Elizabeth Rankin

Datos Biográficos

ID227749
NOMBREElizabeth Rankin
NOMBRESElizabeth
APELLIDORankin
FIRMARANKIN E
AFILIACIONESUniversity of the Witwatersrand
ORCID0000-0002-3455-8235
VERIFICADOSí
TOTAL DE OBRAS41
TOTAL DE CITAS14
TOTAL COMO AUTOR41
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1973
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H2

  • Developing a modified and contextualised Occupational Justice Health Questionnaire (OJHQ) for use with marginalised populations

    Emma George, Shobana Devi Moorthy et al.ARTICLEJournal of Occupational Science2025Citada por: 1Referencias: 3

  • From Memory to Marble

    Open AccessElizabeth Rankin, Rolf Michael SchneiderBOOKFrom Memory to Marble : The…2020

    For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 19…

  • The Art of Life in South Africa

    Elizabeth RankinARTICLEde arte2017

    ORCID Elizabeth Rankin http://orcid.org/0000-0002-3455-8235

  • Exhibit Reviews

    Open AccessJohanna Zetterstrom-Sharp, G Hussein Rassool et al.ARTICLEMuseum Worlds2014

    Fetish Modernity (Museum of Ethnography, Stockholm) Remaking an Ethnographic Museum in Cologne (The New Rautenstrauch-Joest Museum—Cultures of the World) The George W. Bush Presidential Center (Dallas, Texas) Moving on Asia: Towards a New Art Network 2004–2013 (Gallery LOOP, Seoul, and City Gallery Wellington) L'Art Nouveau: La Révolution Décorative and Tamara de Lempicka (La Reine de l'Art Déco, Pinacothèque de Paris) Staatliches Museum Ägyptisc…

  • Creating/Curating Cultural Capital

    Open AccessElizabeth RankinARTICLEHumanities2013

    Since the first democratic elections in 1994, South Africa has faced the challenge of creating new cultural capital to replace old racist paradigms, and monuments and museums have been deployed as part of this agenda of transformation. Monuments have been inscribed with new meanings, and acquisition and collecting policies have changed at existing museums to embrace a wider definition of culture. In addition, a series of new museums, often with a…

  • The Invention of New Zealand

    Open AccessElizabeth RankinARTICLEThe Art Book2010

  • The Apartheid Museum

    Open AccessElizabeth Rankin, Leoni SchmidtARTICLEJournal of Visual Culture2009

    The Apartheid Museum in South Africa is read through the lens of a condition of `prepossession', where histories of trauma continue to haunt a site while manifesting affectively through spatial ambiguities, which lead to an experience of `empathetic unsettledness'. Paradoxes concerning the provenance of the building and its location are discussed. An analysis follows of changing registers of spatiality through selected key areas of the complex, w…

  • Mission madonnas imaging an african mother of god

    Elizabeth RankinARTICLEMaterial Religion2009Citada por: 1

    (2009). Mission madonnas imaging an african mother of god. Material Religion: Vol. 5, No. 1, pp. 111-114

  • How to Look at a Painting by Justin Paton

    Open AccessElizabeth RankinARTICLEThe Art Book2007

  • Banners, batons and barbed wire

    Elizabeth RankinARTICLEde arte2007Referencias: 1

    Anti-apartheid campaigns dated back to at least the 1960s in New Zealand, when Maori players in early All Black teams were prohibited from playing rugby in South Africa. Protests peaked in 1981 when the Springbok—All Black rugby tour was played in New Zealand; it divided the country and brought it to the brink of civil war. Like so many others, artists participated in the public demonstrations and campaigns, but they also sought ways to use their…

  • Unsettled/Unsettling images

    Elizabeth Rankin, Marténe MentisARTICLEde arte2005

    Postcolonial scholarship has come to acknowledge that the binary opposition of coloniser and colonised fails to take account of the ambivalent position of the settler, who is neither imperial oppressor nor indigenous oppressed. In South Africa the position was further complicated by the aberrant amalgam of the characteristics of a colony of occupation with those of a colony of settlement, almost from the outset of European occupation

  • Seeing stereoscopically

    Elizabeth RankinARTICLEde arte2002

  • Carvings, casts and constructions

    Elizabeth RankinARTICLEde arte2000

  • Revision; Reaction; RE-Vision; The role of museums in (a) transforming South Africa

    Open AccessElizabeth Rankin, C HamiltonARTICLEMuseum Anthropology1999Citada por: 8Referencias: 1

  • Important and Exportant

    Shannen Hill, Elizabeth RankinARTICLEAfrican Arts1998

  • Images of Metal

    Shannen Hill, Elizabeth RankinARTICLEAfrican Arts1998

  • On the conception and reception of art in public places

    Elizabeth RankinARTICLEde arte1998

  • Popularising public sculpture in Britain

    Elizabeth RankinARTICLEde arte1996

  • Scrambling (for) Africa

    Elizabeth Rankin, Nessa LeibhammerARTICLEAfrican Studies1996Referencias: 3

    During the closing months of 1995 the africa95 festival in Britain offered a diverse programme celebrating the cultures of Africa. It was a multi‐faceted event, that included conferences, theatre, dance, films, literature and a number of art exhibitions at different venues in London and other centres, organised by a range of curators, and accompanied by catalogues with contributions by a variety of scholars. It is the intention of this paper to e…

  • Diaries to an English Professor

    Elizabeth Rankin, Jeffrey BermanARTICLEThe Journal of Higher Education1995

    Diaries to an English Professor: Pain and Growth in the Classroom." The Journal of Higher Education, 66(5), pp. 605–606

  • Recoding the canon

    Elizabeth RankinARTICLESocial Dynamics1995Citada por: 2Referencias: 2

  • People and Places

    Elizabeth Rankin, Ruth PeinARTICLEde arte1992Referencias: 1

  • Training and Trading

    Elizabeth RankinARTICLEde arte1991Citada por: 1Referencias: 1

    (1991). Training and Trading: the Influence of Tuition and the Art Market in the Work of Some South African Sculptors. de arte: Vol. 26, No. 43, pp. 5-25

  • Response to Joan Marter's Comment

    Elizabeth RankinARTICLELeonardo1990

  • Crossing the Threshold

    Elizabeth RankinARTICLEde arte1989