.•ARTICLE•American Journal of Public Health•1975•Citada por: 2•Referencias: 7

    Programs and contraceptive use continuation rates were obtained for a rural Georgia family planning clinic. Program continuation is a measurement of maintenance of clinic attendance, while use continuation is related to actual use of effective contraceptives regardless of clinic activity status. Program continuation rates ranged from 0.77 at 12 months to 0.48 at 36 months. Contraceptive use continuation rates were 0.78 at 12 months and 0.58 at 36…

  • The aesthetic escape hatch

    P Armstrong•ARTICLE•Journal of Iberian and Latin…•1999•Citada por: 5

    Introduction: Bahian carnaval The carnaval of Salvador, capital of Bahia State in Brazil, has grown immensely in popularity in recent years, so that it now rivals the more famous Rio carnaval in terms of numbers of visitors. Carnaval culture—music, dance, consumption and consequent entrepreneurial opportunities—has spread to the whole calendar of annual and weekly festivities, religious and secular, and has transformed Bahian society both in term…

  • The Brazilianists' Brazil

    Open Access•P Armstrong•ARTICLE•Latin American Research Review•2000

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Third World Literary Fortunes

    Dario Borim, P Armstrong•ARTICLE•Revista de Crítica Literaria…•2001

  • Cunha, Maria Clementina Pereira, org. Carnavais e outras f(r)estas Ensaios de historia social da cultura. Campinas, SP

    P Armstrong•ARTICLE•Luso-Brazilian Review•2003

  • Pragmatic, Dynamic, Subjective

    P Armstrong•ARTICLE•Luso-Brazilian Review•2003

  • The creative constraints of tradition

    P Armstrong•ARTICLE•Atlantic Studies•2005•Referencias: 8

    The historic 2002 election victory of the Workers Party in Brazil promised a more democratic cultural policy. A key symbol of change was the appointment as Minister of Culture of Gilberto Gil, pop star of the 1960s tropicalist counter-culture movement, organic activist of the Afro-centric carnival of Bahia state and Green Party politician. In racial and cultural politics, the moment coincides with steady assimilation into the Brazilian academic l…

  • Borim, Dario, Jr.Perplexidades

    P Armstrong•ARTICLE•Luso-Brazilian Review•2005

  • Essaying the real

    P Armstrong•ARTICLE•Journal of Iberian & Latin…•2009•Referencias: 2

    American and European reception of creative art from the developing world is usually framed by the assumption that it has a testimonial value and points to a collective condition. The expectation h

  • Reading the ethnic Other

    P Armstrong•ARTICLE•Textual Practice•2010

  • Bahian carnival and social carnivalesque in trans-Atlantic context

    P Armstrong•ARTICLE•Social Identities•2010•Citada por: 7•Referencias: 10

    This article outlines strands of carnival theory from Bakhtin to Black Atlantic and East African post-colonial scholarship, then describes the carnival of Bahia, Brazil. In New World carnivals, race is a critical rhetorical category in the exchange between everyday authority and the subaltern cultures whose energies manifest in the event. The most racially self-conscious of such carnivals, the Bahian carnival is generally considered a beacon of A…

  • Carnival praxis, carnivalesque strategies and Atlantic interstices

    Michaeline A Crichlow, P Armstrong•ARTICLE•Social Identities•2010•Citada por: 5•Referencias: 15

    Somo crioulo doido e somo bem legal Temos cabelo duro e so no black pau Que bloco e esse? Eu quero saber. E o mundo negro que viemos mostrar pra voce. Branco, se voce soubesse o valor que o preto t

  • Afro-Latin Carnival and the Carnivalesque in the African American Novel

    P Armstrong•ARTICLE•Latin American and Caribbean…•2012•Citada por: 2•Referencias: 24

    This article examines the overlap of conceptions of blackness and the carnivalesque in a pan-American context, from the popular praxis of Brazil, where carnival stands as a performative narrative of popular identity, to prominent works in African-American literature featuring abstract notions of the carnivalesque. Seminal theories of carnival and their relation to performance theory and the revitalization of festivals in the West are briefly outl…

  • O porta-voz da polifonia

    Open Access•P Armstrong•ARTICLE•Revista Crítica Cultural•2016

    Examinamos o uso pragmático do conceito de etnicidade, conforme conotações contextuais e inserções sócio-políticas específicas. Contrastam-se os usos mais correntes nos EUA e no Brasil. Enfocamos estes usos em relação à política cultural do governo Lula e ao desenvolvimento dos estudos afro. Argüi-se que, como ministro da cultura, Gilberto Gil exerce um papel simbólico central na relação entre estes dois campos. A filosofia socio-estética do trop…

  • Supplemental Material for Field-Specific Ability Beliefs as an Explanation for Gender Differences in Academics’ Career Trajectories

    S-J Leslie, A Cimpian et al.•ARTICLE•Journal of Personality and Social…•2023•Referencias: 1

    an aggregated ORCID public data file [2] and also made available on demand to ORCID member institutions.The most recent version of ORCID public data were accessed on February 18, 2021

Art (10 obras) · Sociology (9 obras) · Political science (6 obras) · Aesthetics (4 obras) · History (4 obras) · Humanities (4 obras) · Law (4 obras) · Philosophy (4 obras) · Carnivalesque (3 obras) · Cultural, Media, and Literary Studies (3 obras)

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