Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Donald Cosentino

Datos Biográficos

ID224176
NOMBREDonald Cosentino
NOMBRESDonald
APELLIDOCosentino
FIRMACOSENTINO D
AFILIACIONESRoma Tre University
ORCID0000-0002-7470-476X
VERIFICADOSí
TOTAL DE OBRAS33
TOTAL DE CITAS118
TOTAL COMO AUTOR33
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1980
AÑO MÁS RECIENTE DE PUBLICACIÓN2021
ÍNDICE H5
  • The tectono-stratigraphic evolution of the Fucino Basin (central Apennines, Italy)

    Open Access•Gianmarco Mondati, Marco Spadi et al.•ARTICLE•Journal of Maps•2021

    We present the geological map of the north-eastern margin of the Fucino Basin, which is mainly characterized by Plio-Quaternary continental deposits that show transition from deeper-water lacustrine environment, marginal lacustrine system, and fluvial facies. These deposits unconformably overlie upper Messinian Lago-Mare sediments and pre-orogenic carbonate succession. The occurrence of Caspiocypris tiberina in the Plio-Quaternary lacustrine sedi…

  • Plio-Quaternary geology of the Paganica-San Demetrio-Castelnuovo Basin (Central Italy)

    Open Access•Marco Nocentini, Donald Cosentino et al.•ARTICLE•Journal of Maps•2018

    We present the geological map at 1:25,000 scale of the Plio-Quaternary Paganica-San Demetrio-Castelnuovo Basin corresponding to the epicentral area of the 6 April 2009 Mw: 6.29 L’Aquila earthquake. The map focuses on the relationships between the active tectonics and the Plio-Quaternary deposits and on the early evolution of this continental basin. Fine-scale geological field surveys, coupled with paleontological data, facies analyses, well logs …

  • Plio-Quaternary geology of L’Aquila – Scoppito Basin (Central Italy)

    Open Access•Marco Nocentini, Riccardo Asti et al.•ARTICLE•Journal of Maps•2017

    We present a geological map at 1:25,000 scale of the Plio-Quaternary L’Aquila-Scoppito intermontane basin (central Italy), which corresponds to the epicentral area of the 6th April 2009 L’Aquila earthquake (Mw: 6.29). The map is derived from geological field surveys at 1:5000 scale and takes into account previously published maps. It is supported by a fine-scale LiDAR digital elevation model, paleontological analyses, 14C dating, well log analyse…

  • Oriki for Robert Farris Thompson

    Henry John Drewal, C Daniel Dawson et al.•ARTICLE•African Arts•2017

    When Drewal was invited to write a praise piece for Robert Farris Thompson for this issue celebrating the fiftieth anniversary of African Arts, he soon realized it was beyond his body-mind-heart, because Bob himself is larger than life, a person who has touched and inspired so many folks in so many walks of life and thought. So Drewal contacted his dear friend and colleague C. Daniel Dawson, who may know Bob better than anyone, as well as Bob's i…

  • Vernacular miracles

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2014•Referencias: 1

    Naples is a city run by miracles. Canonical miracles like the thrice-annual liquefaction of San Gennaro's blood, and vernacular miracles, like those effected by the capozzelle, anonymous skulls venerated at Fontanelle, the largest ossuary in Europe. Devotees visited these “little skulls” at the cemetery, cleaned them, adopted them into their families, even had them rebaptized. In return for these favors, the anime pezzentelle (vagabond souls) con…

  • Marilyn Jensen Houlberg 1939–2012

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•2013

    June 01 2013 Marilyn Jensen Houlberg 1939–2012 Donald Cosentino, Donald Cosentino Donald Cosentino is Professor Emeritus of World Arts and Cultures, UCLA, and curatorial partner with Marilyn Houlberg on “The Sacred Arts of Haitian Vodou” (1995–99) and “In Extremis: Death and Life in 21st Century Haitian Art” (2012–14). [email protected] Search for other works by this author on: This Site Google Scholar Henry John Drewal, Henry John Drewal He…

  • Baby on the Blender

    Donald Cosentino, Donald J Cosentino•ARTICLE•Small Axe A Caribbean Journal of…•2011

    Research Article| November 01 2011 Baby on the Blender: A Visual History of Catastrophe in Haiti Donald Cosentino Donald Cosentino Search for other works by this author on: This Site Google Small Axe (2011) 15 (3 (36)): 134–154. https://doi.org/10.1215/07990537-1443358 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Donald Cosentino; Baby on the Blender: A Visual History of Catastrophe in Haiti. Small Axe 1 November 2011;…

  • Exhibition/Catalog Review

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2010

  • Tectonics, sea-level changes and palaeoenvironments in the early Pleistocene of Rome (Italy)

    Open Access•Donald Cosentino, Domenico Cosentino et al.•ARTICLE•Quaternary Research•2009

    The historical site of the Monte Mario lower Pleistocene succession (Rome, Italy) is an important marker of the Pliocene/Pleistocene boundary. Recently, the Monte Mario site was excavated and restudied. A spectacular angular unconformity characterizes the contact between the Monte Vaticano and the Monte Mario formations, which marks the Pliocene/Pleistocene boundary. Biostratigraphical analyses carried out on ostracod, foraminifer, and calcareous…

  • The Radiance of the King

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2009•Citada por: 1

    September 01 2009 The Radiance of the King Donald Cosentino Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Online ISS…

  • Vodou a way of life

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2009•Citada por: 1

  • Black Atlantic Religion

    Donald Cosentino, Donald J Cosentino•ARTICLE•Hispanic American Historical Review•2007•Citada por: 18

    Cultural histories of the “black Atlantic,” as Africa and its various diasporas are fashionably called in the academy, are less than 75 years old, but they’ve already established their own orthodoxies. It is Professor Matory’s evident pleasure to skewer many of their perceived truths and to include in his skewering those globalization theorists who suppose transnationalism began with frequent-flyer miles or DirecTV. To them he says, check the tra…

  • Du c t de chez Scheub

    Donald Cosentino, Donald J Cosentino•ARTICLE•Research in African Literatures•2006

    Du cote de chez is a remembrance of the classes taught by Harold Scheub in the early 1970s, at a time when student revolutions on the streets of Madison, Wisconsin, were matched by radically new approaches to the study of oral traditions espoused by Scheub. It is a homage to the brilliant scholar who revealed what wonders lay buried under the misnomer folktales and then crafted a set of critical tools appropriate to the analysis or oral narrative…

  • Vodou in the Age of Mechanical Reproduction

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•Res: Anthropology and Aesthetics•2005

  • Chasing Amy

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2004

  • Sacred arts of Haitian vodou

    Donald Cosentino•BOOK•Sacred arts of Haitian vodou•1995•Citada por: 58

  • Processione

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•Western Folklore•1991

  • Art on the Road

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1989

  • Moving with the Face of the Devil

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1988•Citada por: 7

  • "The Final Word on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • "More on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • Divine Horsepower

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988•Citada por: 2

  • The Epic of Son-Jara

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1987

  • Spirit and Image

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1987•Citada por: 1

  • Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies

    Donald Cosentino, Donald J Cosentino•ARTICLE•Journal of American Folklore•1987•Citada por: 11

Siguiente
  • Sacred arts of Haitian vodou

    Donald Cosentino•BOOK•Sacred arts of Haitian vodou•1995•Citada por: 58

  • Black Atlantic Religion

    Donald Cosentino, Donald J Cosentino•ARTICLE•Hispanic American Historical Review•2007•Citada por: 18

    Cultural histories of the “black Atlantic,” as Africa and its various diasporas are fashionably called in the academy, are less than 75 years old, but they’ve already established their own orthodoxies. It is Professor Matory’s evident pleasure to skewer many of their perceived truths and to include in his skewering those globalization theorists who suppose transnationalism began with frequent-flyer miles or DirecTV. To them he says, check the tra…

  • Defiant Maids and Stubborn Farmers

    Roy Willis, Donald Cosentino et al.•ARTICLE•Man•1983•Citada por: 15

  • Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies

    Donald Cosentino, Donald J Cosentino•ARTICLE•Journal of American Folklore•1987•Citada por: 11

  • Moving with the Face of the Devil

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1988•Citada por: 7

  • Omnes Cultura Tres Partes Divisa Est

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Studies Review•1987•Citada por: 4

    Good art is commercial art”—Andy Warhol I have been asked to comment on the implications of a sector of culture being examined as popular within the typology adopted by Karin Barber to describe cultural strata in contemporary African societies. In order to face her enormous and daunting task (an intellectual call to arms which few other scholars would have had the courage, or the wide ranging intellectual ability, to meet so successfully) Barber …

  • Divine Horsepower

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988•Citada por: 2

  • The Radiance of the King

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2009•Citada por: 1

    September 01 2009 The Radiance of the King Donald Cosentino Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Online ISS…

  • Vodou a way of life

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2009•Citada por: 1

  • Spirit and Image

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1987•Citada por: 1

  • Build Your Own Model of a Hausa Settlement of Northern Nigeria

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1980

  • Defiant Maids and Stubborn Farmers

    Roger D Abrahams, Roger Abrahams et al.•ARTICLE•African Arts•1983

  • Defiant Maids and Stubborn Farmers

    Roy Willis, Donald Cosentino et al.•ARTICLE•Man•1983•Citada por: 15

  • African Myth and Black Reality in Bahian Carnaval

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1984

  • Defiant Maids and Stubborn Farmers

    Philip M Peek, Donald Cosentino et al.•ARTICLE•Journal of American Folklore•1984

  • The Development of African Drama. Michael Etherton

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•American Ethnologist•1985

  • Flash of the Spirit

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•American Ethnologist•1985

  • The Epic of Son-Jara

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1987

  • Spirit and Image

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1987•Citada por: 1

  • Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies

    Donald Cosentino, Donald J Cosentino•ARTICLE•Journal of American Folklore•1987•Citada por: 11

  • Omnes Cultura Tres Partes Divisa Est

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Studies Review•1987•Citada por: 4

    Good art is commercial art”—Andy Warhol I have been asked to comment on the implications of a sector of culture being examined as popular within the typology adopted by Karin Barber to describe cultural strata in contemporary African societies. In order to face her enormous and daunting task (an intellectual call to arms which few other scholars would have had the courage, or the wide ranging intellectual ability, to meet so successfully) Barber …

  • Moving with the Face of the Devil

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1988•Citada por: 7

  • "The Final Word on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • "More on "Voodoo

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988

  • Divine Horsepower

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•1988•Citada por: 2

  • Art on the Road

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•African Arts•1989

  • Processione

    Donald Cosentino, Donald J Cosentino et al.•ARTICLE•Western Folklore•1991

  • Sacred arts of Haitian vodou

    Donald Cosentino•BOOK•Sacred arts of Haitian vodou•1995•Citada por: 58

  • Chasing Amy

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2004

  • Vodou in the Age of Mechanical Reproduction

    Open Access•Donald Cosentino, Donald J Cosentino•ARTICLE•Res: Anthropology and Aesthetics•2005

  • Du c t de chez Scheub

    Donald Cosentino, Donald J Cosentino•ARTICLE•Research in African Literatures•2006

    Du cote de chez is a remembrance of the classes taught by Harold Scheub in the early 1970s, at a time when student revolutions on the streets of Madison, Wisconsin, were matched by radically new approaches to the study of oral traditions espoused by Scheub. It is a homage to the brilliant scholar who revealed what wonders lay buried under the misnomer folktales and then crafted a set of critical tools appropriate to the analysis or oral narrative…

  • Black Atlantic Religion

    Donald Cosentino, Donald J Cosentino•ARTICLE•Hispanic American Historical Review•2007•Citada por: 18

    Cultural histories of the “black Atlantic,” as Africa and its various diasporas are fashionably called in the academy, are less than 75 years old, but they’ve already established their own orthodoxies. It is Professor Matory’s evident pleasure to skewer many of their perceived truths and to include in his skewering those globalization theorists who suppose transnationalism began with frequent-flyer miles or DirecTV. To them he says, check the tra…

  • Tectonics, sea-level changes and palaeoenvironments in the early Pleistocene of Rome (Italy)

    Open Access•Donald Cosentino, Domenico Cosentino et al.•ARTICLE•Quaternary Research•2009

    The historical site of the Monte Mario lower Pleistocene succession (Rome, Italy) is an important marker of the Pliocene/Pleistocene boundary. Recently, the Monte Mario site was excavated and restudied. A spectacular angular unconformity characterizes the contact between the Monte Vaticano and the Monte Mario formations, which marks the Pliocene/Pleistocene boundary. Biostratigraphical analyses carried out on ostracod, foraminifer, and calcareous…

  • The Radiance of the King

    Donald Cosentino, Donald J Cosentino•ARTICLE•African Arts•2009•Citada por: 1

    September 01 2009 The Radiance of the King Donald Cosentino Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Donald Cosentino Donald Cosentino is UCLA Professor of World Arts and Cultures and retired co-editor of African Arts. [email protected] Online ISS…

  • Vodou a way of life

    Donald Cosentino, Donald J Cosentino•ARTICLE•Material Religion•2009•Citada por: 1

Art (19 obras) · History (11 obras) · Sociology (9 obras) · Visual arts (9 obras) · Art history (8 obras) · Geography (8 obras) · Computer Science (7 obras) · Literature (7 obras) · Philosophy (6 obras) · Citation (5 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae