M E Robinson
Datos Biográficos
| ID | 248754 |
|---|---|
| NOMBRE | M E Robinson |
| NOMBRES | M E |
| APELLIDO | Robinson |
| FIRMA | ROBINSON M E |
| AFILIACIONES | University of Oxford |
| ORCID | 0000-0003-0736-8636 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 21 |
| TOTAL DE CITAS | 36 |
| TOTAL COMO AUTOR | 21 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1909 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 2 |
A Zeus and Two Jasons
This article highlights three previously unnoticed name-acrostics/telestics: the reverse-acrostic ΖΕΥΣ (Zeus) in Callimachus’ Hymn to Zeus (40–3), the reverse-telestic ΙΗΣΩΝ (Iêsôn, the Greek form of Jason) in the final lines of Apollonius of Rhodes’ Argonautica (4.1774–8) and the reverse-telestic IASO (the Latin form of Jason) in the opening lines of Valerius Flaccus’ Argonautica (1.4–7). By arguing for the significance of these specific example…
Looking Edgeways. Pursuing Acrostics in Ovid and Virgil
What follows is an experiment in reading practice. I propose that we read some key passages of the Aeneid and the Metamorphoses in the active pursuit of acrostics and telestics, just as we have been accustomed to read them in the active pursuit of allusions and intertexts; and that we do so with the same willingness to make sense of what we find. The measure of success of this reading practice will be the extent to which our understanding of thes…
Augustan Responses to the Aeneid
This chapter explores how the Augustan poets respond to both the poetics and the politics of the Aeneid. It focuses on Horace, Propertius, and Ovid, and then only a few of their poems. It assumes that Horace and Propertius are familiar with at least some of the content of the Aeneid while it is being written, and all of the poem before their final books are published. It is important to remember that their response to the Aeneid does not take pla…
Companion Encyclopedia of Geography
Salmacis and Hermaphroditus
Like most passages in the Metamorphoses , the story of Salmacis and Hermaphroditus benefits greatly from a clear understanding of the traditions with which and against which it is working—such an understanding is not manifest in many recent discussions of the story. As a result, some scholars have been unable to recognize its humour, seeing instead only ‘ein interpretatorisches Problem’. In this paper I hope to clarify the background to this epis…
Seeing Oneself from All Sides
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
In Step with Sturt
To the Desert with Sturt. A Diary of the 1844 Expedition
The Robertson Land Acts in New South Wales, 1861-84
The Discovery and Exploration of Australia
Australia's North-West
National Economic Security
Public Finance
War Finance and its Consequences
Public Finance
The Function of the Priest
Music as a Social Discipline
Looking Edgeways. Pursuing Acrostics in Ovid and Virgil
What follows is an experiment in reading practice. I propose that we read some key passages of the Aeneid and the Metamorphoses in the active pursuit of acrostics and telestics, just as we have been accustomed to read them in the active pursuit of allusions and intertexts; and that we do so with the same willingness to make sense of what we find. The measure of success of this reading practice will be the extent to which our understanding of thes…
To the Desert with Sturt. A Diary of the 1844 Expedition
The Robertson Land Acts in New South Wales, 1861-84
The Discovery and Exploration of Australia
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
National Economic Security
Music as a Social Discipline
The Function of the Priest
Public Finance
National Economic Security
Public Finance
War Finance and its Consequences
Australia's North-West
The Discovery and Exploration of Australia
The Robertson Land Acts in New South Wales, 1861-84
To the Desert with Sturt. A Diary of the 1844 Expedition
In Step with Sturt
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
Ceremony and Symbolism in the Japanese Home
Seeing Oneself from All Sides
Salmacis and Hermaphroditus
Like most passages in the Metamorphoses , the story of Salmacis and Hermaphroditus benefits greatly from a clear understanding of the traditions with which and against which it is working—such an understanding is not manifest in many recent discussions of the story. As a result, some scholars have been unable to recognize its humour, seeing instead only ‘ein interpretatorisches Problem’. In this paper I hope to clarify the background to this epis…
Companion Encyclopedia of Geography
Augustan Responses to the Aeneid
This chapter explores how the Augustan poets respond to both the poetics and the politics of the Aeneid. It focuses on Horace, Propertius, and Ovid, and then only a few of their poems. It assumes that Horace and Propertius are familiar with at least some of the content of the Aeneid while it is being written, and all of the poem before their final books are published. It is important to remember that their response to the Aeneid does not take pla…
Looking Edgeways. Pursuing Acrostics in Ovid and Virgil
What follows is an experiment in reading practice. I propose that we read some key passages of the Aeneid and the Metamorphoses in the active pursuit of acrostics and telestics, just as we have been accustomed to read them in the active pursuit of allusions and intertexts; and that we do so with the same willingness to make sense of what we find. The measure of success of this reading practice will be the extent to which our understanding of thes…
A Zeus and Two Jasons
This article highlights three previously unnoticed name-acrostics/telestics: the reverse-acrostic ΖΕΥΣ (Zeus) in Callimachus’ Hymn to Zeus (40–3), the reverse-telestic ΙΗΣΩΝ (Iêsôn, the Greek form of Jason) in the final lines of Apollonius of Rhodes’ Argonautica (4.1774–8) and the reverse-telestic IASO (the Latin form of Jason) in the opening lines of Valerius Flaccus’ Argonautica (1.4–7). By arguing for the significance of these specific example…
Art (7 obras) · History (7 obras) · Archaeology (6 obras) · Geography (6 obras) · History (6 obras) · Ceremony (4 obras) · Classical Antiquity Studies (4 obras) · Economics (4 obras) · Japanese History and Culture (4 obras) · Political science (4 obras)