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David G Roskies

Datos Biográficos

ID2186558
NOMBREDavid G Roskies
NOMBRESDavid G
APELLIDORoskies
FIRMAROSKIES D G
AFILIACIONESJewish Theological Seminary
VERIFICADONo
TOTAL DE OBRAS13
TOTAL DE CITAS2
TOTAL COMO AUTOR12
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1977
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • A Splendid Anachronism

    David G Roskies•ARTICLE•Studies in American Jewish…•2025

    Taking the balegole, the shtetl coachman or urban cabby, as its point of departure, this essay explores the representation of speech in the work of the Singer family of writers. Like the balegole, however, some of these dramatized speech scenarios—one Jew talking to his horse or talking Torah to himself—were already an ethnographic relic, or “a splendid anachronism,” in the words of Aaron Zeitlin, by the time the Singer siblings came of age. The …

  • The Harps that Once…

    S Ansky, David G Roskies•BOOK•Harps That Once...•2017

    The eminent Assyriologist Thorkild Jacobsen, author of Treasures of Darkness , here presents translations of ancient Sumerian poems written near the end of the third millennium b.c.e., including a number of compositions that have never before been published in translation. The themes developed in the poems—quite possibly the earliest poems extant—are those that have fascinated humanity since the time people first began to spin stories: the longin…

  • Call It Jewspeak

    David G Roskies•ARTICLE•Poetics Today•2014•Referencias: 25

    This essay seeks to demonstrate how the spoken language became a central feature of modern Yiddish literature. This vocal strain was used at first to replace otherworldly with enlightened discourse, esoteric book culture with colloquial style, hackneyed phraseology with straight talk, and Hasidic speech with parody. Not until 1864-66, however, did the new orality enter its second phase, when the Hebrew writer Shalom-Yankev Abramovitsh fashioned a…

  • Major Trends in Yiddish Parody

    David G Roskies•ARTICLE•The Jewish Quarterly Review•2004•Citada por: 1

    Yiddish parody was ubiquitous and inescapable. It marked the fault lines of Jewish modernity-the tortuous path of Jewish emancipation and counteremancipation, whether in Poland or across the ocean in North America. It marked both ends of the cultural spectrum-demotic and highbrow-and through its promiscuity, it targeted those aspects of Jewish culture that were most untouchable, sacred, secret. The scholar Dan Miron modeled, as a scholar and teac…

  • The Jewish Search for a Usable Past

    Brian Horowitz, David G Roskies et al.•ARTICLE•The Slavic and East European…•2000

  • The Jewish Search for a Usable Past

    David G Roskies, David Roskies•BOOK•The Jewish search for a usable past•1999

    Roskies (Jewish Theol. Seminary) shows that the Jewish present is not evolving as a simple continuation of the past nor, contrary to what is often claimed, is it emerging from a radical break with the past. It sits, rather, upon what Roskies calls memory sites, images of the past recreated from the ashes of destruction and the potentially debilitating sense of Jewish loss these catastrophes create. How are such memory sites created? Roskies illus…

  • Law, Lawyers and the Holocaust

    David G Roskies•ARTICLE•Holocaust and Genocide Studies•1998

    Journal Article Law, Lawyers and the Holocaust: The Case Against Vichy France Get access Rise up and fight! Songs of Jewish Partisans, CD compiled and produced by Bret Werb, Intro. Dov Levin (Washington: United States Holocaust Memorial Museum, 1996), $17.98 David G. Roskies David G. Roskies The Jewish Theological SeminaryNew York Search for other works by this author on: Oxford Academic Google Scholar Holocaust and Genocide Studies, Volume 12, I…

  • Confessions of a lapsed universalist

    Open Access•David G Roskies•ARTICLE•Academic Questions•1996

  • Harps That Once…

    David G Roskies, Golda Werman et al.•BOOK•Harps That Once...•1992

  • Sholem Aleichem

    Open Access•David G Roskies•ARTICLE•AJS Review The Journal of the…•1988

    What could be more obvious for a writer who called himself How–Do– You–Do than to place folklore and folk–speech at the center of his work? After all, it was his childhood friend Shmulik who had inducted him into the world of storytelling; ever since then, the celebrated author could have mined the treasures of Jewish myth and legend as his natural legacy. But Shmulik′s formative role in From the Fair was as much a fiction as the name Sholem Alei…

  • Yechiel Szeintuch, editor, Yitzhak Katzenelson, Yidishe geto-ksovim

    David G Roskies•ARTICLE•Polin: Studies in Polish Jewry•1986

  • Against the Apocalypse

    David G Roskies•BOOK•Against the Apocalypse•1984

  • Yiddish Popular Literature and the Female Reader

    Open Access•David G Roskies•ARTICLE•The Journal of Popular Culture•1977•Citada por: 1

  • Major Trends in Yiddish Parody

    David G Roskies•ARTICLE•The Jewish Quarterly Review•2004•Citada por: 1

    Yiddish parody was ubiquitous and inescapable. It marked the fault lines of Jewish modernity-the tortuous path of Jewish emancipation and counteremancipation, whether in Poland or across the ocean in North America. It marked both ends of the cultural spectrum-demotic and highbrow-and through its promiscuity, it targeted those aspects of Jewish culture that were most untouchable, sacred, secret. The scholar Dan Miron modeled, as a scholar and teac…

