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Ange Mlinko

Datos Biográficos

ID2366764
NOMBREAnge Mlinko
NOMBRESAnge
APELLIDOMlinko
FIRMAMLINKO A
VERIFICADONo
TOTAL DE OBRAS4
TOTAL DE CITAS0
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2005
AÑO MÁS RECIENTE DE PUBLICACIÓN2009
ÍNDICE H0
  • Thalassotherapy

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    Envying binges on unbandaged waves ‘tumultuous come,’ I'm all ‘qu'est-ce que c'est?’ when the jellyfish ride out, the brainless meninges. What remains of the rue. Like the 5-point harness on child car seats made of the same foam as life jackets, the starfish arches. What remains of the crabgrass. The life jackets made of the same foam as the bicycle helmet – qu'est-ce que c'est? – cracked in two in your hands. What remains of the butter-and-eggs.…

  • Corporate Abstraction

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    In the weeks after the catastrophe I reported to work only to brood at my cubicle and feel the trembling of the river like a Rubicon. From a yellow window in a Class-C building I couldn't tell a battered slip of paper in a downdraft from a gull. Downwind, the Battery. Coming up the west side from the park I felt the trembling of two rivers the moment they fork. To walk to the smoking pit on my lunch hour to see through the fence and stand there o…

  • Shoulder Season

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    On the strength of the light in the southeast I could surmise this isn't the time for poinsettia. Snowflakes hard as schoolyard jacks fall from a cryogenic layer of air eagles use as lorgnettes. It's unseasonable judging by the light in the southeast. The poinsettia has been delicately loosening the bolts locking velvet brachts in attitudes of warm jouissance so that a cuticle of dried blood hue encroaches on the edges of a lively red, then altog…

  • Critical Karaoke

    Open Access•Joshua Clover, Ange Mlinko et al.•ARTICLE•Popular Music•2005

    the critical karaoke project was a specific response to the endless parade of polls, lists and casual questions about 'the greatest songs of all time' - particularly to how that measure seems mismatched to pop, which bets everything on transitory pleasures, intensities, its own evanescence. a number of critics, scholars, poets and musicians were invited to the experience music project's annual pop conference in seattle, in the spring of 2004, to …

Sin obras prominentes en esta página.

  • Critical Karaoke

    Open Access•Joshua Clover, Ange Mlinko et al.•ARTICLE•Popular Music•2005

    the critical karaoke project was a specific response to the endless parade of polls, lists and casual questions about 'the greatest songs of all time' - particularly to how that measure seems mismatched to pop, which bets everything on transitory pleasures, intensities, its own evanescence. a number of critics, scholars, poets and musicians were invited to the experience music project's annual pop conference in seattle, in the spring of 2004, to …

  • Thalassotherapy

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    Envying binges on unbandaged waves ‘tumultuous come,’ I'm all ‘qu'est-ce que c'est?’ when the jellyfish ride out, the brainless meninges. What remains of the rue. Like the 5-point harness on child car seats made of the same foam as life jackets, the starfish arches. What remains of the crabgrass. The life jackets made of the same foam as the bicycle helmet – qu'est-ce que c'est? – cracked in two in your hands. What remains of the butter-and-eggs.…

  • Corporate Abstraction

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    In the weeks after the catastrophe I reported to work only to brood at my cubicle and feel the trembling of the river like a Rubicon. From a yellow window in a Class-C building I couldn't tell a battered slip of paper in a downdraft from a gull. Downwind, the Battery. Coming up the west side from the park I felt the trembling of two rivers the moment they fork. To walk to the smoking pit on my lunch hour to see through the fence and stand there o…

  • Shoulder Season

    Open Access•Ange Mlinko•ARTICLE•Critical Quarterly•2009

    On the strength of the light in the southeast I could surmise this isn't the time for poinsettia. Snowflakes hard as schoolyard jacks fall from a cryogenic layer of air eagles use as lorgnettes. It's unseasonable judging by the light in the southeast. The poinsettia has been delicately loosening the bolts locking velvet brachts in attitudes of warm jouissance so that a cuticle of dried blood hue encroaches on the edges of a lively red, then altog…

Art (4 obras) · Art history (2 obras) · Engineering (2 obras) · History (2 obras) · Visual arts (2 obras) · Aesthetics (1 obras) · Archaeology (1 obras) · Asian Culture and Media Studies (1 obras) · Beauty (1 obras) · Business Law and Ethics (1 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae