Patricia Puckett Sasser
Datos Biográficos
| ID | 2172672 |
|---|---|
| NOMBRE | Patricia Puckett Sasser |
| NOMBRES | Patricia Puckett |
| APELLIDO | Sasser |
| FIRMA | SASSER P P |
| AFILIACIONES | Director, Maxwell Music Library University Libraries Furman University, South Carolina |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2018 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 0 |
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
Sin obras prominentes en esta página.
A Recording Artist
Enrico Caruso (1873–1921) has often been understood as extraordinarily talented and yet ultimately insubstantial, a singer whose celebrity eclipsed his artistry. “It matters not what Caruso sings or how he sings it,” wrote one critic. “The public adores him anyhow.” Discussions of the tenor emphasize the suitability of his voice for mechanical recording, suggesting that his ability to capitalize on emerging technology provides the best explanatio…
‘It was as if my ballet had never existed!’
Set in Norway, August Bournonville's 1853 ballet Brudefærden i Hardanger was highly successful with both Danish and Swedish audiences. In Norway, however, the ballet was ignored and ultimately blamed for perpetuating false images of the nation. This paper explores the ways in which Norway functioned as a source of idealism, exoticism, and romantic nationalism in nineteenth-century Scandinavia. The contrasting attitudes towards Bournonville's work…
Aesthetics (2 obras) · Art (2 obras) · Law (2 obras) · Musicology and Musical Analysis (2 obras) · Political science (2 obras) · Art history (1 obra) · Ballet (1 obra) · Dance (1 obra) · Diverse Musicological Studies (1 obra) · Diversity and Impact of Dance (1 obra)