Marino Maggetti
Datos Biográficos
| ID | 244978 |
|---|---|
| NOMBRE | Marino Maggetti |
| NOMBRES | Marino |
| APELLIDO | Maggetti |
| FIRMA | MAGGETTI M |
| AFILIACIONES | University of Fribourg |
| VERIFICADO | No |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAS | 55 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1978 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 5 |
Une «élégante» du musée barrois (Bar-le-Duc) sous le microscope
This work presents and discusses the analyses made with a scanning electron microscope on the ceramic body, the white opaque glaze and the purple of a dish (early 19th century) from the collections of the Barrois museum, Bar-le-Duc, decorated ‘à l’élégante’ whose chemical composition does not agree with any reference group known to date. The opaque white tin glaze and the purple decoration with its gold nanoparticles differ from the tin glazes an…
Le Bleu d’Arras
This paper presents and discusses the first analyses made to date on the body, the glaze and the “ Ronda” under-glaze blue of a plate from the French Arras manufacture. The body is an association of quartz (relict) + cristobalite + ß-wollastonite + vitreous phase. Chemically, it is the richest in SiO 2 and Al 2 O 3 and with the lowest MgO content of all French soft porcelains. The glaze is silica-and lead-rich, with little aluminum, calcium, pota…
SEM study of black, blue, violet and yellow inglaze colours of the oldest Swiss tin‐opacified stove tiles ( c .1450– c .1512, canton Bern)
The ceramic colours of eight late medieval to early Renaissance stove tiles were studied by scanning electron microscopy‐backscattered electron (SEM‐BSE) images and SEM with energy‐dispersive spectroscopy (SEM‐EDS). Microstructural observations and chemical compositions of these colours give some insight into the colouring agents and techniques used by the potters. All decorations were applied as inglaze opaque colours on the unfired powdery tin‐…
Deux anges du xviie siècle
À partir d’analyses chimiques de tessons provenant d’une manufacture de Cosne-sur-Loire, et en comparaison avec un référentiel chimique fiable pour les faïences de Nevers, on a tenté de découvrir l’origine de deux autres plaques en faïence du xviie siècle de style nivernais qui pourraient, par une simple approche stylistique, être attribuées à l’un ou l’autre de ces centres. La composition chimique des deux objets et l’analyse statistique multiva…
The introduction of the tin opacified glaze technique in Switzerland at the end of the 15th century CE - A SEM study of stove tiles from the canton Bern
Late 15th century tin glazed stove tile fragments from Bern, Fraubrunnen and Nidau are among the oldest witnesses of this advanced glaze technique in Switzerland and coexist with traditional lead glazed tiles. On a single tile, both glazes can also occur (two-glaze technique). In this SEM-BSE and -EDS study, bodies, slips and glazes of 14 tin and 2 lead glazed tiles were examined in order to constrain the raw material sources, the recipes, the ap…
Composition and technology of 18th century high magnesia faïences from Fulda
The Origin of 18th–19th Century Tin‐Glazed Pottery from L orraine, F rance
Forty‐eight tin‐glazed ceramic fragments (faiences) from L orraine, found in excavations or pertaining to objects in collections, were subjected to X‐ray fluorescence analysis to determine the bulk, major, minor and trace element compositions. Sixteen superficially clay layers from the surroundings of Lunéville and Saint‐Clément were also analysed. The faiences are, with four exceptions, MgO rich. The combination of stylistic and chemical argumen…
Temperature evolution inside a pot during experimental surface (bonfire) firing
White Earthenware From Lorraine (1755 -C. 1820)
Fragments of 25 examples of ‘white earthenware’ from Lorraine were subjected to porosity analysis, X-ray fluorescence analysis, X-ray diffraction analysis and backscattered-electron image analysis—coupled with energy-dispersive spectrometry to determine the porosity, bulk, major, minor and trace element compositions, and the composition and the proportion of their constituent phases. These objects embrace two distinct types of paste, CaO-rich and…
Paul‐louis Cyfflé's (1724–1806) Terre De Lorraine
Fragments of four Terre de Lorraine biscuit figurines were subjected to porosity analysis, X‐ray fluorescence analysis, X‐ray diffraction analysis, backscattered‐electron image analysis—coupled with energy dispersive spectrometry—and electron backscatter diffraction analysis to determine the porosity, bulk, major, minor and trace element compositions, and the composition and the proportion of their constituent phases. Cyfflé's Terre de Lorraine w…
Antimonate Opaque Glaze Colours From the Faience Manufacture of Le Bois D’épense (19th Century, Northeastern France)
Three types of antimony‐based, opaque ceramic colours were used in the faience workshop of Le Bois d’Épense during the first decades of the 19th century; that is, yellow, tawny and green. Yellow is generated by lead antimonate crystals (Naples Yellow), which are incorporated into an uncoloured glass matrix. According to SEM–EDS measurements, these pigments contain iron. The tawny colour is the optical result of the combined presence of similar ye…