  • Yiddish Popular Literature and the Female Reader

    Open Access•David G Roskies•ARTICLE•The Journal of Popular Culture•1977•Citada por: 1

  • Yiddish Popular Literature and the Female Reader

    Open Access•David G Roskies•ARTICLE•The Journal of Popular Culture•1977•Citada por: 1

  • Against the Apocalypse

    David G Roskies•BOOK•Against the Apocalypse•1984

  • Yechiel Szeintuch, editor, Yitzhak Katzenelson, Yidishe geto-ksovim

    David G Roskies•ARTICLE•Polin: Studies in Polish Jewry•1986

  • Sholem Aleichem

    Open Access•David G Roskies•ARTICLE•AJS Review The Journal of the…•1988

    What could be more obvious for a writer who called himself How–Do– You–Do than to place folklore and folk–speech at the center of his work? After all, it was his childhood friend Shmulik who had inducted him into the world of storytelling; ever since then, the celebrated author could have mined the treasures of Jewish myth and legend as his natural legacy. But Shmulik′s formative role in From the Fair was as much a fiction as the name Sholem Alei…

  • Harps That Once…

    David G Roskies, Golda Werman et al.•BOOK•Harps That Once...•1992

  • Confessions of a lapsed universalist

    Open Access•David G Roskies•ARTICLE•Academic Questions•1996

  • Law, Lawyers and the Holocaust

    David G Roskies•ARTICLE•Holocaust and Genocide Studies•1998

    Journal Article Law, Lawyers and the Holocaust: The Case Against Vichy France Get access Rise up and fight! Songs of Jewish Partisans, CD compiled and produced by Bret Werb, Intro. Dov Levin (Washington: United States Holocaust Memorial Museum, 1996), $17.98 David G. Roskies David G. Roskies The Jewish Theological SeminaryNew York Search for other works by this author on: Oxford Academic Google Scholar Holocaust and Genocide Studies, Volume 12, I…

  • The Jewish Search for a Usable Past

    David G Roskies, David Roskies•BOOK•The Jewish search for a usable past•1999

    Roskies (Jewish Theol. Seminary) shows that the Jewish present is not evolving as a simple continuation of the past nor, contrary to what is often claimed, is it emerging from a radical break with the past. It sits, rather, upon what Roskies calls memory sites, images of the past recreated from the ashes of destruction and the potentially debilitating sense of Jewish loss these catastrophes create. How are such memory sites created? Roskies illus…

  • The Jewish Search for a Usable Past

    Brian Horowitz, David G Roskies et al.•ARTICLE•The Slavic and East European…•2000

  • Major Trends in Yiddish Parody

    David G Roskies•ARTICLE•The Jewish Quarterly Review•2004•Citada por: 1

    Yiddish parody was ubiquitous and inescapable. It marked the fault lines of Jewish modernity-the tortuous path of Jewish emancipation and counteremancipation, whether in Poland or across the ocean in North America. It marked both ends of the cultural spectrum-demotic and highbrow-and through its promiscuity, it targeted those aspects of Jewish culture that were most untouchable, sacred, secret. The scholar Dan Miron modeled, as a scholar and teac…

  • Call It Jewspeak

    David G Roskies•ARTICLE•Poetics Today•2014•Referencias: 25

    This essay seeks to demonstrate how the spoken language became a central feature of modern Yiddish literature. This vocal strain was used at first to replace otherworldly with enlightened discourse, esoteric book culture with colloquial style, hackneyed phraseology with straight talk, and Hasidic speech with parody. Not until 1864-66, however, did the new orality enter its second phase, when the Hebrew writer Shalom-Yankev Abramovitsh fashioned a…

  • The Harps that Once…

    S Ansky, David G Roskies•BOOK•Harps That Once...•2017

    The eminent Assyriologist Thorkild Jacobsen, author of Treasures of Darkness , here presents translations of ancient Sumerian poems written near the end of the third millennium b.c.e., including a number of compositions that have never before been published in translation. The themes developed in the poems—quite possibly the earliest poems extant—are those that have fascinated humanity since the time people first began to spin stories: the longin…

  • A Splendid Anachronism

    David G Roskies•ARTICLE•Studies in American Jewish…•2025

    Taking the balegole, the shtetl coachman or urban cabby, as its point of departure, this essay explores the representation of speech in the work of the Singer family of writers. Like the balegole, however, some of these dramatized speech scenarios—one Jew talking to his horse or talking Torah to himself—were already an ethnographic relic, or “a splendid anachronism,” in the words of Aaron Zeitlin, by the time the Singer siblings came of age. The …

Judaism (9 obras) · History (8 obras) · Archaeology (6 obras) · Art (6 obras) · Jewish and Middle Eastern Studies (6 obras) · Computer Science (4 obras) · History (4 obras) · Yiddish (4 obras) · American Jewish Fiction Analysis (3 obras) · Jewish Identity and Society (3 obras)

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