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León F García Corona

Datos Biográficos

ID2196182
NOMBRELeón F García Corona
NOMBRESLeón F García
APELLIDOCorona
FIRMACORONA L F G
AFILIACIONESNorthern Arizona University
VERIFICADONo
TOTAL DE OBRAS5
TOTAL DE CITAS1
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2019
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H1
  • Music, Migration, and Cultural Membership in Close Harmony

    León F García Corona•ARTICLE•American Music•2023

    At the turn of the twentieth century, vocal groups featuring close harmonies emerged as a popular musical ensemble configuration. Aided by the emerging mass media industry, this configuration took many social and musical turns in the United States and in Mexico. In the United States, some of these turns occurred among African Americans and Anglo-Americans, in both all-male and all-female groups, sometimes arranged in trios but most prominently in…

  • Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 1968

    Open Access•León F García Corona•ARTICLE•Journal of the Society for…•2022

    From September 24 to October 2, 1968, two apparently unrelated events took place in an area of less than two square miles in downtown Mexico City: Duke Ellington performed in the Palacio de Bellas Artes, and the Mexican army massacred hundreds of protesting students. The student-driven movement of 1968 attracted people from different backgrounds in Mexican society. Their desire for freedom of speech and civil liberties echoed the struggles of the…

  • Sounds of Crossing

    León F García Corona•ARTICLE•American Music•2020

  • Tropical riffs

    León F García Corona•ARTICLE•Canadian Journal of Latin…•2019•Citada por: 1

    Tropical riffs: Latin America and the politics of jazz." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, 44(1), pp. 135–136

  • Music, Politics, and Sentimentalism in Bolero

    León F García Corona•ARTICLE•Latin American Music Review•2019

    Since its introduction to popular culture, bolero has come to represent nostalgia, love, and sentimentalism. Its multinational production and consumption spanning many decades have defied scholars’ efforts to pinpoint this musical genre to one location or cultural group. This article explores the bolero as a cultural artifact that voices social and political turmoil and discontent. I focus on three of the most important figures associated with th…

  • Tropical riffs

    León F García Corona•ARTICLE•Canadian Journal of Latin…•2019•Citada por: 1

    Tropical riffs: Latin America and the politics of jazz." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, 44(1), pp. 135–136

  • Tropical riffs

    León F García Corona•ARTICLE•Canadian Journal of Latin…•2019•Citada por: 1

    Tropical riffs: Latin America and the politics of jazz." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, 44(1), pp. 135–136

  • Music, Politics, and Sentimentalism in Bolero

    León F García Corona•ARTICLE•Latin American Music Review•2019

    Since its introduction to popular culture, bolero has come to represent nostalgia, love, and sentimentalism. Its multinational production and consumption spanning many decades have defied scholars’ efforts to pinpoint this musical genre to one location or cultural group. This article explores the bolero as a cultural artifact that voices social and political turmoil and discontent. I focus on three of the most important figures associated with th…

  • Sounds of Crossing

    León F García Corona•ARTICLE•American Music•2020

  • Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 1968

    Open Access•León F García Corona•ARTICLE•Journal of the Society for…•2022

    From September 24 to October 2, 1968, two apparently unrelated events took place in an area of less than two square miles in downtown Mexico City: Duke Ellington performed in the Palacio de Bellas Artes, and the Mexican army massacred hundreds of protesting students. The student-driven movement of 1968 attracted people from different backgrounds in Mexican society. Their desire for freedom of speech and civil liberties echoed the struggles of the…

  • Music, Migration, and Cultural Membership in Close Harmony

    León F García Corona•ARTICLE•American Music•2023

    At the turn of the twentieth century, vocal groups featuring close harmonies emerged as a popular musical ensemble configuration. Aided by the emerging mass media industry, this configuration took many social and musical turns in the United States and in Mexico. In the United States, some of these turns occurred among African Americans and Anglo-Americans, in both all-male and all-female groups, sometimes arranged in trios but most prominently in…

Art (4 obras) · Music History and Culture (4 obras) · Diverse Musicological Studies (3 obras) · Literature (3 obras) · Political science (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art history (2 obras) · History (2 obras) · Jazz (2 obras)

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