Margaret Olin
Datos Biográficos
| ID | 256394 |
|---|---|
| NOMBRE | Margaret Olin |
| NOMBRES | Margaret |
| APELLIDO | Olin |
| FIRMA | OLIN M |
| AFILIACIONES | School of the Art Institute of Chicago |
| ORCID | 0009-0008-7795-2663 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 29 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1986 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 2 |
The Numinous and the Art of Social Justice
In Das Heilige, Rudolf Otto discusses not only conceptual, but artistic parallels to the idea of the "numinous". The artistic styles and periods that he mentions are those admired by European literati and intellectuals of his time. They include the spare Chinese landscapes "of emptiness", made in the classical period of the Tang and Sung dynasties, as well as the gothic art that inspired the movement towards abstraction in the early twentieth cen…
The Materiality of the Imperceptible
Touching Photographs
Jews among the Peoples
Jews among the Peoples
Drawing on the BordersMinorities were a menace to modern nationalism, and none more so than Jews in Germany in the nineteenth and early twentieth centuries.Among other issues, their seeming cosmopolitanism made them a threat to the cultural categories on which nationalism based its claims.Richard Wagner inveighed against "Judaism in music," because, as outsiders, Jews could not express the soul of a nation, rooted only in the blood of its natives…
How the other half worships Vergara, Camilo José
Touching Photographs
IN CAMERA LUCIDA, ROLAND BARTHES'S subject is the significance of photography's defining characteristic: the photograph's inseparable relation to its subject, that which ''must have been'' in front of the camera's lens. Or so it would seem. The present reading of Camera Lucida argues that Barthes's essay actually shows photography's nature as dependent not only on the intimate relation to its object, commonly termed ''indexical,'' but in accord w…
Lanzmann's Shoah and the Topography of the Holocaust Film
Research Article| January 01 1997 Lanzmann's Shoah and the Topography of the Holocaust Film Margaret Olin Margaret Olin Search for other works by this author on: This Site PubMed Google Scholar Representations (1997) 57: 1–23. https://doi.org/10.2307/2928661 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…
It Is Not Going to Be Easy to Look Into Their Eyes’
Validation by Touch in Kandinsky's Early Abstract Art
Picturing the World . John C. Gilmour
Herbert Bayer
Touching Photographs
Touching Photographs
IN CAMERA LUCIDA, ROLAND BARTHES'S subject is the significance of photography's defining characteristic: the photograph's inseparable relation to its subject, that which ''must have been'' in front of the camera's lens. Or so it would seem. The present reading of Camera Lucida argues that Barthes's essay actually shows photography's nature as dependent not only on the intimate relation to its object, commonly termed ''indexical,'' but in accord w…
It Is Not Going to Be Easy to Look Into Their Eyes’
Validation by Touch in Kandinsky's Early Abstract Art
Lanzmann's Shoah and the Topography of the Holocaust Film
Research Article| January 01 1997 Lanzmann's Shoah and the Topography of the Holocaust Film Margaret Olin Margaret Olin Search for other works by this author on: This Site PubMed Google Scholar Representations (1997) 57: 1–23. https://doi.org/10.2307/2928661 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…
Herbert Bayer
Picturing the World . John C. Gilmour
Validation by Touch in Kandinsky's Early Abstract Art
It Is Not Going to Be Easy to Look Into Their Eyes’
Lanzmann's Shoah and the Topography of the Holocaust Film
Research Article| January 01 1997 Lanzmann's Shoah and the Topography of the Holocaust Film Margaret Olin Margaret Olin Search for other works by this author on: This Site PubMed Google Scholar Representations (1997) 57: 1–23. https://doi.org/10.2307/2928661 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…
Touching Photographs
IN CAMERA LUCIDA, ROLAND BARTHES'S subject is the significance of photography's defining characteristic: the photograph's inseparable relation to its subject, that which ''must have been'' in front of the camera's lens. Or so it would seem. The present reading of Camera Lucida argues that Barthes's essay actually shows photography's nature as dependent not only on the intimate relation to its object, commonly termed ''indexical,'' but in accord w…
How the other half worships Vergara, Camilo José
Jews among the Peoples
Jews among the Peoples
Drawing on the BordersMinorities were a menace to modern nationalism, and none more so than Jews in Germany in the nineteenth and early twentieth centuries.Among other issues, their seeming cosmopolitanism made them a threat to the cultural categories on which nationalism based its claims.Richard Wagner inveighed against "Judaism in music," because, as outsiders, Jews could not express the soul of a nation, rooted only in the blood of its natives…
Touching Photographs
The Materiality of the Imperceptible
The Numinous and the Art of Social Justice
In Das Heilige, Rudolf Otto discusses not only conceptual, but artistic parallels to the idea of the "numinous". The artistic styles and periods that he mentions are those admired by European literati and intellectuals of his time. They include the spare Chinese landscapes "of emptiness", made in the classical period of the Tang and Sung dynasties, as well as the gothic art that inspired the movement towards abstraction in the early twentieth cen…
Art (9 obras) · Political science (6 obras) · Art history (5 obras) · Computer Science (5 obras) · Aesthetics (4 obras) · History (4 obras) · Visual arts (4 obras) · Art, Politics, and Modernism (3 obras) · European history and politics (3 obras) · Italian Fascism and Post-war Society (3 obras)