The Alps—a Barrier or a Passage for Ceramic Trade
T he A lps as a barrier : ceramic remnants of the so‐called Laugen‐Melaun culture (c. 11th to c. sixth centuries bc ) can be found in the northern Italy (Trentino/Alto Adige)—eastern Switzerland—Liechtenstein and western Austria region. A petrographic study of 454 sherds from this area covering a time span of 500 years reveals the following. (1) The pottery from the Trentino/Alto Adige contains a predominantly volcanic temper, which can be linked…
Cathodoluminescence Spectroscopy of Quartz Grains as a Tool for Ceramic Provenance
Iron Age Fine Pottery From Châtillon‐s‐glâne and the Heuneburg
Campanian Pottery; The Nature of the Black Coating
Composition of iron age fine ceramics from Châtillon-s-Glâne (Kt. Fribourg, Switzerland) and the Heuneburg (Kr. Sigmaringen, West Germany)
Composition of the Terra Sigillata From La Péniche (Vidy/Lausanne, Switzerland)
Campanian Pottery; The Nature of the Black Coating
Antimonate Opaque Glaze Colours From the Faience Manufacture of Le Bois D’épense (19th Century, Northeastern France)
Three types of antimony‐based, opaque ceramic colours were used in the faience workshop of Le Bois d’Épense during the first decades of the 19th century; that is, yellow, tawny and green. Yellow is generated by lead antimonate crystals (Naples Yellow), which are incorporated into an uncoloured glass matrix. According to SEM–EDS measurements, these pigments contain iron. The tawny colour is the optical result of the combined presence of similar ye…
Cathodoluminescence Spectroscopy of Quartz Grains as a Tool for Ceramic Provenance
Iron Age Fine Pottery From Châtillon‐s‐glâne and the Heuneburg
Composition of the Terra Sigillata From La Péniche (Vidy/Lausanne, Switzerland)
Paul‐louis Cyfflé's (1724–1806) Terre De Lorraine
Fragments of four Terre de Lorraine biscuit figurines were subjected to porosity analysis, X‐ray fluorescence analysis, X‐ray diffraction analysis, backscattered‐electron image analysis—coupled with energy dispersive spectrometry—and electron backscatter diffraction analysis to determine the porosity, bulk, major, minor and trace element compositions, and the composition and the proportion of their constituent phases. Cyfflé's Terre de Lorraine w…
The Alps—a Barrier or a Passage for Ceramic Trade
T he A lps as a barrier : ceramic remnants of the so‐called Laugen‐Melaun culture (c. 11th to c. sixth centuries bc ) can be found in the northern Italy (Trentino/Alto Adige)—eastern Switzerland—Liechtenstein and western Austria region. A petrographic study of 454 sherds from this area covering a time span of 500 years reveals the following. (1) The pottery from the Trentino/Alto Adige contains a predominantly volcanic temper, which can be linked…
The introduction of the tin opacified glaze technique in Switzerland at the end of the 15th century CE - A SEM study of stove tiles from the canton Bern
Late 15th century tin glazed stove tile fragments from Bern, Fraubrunnen and Nidau are among the oldest witnesses of this advanced glaze technique in Switzerland and coexist with traditional lead glazed tiles. On a single tile, both glazes can also occur (two-glaze technique). In this SEM-BSE and -EDS study, bodies, slips and glazes of 14 tin and 2 lead glazed tiles were examined in order to constrain the raw material sources, the recipes, the ap…
The Origin of 18th–19th Century Tin‐Glazed Pottery from L orraine, F rance
Forty‐eight tin‐glazed ceramic fragments (faiences) from L orraine, found in excavations or pertaining to objects in collections, were subjected to X‐ray fluorescence analysis to determine the bulk, major, minor and trace element compositions. Sixteen superficially clay layers from the surroundings of Lunéville and Saint‐Clément were also analysed. The faiences are, with four exceptions, MgO rich. The combination of stylistic and chemical argumen…
Composition of the Terra Sigillata From La Péniche (Vidy/Lausanne, Switzerland)
Composition of iron age fine ceramics from Châtillon-s-Glâne (Kt. Fribourg, Switzerland) and the Heuneburg (Kr. Sigmaringen, West Germany)
Campanian Pottery; The Nature of the Black Coating
Iron Age Fine Pottery From Châtillon‐s‐glâne and the Heuneburg
Cathodoluminescence Spectroscopy of Quartz Grains as a Tool for Ceramic Provenance
The Alps—a Barrier or a Passage for Ceramic Trade
T he A lps as a barrier : ceramic remnants of the so‐called Laugen‐Melaun culture (c. 11th to c. sixth centuries bc ) can be found in the northern Italy (Trentino/Alto Adige)—eastern Switzerland—Liechtenstein and western Austria region. A petrographic study of 454 sherds from this area covering a time span of 500 years reveals the following. (1) The pottery from the Trentino/Alto Adige contains a predominantly volcanic temper, which can be linked…
Antimonate Opaque Glaze Colours From the Faience Manufacture of Le Bois D’épense (19th Century, Northeastern France)
Three types of antimony‐based, opaque ceramic colours were used in the faience workshop of Le Bois d’Épense during the first decades of the 19th century; that is, yellow, tawny and green. Yellow is generated by lead antimonate crystals (Naples Yellow), which are incorporated into an uncoloured glass matrix. According to SEM–EDS measurements, these pigments contain iron. The tawny colour is the optical result of the combined presence of similar ye…
Paul‐louis Cyfflé's (1724–1806) Terre De Lorraine
Fragments of four Terre de Lorraine biscuit figurines were subjected to porosity analysis, X‐ray fluorescence analysis, X‐ray diffraction analysis, backscattered‐electron image analysis—coupled with energy dispersive spectrometry—and electron backscatter diffraction analysis to determine the porosity, bulk, major, minor and trace element compositions, and the composition and the proportion of their constituent phases. Cyfflé's Terre de Lorraine w…
Temperature evolution inside a pot during experimental surface (bonfire) firing
White Earthenware From Lorraine (1755 -C. 1820)
Fragments of 25 examples of ‘white earthenware’ from Lorraine were subjected to porosity analysis, X-ray fluorescence analysis, X-ray diffraction analysis and backscattered-electron image analysis—coupled with energy-dispersive spectrometry to determine the porosity, bulk, major, minor and trace element compositions, and the composition and the proportion of their constituent phases. These objects embrace two distinct types of paste, CaO-rich and…
Composition and technology of 18th century high magnesia faïences from Fulda
The Origin of 18th–19th Century Tin‐Glazed Pottery from L orraine, F rance
Forty‐eight tin‐glazed ceramic fragments (faiences) from L orraine, found in excavations or pertaining to objects in collections, were subjected to X‐ray fluorescence analysis to determine the bulk, major, minor and trace element compositions. Sixteen superficially clay layers from the surroundings of Lunéville and Saint‐Clément were also analysed. The faiences are, with four exceptions, MgO rich. The combination of stylistic and chemical argumen…
Deux anges du xviie siècle
À partir d’analyses chimiques de tessons provenant d’une manufacture de Cosne-sur-Loire, et en comparaison avec un référentiel chimique fiable pour les faïences de Nevers, on a tenté de découvrir l’origine de deux autres plaques en faïence du xviie siècle de style nivernais qui pourraient, par une simple approche stylistique, être attribuées à l’un ou l’autre de ces centres. La composition chimique des deux objets et l’analyse statistique multiva…
The introduction of the tin opacified glaze technique in Switzerland at the end of the 15th century CE - A SEM study of stove tiles from the canton Bern
Late 15th century tin glazed stove tile fragments from Bern, Fraubrunnen and Nidau are among the oldest witnesses of this advanced glaze technique in Switzerland and coexist with traditional lead glazed tiles. On a single tile, both glazes can also occur (two-glaze technique). In this SEM-BSE and -EDS study, bodies, slips and glazes of 14 tin and 2 lead glazed tiles were examined in order to constrain the raw material sources, the recipes, the ap…
Le Bleu d’Arras
This paper presents and discusses the first analyses made to date on the body, the glaze and the “ Ronda” under-glaze blue of a plate from the French Arras manufacture. The body is an association of quartz (relict) + cristobalite + ß-wollastonite + vitreous phase. Chemically, it is the richest in SiO 2 and Al 2 O 3 and with the lowest MgO content of all French soft porcelains. The glaze is silica-and lead-rich, with little aluminum, calcium, pota…
SEM study of black, blue, violet and yellow inglaze colours of the oldest Swiss tin‐opacified stove tiles ( c .1450– c .1512, canton Bern)
The ceramic colours of eight late medieval to early Renaissance stove tiles were studied by scanning electron microscopy‐backscattered electron (SEM‐BSE) images and SEM with energy‐dispersive spectroscopy (SEM‐EDS). Microstructural observations and chemical compositions of these colours give some insight into the colouring agents and techniques used by the potters. All decorations were applied as inglaze opaque colours on the unfired powdery tin‐…
Une «élégante» du musée barrois (Bar-le-Duc) sous le microscope
This work presents and discusses the analyses made with a scanning electron microscope on the ceramic body, the white opaque glaze and the purple of a dish (early 19th century) from the collections of the Barrois museum, Bar-le-Duc, decorated ‘à l’élégante’ whose chemical composition does not agree with any reference group known to date. The opaque white tin glaze and the purple decoration with its gold nanoparticles differ from the tin glazes an…
Cultural Heritage Materials Analysis (15 obras) · Mineralogy (11 obras) · Materials Science (10 obras) · Art (9 obras) · Chemistry (9 obras) · Building materials and conservation (8 obras) · Geology (7 obras) · Archaeology (6 obras) · Ceramic (6 obras) · Composite material (6 obras)