Paul G Pickowicz
Datos Biográficos
| ID | 239422 |
|---|---|
| NOMBRE | Paul G Pickowicz |
| NOMBRES | Paul G |
| APELLIDO | Pickowicz |
| FIRMA | PICKOWICZ P G |
| AFILIACIONES | University of California San Diego |
| ORCID | 0009-0008-8033-5666 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 25 |
| TOTAL DE CITAS | 10 |
| TOTAL COMO AUTOR | 22 |
| TOTAL COMO EDITOR | 3 |
| PRIMER AÑO DE PUBLICACIÓN | 1974 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2019 |
| ÍNDICE H | 2 |
Unofficial China
Never-Ending Controversies
Radicalism, Revolution, and Reform in Modern China
This volume illuminates the relationship of China's radical past to its reformist present as China makes a way forward through very differently conceived and contested visions of the future. In the context of early twenty-first century problems and the failures of global capitalism, is China's history of revolutionary socialism an aberration that is soon to be forgotten, or can it serve as a resource for creating a more fully human and radically …
China on Film
Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and discusses its course of development from the early days to the present. Moving decade by decade, he explores such key themes as the ever-shifting definitions of modern marriage in 1920s silent features, East-West cultural conflict in the movies of the 1930s, the strong appeal of the powerful melodramatic mode of the 1930s and 1940s, the polarizing political con…
Peasant and Woman in Maoist Revolutionary Theory, 1920s–1950s
China on Film
Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and discusses its course of development from the early days to the present. [...] Throughout its long history of film production, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking political stands and weighing in-for better o…
Revisiting Cold War Propaganda
No doubt the most memorable 1950s American propaganda film on the Korean War was Pork Chop Hill (1959), directed by Lewis Milestone, who made the anti-war classic All Quiet on the Western Front (1930). The most popular and influential on the Chinese side was Shangganling (The Battle of Sangkumryung Ridge or The Battle of Triangle Hill; 1956). Both deal with a single battle in which a small, dedicated unit is seen defending a remote hill top in th…
The Early Years of the People’s Republic of China
Dilemmas of Victory
This illuminating work examines the social, cultural, political, and economic dimensions of the Communist takeover of China. Instead of dwelling on elite politics and policy-making processes, Dilemmas of Victory seeks to understand how the 1949-1953 period was experienced by various groups, including industrialists, filmmakers, ethnic minorities, educators, rural midwives, philanthropists, stand-up comics, and scientists. A stellar group of autho…
The Chinese Cultural Revolution as History
Based on a wide variety of unusual and only recently available sources, this book covers the entire Cultural Revolution decade (1966-76) and shows how the Cultural Revolution was experienced by ordinary Chinese at the base of urban and rural society. The contributors emphasize the complex interaction of state and society during this tumultuous period, exploring the way events originating at the center of political power changed people's lives and…
Revolution, Resistance, and Reform in Village China
The Problematic of Self in Modern Chinese Literature
Cinema and Urban Culture in Shanghai, 1922-1943
Introduction: cinema and urban culture in republican Shanghai Yingjin Zhang Part I. Screening Romance: Teahouse, Cinema, Spectator: 2. Teahouse, shadowplay, bricolage: laborer's love and the question of early Chinese cinema Zhen Zhang 3. The Romance of the Western Chamber and the classical subject film in 1920s Shanghai Kristine Harris 4. The urban Milieu of Shanghai cinema, 1930-40: some explorations of film audience, film culture, and narrative…
Chen Village under Mao and Deng. Anita Chan , Richard Madsen , Jonathan Unger
New Chinese Cinemas
New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an…
Chinese Village, Socialist State
Chinese Village, Socialist State
Chinese Village, Socialist State
The Theme of Spiritual Pollution in Chinese Films of the 1930s
The political campaigns launched by the Chinese Communist Party in 1981, 1983, 1987, and 1989 to eradicate foreign pollution,1 a noxious byproduct of bourgeois liberalization, can be interpreted in a variety of ways. It is apparent, for example, that in each case the leadership was looking for a way to account for corruption, lawlessness, disorder, alienation, cynicism, and other nagging social problems without having to point to the failings of …
Unofficial China
Marxist Literary Thought in China. The Influence of Ch'u Ch'iu-pai
The Crisis of Chinese Consciousness
Ch'ü Ch'iu-pai and the Chinese Marxist Conception of Revolutionary Popular Literature and Art
It is now generally agreed that the intensity and magnitude of social commitment witnessed in China's revolutionary literary movement of the 1920s, 1930s and 1940s is unparalleled among literary movements of the modern period. Accordingly, an increasing amount of scholarly attention is being directed to the general problem of the relationship between literature and revolution in China. Unfortunately, however, our overall conception of the scope o…
Lu Xun Through the Eyes of Qu Qiu-bai
Cinema and Revolution in China
The Theme of Spiritual Pollution in Chinese Films of the 1930s
The political campaigns launched by the Chinese Communist Party in 1981, 1983, 1987, and 1989 to eradicate foreign pollution,1 a noxious byproduct of bourgeois liberalization, can be interpreted in a variety of ways. It is apparent, for example, that in each case the leadership was looking for a way to account for corruption, lawlessness, disorder, alienation, cynicism, and other nagging social problems without having to point to the failings of …
Revolution, Resistance, and Reform in Village China
Revisiting Cold War Propaganda
No doubt the most memorable 1950s American propaganda film on the Korean War was Pork Chop Hill (1959), directed by Lewis Milestone, who made the anti-war classic All Quiet on the Western Front (1930). The most popular and influential on the Chinese side was Shangganling (The Battle of Sangkumryung Ridge or The Battle of Triangle Hill; 1956). Both deal with a single battle in which a small, dedicated unit is seen defending a remote hill top in th…
Cinema and Revolution in China
Cinema and Revolution in China
Lu Xun Through the Eyes of Qu Qiu-bai
Ch'ü Ch'iu-pai and the Chinese Marxist Conception of Revolutionary Popular Literature and Art
It is now generally agreed that the intensity and magnitude of social commitment witnessed in China's revolutionary literary movement of the 1920s, 1930s and 1940s is unparalleled among literary movements of the modern period. Accordingly, an increasing amount of scholarly attention is being directed to the general problem of the relationship between literature and revolution in China. Unfortunately, however, our overall conception of the scope o…
The Crisis of Chinese Consciousness
Marxist Literary Thought in China. The Influence of Ch'u Ch'iu-pai
The Theme of Spiritual Pollution in Chinese Films of the 1930s
The political campaigns launched by the Chinese Communist Party in 1981, 1983, 1987, and 1989 to eradicate foreign pollution,1 a noxious byproduct of bourgeois liberalization, can be interpreted in a variety of ways. It is apparent, for example, that in each case the leadership was looking for a way to account for corruption, lawlessness, disorder, alienation, cynicism, and other nagging social problems without having to point to the failings of …
Unofficial China
Chinese Village, Socialist State
Chinese Village, Socialist State
Chinese Village, Socialist State
Chen Village under Mao and Deng. Anita Chan , Richard Madsen , Jonathan Unger
New Chinese Cinemas
New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an…
The Problematic of Self in Modern Chinese Literature
Cinema and Urban Culture in Shanghai, 1922-1943
Introduction: cinema and urban culture in republican Shanghai Yingjin Zhang Part I. Screening Romance: Teahouse, Cinema, Spectator: 2. Teahouse, shadowplay, bricolage: laborer's love and the question of early Chinese cinema Zhen Zhang 3. The Romance of the Western Chamber and the classical subject film in 1920s Shanghai Kristine Harris 4. The urban Milieu of Shanghai cinema, 1930-40: some explorations of film audience, film culture, and narrative…
The Chinese Cultural Revolution as History
Based on a wide variety of unusual and only recently available sources, this book covers the entire Cultural Revolution decade (1966-76) and shows how the Cultural Revolution was experienced by ordinary Chinese at the base of urban and rural society. The contributors emphasize the complex interaction of state and society during this tumultuous period, exploring the way events originating at the center of political power changed people's lives and…
Revolution, Resistance, and Reform in Village China
The Early Years of the People’s Republic of China
Dilemmas of Victory
This illuminating work examines the social, cultural, political, and economic dimensions of the Communist takeover of China. Instead of dwelling on elite politics and policy-making processes, Dilemmas of Victory seeks to understand how the 1949-1953 period was experienced by various groups, including industrialists, filmmakers, ethnic minorities, educators, rural midwives, philanthropists, stand-up comics, and scientists. A stellar group of autho…
Revisiting Cold War Propaganda
No doubt the most memorable 1950s American propaganda film on the Korean War was Pork Chop Hill (1959), directed by Lewis Milestone, who made the anti-war classic All Quiet on the Western Front (1930). The most popular and influential on the Chinese side was Shangganling (The Battle of Sangkumryung Ridge or The Battle of Triangle Hill; 1956). Both deal with a single battle in which a small, dedicated unit is seen defending a remote hill top in th…
Radicalism, Revolution, and Reform in Modern China
This volume illuminates the relationship of China's radical past to its reformist present as China makes a way forward through very differently conceived and contested visions of the future. In the context of early twenty-first century problems and the failures of global capitalism, is China's history of revolutionary socialism an aberration that is soon to be forgotten, or can it serve as a resource for creating a more fully human and radically …
China on Film
Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and discusses its course of development from the early days to the present. Moving decade by decade, he explores such key themes as the ever-shifting definitions of modern marriage in 1920s silent features, East-West cultural conflict in the movies of the 1930s, the strong appeal of the powerful melodramatic mode of the 1930s and 1940s, the polarizing political con…
Peasant and Woman in Maoist Revolutionary Theory, 1920s–1950s
China on Film
Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and discusses its course of development from the early days to the present. [...] Throughout its long history of film production, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking political stands and weighing in-for better o…
Never-Ending Controversies
Unofficial China
Political science (21 obras) · Chinese history and philosophy (17 obras) · History (16 obras) · China (15 obras) · Law (14 obras) · Sociology (12 obras) · Art (8 obras) · Politics (8 obras) · Vietnamese History and Culture Studies (8 obras) · Hong Kong and Taiwan Politics (7 obras)