Nicolas Pichot
Datos Biográficos
| ID | 217844 |
|---|---|
| NOMBRE | Nicolas Pichot |
| NOMBRES | Nicolas |
| APELLIDO | Pichot |
| FIRMA | PICHOT N |
| AFILIACIONES | Aix-Marseille Université |
| ORCID | 0000-0001-9131-706X |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2021 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Identifying the functional relationships between creativity and its constituents
International audience
Development and validation of the Adolescent and Young Adult Risk-Taking Inventory
International audience
Creativity in Emergency Settings
Emergency situations are generally described as combining both threat and time pressure. Creative solutions to deal with such situations are important. The present studies (Ntotal = 1190) investigated how people are able to produce creative solutions in an emergency. Our first study was correlational, and assessed individual creativity and reactions to emergency situations using self-report questionnaires. It was complemented by three experimenta…
Aiming at Creativity and Ending up with a Range from Low‐Hanging Fruits to Foolishness
The term “creative” is commonly used in everyday language and in academic discourse to discuss the nature of artistic and innovative productions. This usage inherently implies the existence of a variable of creativity that allows different creative works to be compared. The standard definition of creativity asserts that a production must possess both value and novelty in order to be considered truly creative. However, previous psychometric studie…
The Construct Validity of Creativity
In scientific research on creativity, there has been considerable debate concerning the criteria by which a production can be judged more or less creative, that is, about the definition of creativity. The most frequent definition – the standard definition – incorporates the criteria of novelty and value. However, other definitions, based on a single criterion or on more than two criteria, have also been proposed. Much of the discussion of this is…
The Role of Cultural Values in National-Level Innovation
Innovation constitutes a key factor for the economy and the competitiveness of societies. Using the Hofstede model of national culture, previous studies investigated the influence of different cultural dimensions on national-level innovation. These studies provided for mixed evidence regarding the influence and weight of each cultural dimension in innovation. By considering possible explanations for these inconsistent results, the present study (…
From Explicit to Implicit Theories of Creativity and Back
The different definitions of creativity that have been proposed by researchers have developed out of what are called explicit theories of creativity, on the basis of logical and semantic arguments, independently of empirical data. The present paper focuses on two such definitions, the standard definition (M.A. Runco & G.J. Jaeger, 2012), which defines a creative product as one that is novel and valuable, and R.W. Weisberg’s (2015, 2018) intention…
The Normative Features of Creativity
Many studies mention the social valorization of creative individuals. However, previous works show contrasting results concerning both this valorization and the links between creativity and the two dimensions of social judgment (individuals’ warmth and competence). Consequently, we implemented two paradigms classically used when examining the normative features of individuals' traits such as creativity. Study 1 ( N = 206), using a self‐presentati…
The Role of Cultural Values in National-Level Innovation
Innovation constitutes a key factor for the economy and the competitiveness of societies. Using the Hofstede model of national culture, previous studies investigated the influence of different cultural dimensions on national-level innovation. These studies provided for mixed evidence regarding the influence and weight of each cultural dimension in innovation. By considering possible explanations for these inconsistent results, the present study (…
From Explicit to Implicit Theories of Creativity and Back
The different definitions of creativity that have been proposed by researchers have developed out of what are called explicit theories of creativity, on the basis of logical and semantic arguments, independently of empirical data. The present paper focuses on two such definitions, the standard definition (M.A. Runco & G.J. Jaeger, 2012), which defines a creative product as one that is novel and valuable, and R.W. Weisberg’s (2015, 2018) intention…
The Normative Features of Creativity
Many studies mention the social valorization of creative individuals. However, previous works show contrasting results concerning both this valorization and the links between creativity and the two dimensions of social judgment (individuals’ warmth and competence). Consequently, we implemented two paradigms classically used when examining the normative features of individuals' traits such as creativity. Study 1 ( N = 206), using a self‐presentati…
The Construct Validity of Creativity
In scientific research on creativity, there has been considerable debate concerning the criteria by which a production can be judged more or less creative, that is, about the definition of creativity. The most frequent definition – the standard definition – incorporates the criteria of novelty and value. However, other definitions, based on a single criterion or on more than two criteria, have also been proposed. Much of the discussion of this is…
The Role of Cultural Values in National-Level Innovation
Innovation constitutes a key factor for the economy and the competitiveness of societies. Using the Hofstede model of national culture, previous studies investigated the influence of different cultural dimensions on national-level innovation. These studies provided for mixed evidence regarding the influence and weight of each cultural dimension in innovation. By considering possible explanations for these inconsistent results, the present study (…
Creativity in Emergency Settings
Emergency situations are generally described as combining both threat and time pressure. Creative solutions to deal with such situations are important. The present studies (Ntotal = 1190) investigated how people are able to produce creative solutions in an emergency. Our first study was correlational, and assessed individual creativity and reactions to emergency situations using self-report questionnaires. It was complemented by three experimenta…
Aiming at Creativity and Ending up with a Range from Low‐Hanging Fruits to Foolishness
The term “creative” is commonly used in everyday language and in academic discourse to discuss the nature of artistic and innovative productions. This usage inherently implies the existence of a variable of creativity that allows different creative works to be compared. The standard definition of creativity asserts that a production must possess both value and novelty in order to be considered truly creative. However, previous psychometric studie…
Identifying the functional relationships between creativity and its constituents
International audience
Development and validation of the Adolescent and Young Adult Risk-Taking Inventory
International audience
Psychology (8 obras) · Social Psychology (7 obras) · Creativity (6 obras) · Creativity in Education and Neuroscience (6 obras) · Cognitive psychology (5 obras) · Computer Science (5 obras) · Creativity technique (4 obras) · Epistemology (4 obras) · Mathematics (4 obras) · Novelty (3 obras)