Árpád M Nagy
Datos Biográficos
| ID | 223379 |
|---|---|
| NOMBRE | Árpád M Nagy |
| NOMBRES | Árpád M |
| APELLIDO | Nagy |
| FIRMA | NAGY Á M |
| AFILIACIONES | Museum of Fine Arts |
| VERIFICADO | No |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
Erōs en kairō — un bas-relief à Budapest
Cet article entend examiner l’iconographie d’un bas-relief qui se trouve à Budapest et provient probablement de Naples. Il a été sculpté en lychnites de Paros vers la fin de l’époque hellénistique ou aux tout débuts de l’époque impériale. Il représente une scène unique : Éros se posant sur une roue en train de tourner. Cette scène n’est pas le cliché instantané d’un quelconque jeu d’équilibre, et il n’existe pas non plus de mythe auquel l’associe…
Le serpent léontocéphale Chnoubis et la magie de l'époque romaine impériale
The lion-headed snake Chnoubis and Roman imperial magicThe radiated and lion-headed snake, designated by the name Chnoubis or Chnoumis, is one of the familiar figures of magical gems dating to the Roman imperial period. Different traditions — medical, astrological, relating to the quality of stones — attribute to this creature various therapeutic competences (against stomach troubles, for the protection of the uterus). This paper reviews the icon…
Figuring out the Anguipede (‘snake-legged god’) and his relation to Judaism
So-called magical gems constitute an especially rich body of material evidence for magic and religion in the Roman Empire. They differ from the ordinary run of gems in three respects: in their selection of iconographic types, normally divine images of one sort or another; by their use of magic words and occasionally longer texts, primarily in Greek script; and by their use of magic signs, usually called characteres . At least one of these three e…
Le serpent léontocéphale Chnoubis et la magie de l'époque romaine impériale
The lion-headed snake Chnoubis and Roman imperial magicThe radiated and lion-headed snake, designated by the name Chnoubis or Chnoumis, is one of the familiar figures of magical gems dating to the Roman imperial period. Different traditions — medical, astrological, relating to the quality of stones — attribute to this creature various therapeutic competences (against stomach troubles, for the protection of the uterus). This paper reviews the icon…
Figuring out the Anguipede (‘snake-legged god’) and his relation to Judaism
So-called magical gems constitute an especially rich body of material evidence for magic and religion in the Roman Empire. They differ from the ordinary run of gems in three respects: in their selection of iconographic types, normally divine images of one sort or another; by their use of magic words and occasionally longer texts, primarily in Greek script; and by their use of magic signs, usually called characteres . At least one of these three e…
Figuring out the Anguipede (‘snake-legged god’) and his relation to Judaism
So-called magical gems constitute an especially rich body of material evidence for magic and religion in the Roman Empire. They differ from the ordinary run of gems in three respects: in their selection of iconographic types, normally divine images of one sort or another; by their use of magic words and occasionally longer texts, primarily in Greek script; and by their use of magic signs, usually called characteres . At least one of these three e…
Le serpent léontocéphale Chnoubis et la magie de l'époque romaine impériale
The lion-headed snake Chnoubis and Roman imperial magicThe radiated and lion-headed snake, designated by the name Chnoubis or Chnoumis, is one of the familiar figures of magical gems dating to the Roman imperial period. Different traditions — medical, astrological, relating to the quality of stones — attribute to this creature various therapeutic competences (against stomach troubles, for the protection of the uterus). This paper reviews the icon…
Erōs en kairō — un bas-relief à Budapest
Cet article entend examiner l’iconographie d’un bas-relief qui se trouve à Budapest et provient probablement de Naples. Il a été sculpté en lychnites de Paros vers la fin de l’époque hellénistique ou aux tout débuts de l’époque impériale. Il représente une scène unique : Éros se posant sur une roue en train de tourner. Cette scène n’est pas le cliché instantané d’un quelconque jeu d’équilibre, et il n’existe pas non plus de mythe auquel l’associe…
Art (3 obras) · Historical, Religious, and Philosophical Studies (3 obras) · Ancient Egypt and Archaeology (2 obras) · Art history (2 obras) · Classical Antiquity Studies (2 obras) · Ancient art (1 obras) · Ancient history (1 obras) · Ancient Mediterranean Archaeology and History (1 obras) · Ancient Near East History (1 obras) · Classics (1 obras)