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Carsten Stage

Datos Biográficos

ID257533
NOMBRECarsten Stage
NOMBRESCarsten
APELLIDOStage
FIRMASTAGE C
AFILIACIONESAarhus University
ORCID0000-0002-7789-4925
VERIFICADOSí
TOTAL DE OBRAS28
TOTAL DE CITAS131
TOTAL COMO AUTOR25
TOTAL COMO EDITOR4
PRIMER AÑO DE PUBLICACIÓN2010
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H5
  • In Search of Genetic Agency

    Open Access•Carsten Stage•ARTICLE•Sociology of Health & Illness•2026

    The article examines why and with what consequences biohacking individuals use direct‐to‐consumer genetic tests (DTC GTs). Based on thematic coding of 15 semi‐structured interviews, it argues that these users generally see themselves as capable of generating actionable knowledge to optimise future health by manipulating their ‘milieu’. DTC GTs are integrated into this perspective as a knowledge technology for prevention and optimisation. However,…

  • Chronic illness publics

    Open Access•Amanda Karlsson, Carsten Stage et al.•ARTICLE•Convergence The International…•2025

    Chronic conditions are often described as long-term bodily disorders that lead to functional limitations and the need for ongoing medical and social care. This steers some people with such disorders towards supportive interactions with peers on social media. Through a theoretical framework focused on different types of ‘publics’, the article investigates the communication of illness and patienthood in two selected social media publics, by asking:…

  • Health Hauntology

    Open Access•Carsten Stage, Ann-Katrine Schmidt Nielsen•ARTICLE•Somatechnics•2025•Citada por: 1•Referencias: 5

  • Navigating ambivalence

    Open Access•Carsten Stage, Stinne Bach Nielsen•ARTICLE•Health An Interdisciplinary…•2024•Referencias: 32

    This article explores how social media are involved in imagining and sensing body ideals among young fitness self-trackers in Denmark (age 15–24). The analysis is based on 20 interviews and contributes to existing research on social media, body image and self-tracking by showing that social media are central for the fitness practices of the participants, but also that gaining access to practical knowledge, motivational material and visual goals s…

  • Genetic hauntings

    Open Access•Ann-Katrine Schmidt Nielsen, Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2023•Citada por: 3•Referencias: 5

    Through the development of a 'health hauntological' approach, this article investigates how pre-patient illness narratives are mediated and negotiated in and around the DR documentary series Gentesten ændrede mit liv (2020) [The gene test changed my life]. We argue that this documentary format attests to how the expansion of genetic testing technologies alters experiences, genres, and narratives of illness that increasingly move to a pre-diagnost…

  • Methodologies of Affective Experimentation

    Open Access•Britta Timm Knudsen, Mads Krogh et al.•BOOK•Methodologies of Affective…•2022

  • Methodologies of Affective Experimentation

    Britta Timm Knudsen, Mads Krogh et al.•BOOK•Methodologies of Affective…•2022

  • Shame, Chronic Illness and Participatory Storytelling

    Open Access•Carsten Stage•ARTICLE•Body & Society•2022•Citada por: 2•Referencias: 33

    The article explores the complex roles shame plays in the lives of people with one or more chronic conditions. This is achieved through a participatory research process in which people with chronic conditions were invited to share stories of shame on the public social media profiles of a peer-led patient community called 'Chronic Influencers'. The crowdsourced material shows that 7 out of 10 experience shame in relation to their illness on a dail…

  • Ugly media feelings

    Open Access•Carsten Stage, Lisbeth Klastrup et al.•ARTICLE•First Monday•2021

    In contemporary media culture, social media have become important publics of care for young people with a serious illness. While much previous research has focused on the positive aspects of online support networks, this article investigates the affective experience of what we call ‘ugly media feelings’, such as envy, shame, annoyance, irritation and scepticism, based on an in-depth interview study of 25 young Danish cancer patients’ (aged 15–29)…

  • Vital Media

    Open Access•Carsten Stage, Karen Hvidtfeldt et al.•ARTICLE•Social Media + Society•2020•Citada por: 9•Referencias: 56

    This article presents results from a research project investigating young cancer patients' general use of social media and their lived experience of the choices and dilemmas involved in using social media in relation to moments of existential crisis. This article's key finding-based on an extensive survey with 205 young cancer patients and 25 qualitative interviews-is that social media becomes increasingly important for young people after a cance…

  • Cultures of Participation

    Birgit Eriksson, Carsten Stage et al.•BOOK•Cultures of Participation•2019

    David Stevenson - ORCID: 0000-0002-8977-1818 https://orcid.org/0000-0002-8977-1818

  • Cultures of Participation

    Birgit Eriksson, Carsten Stage et al.•BOOK•Cultures of Participation•2019

  • Affective measures

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2019•Citada por: 3•Referencias: 13

    This article explores the interplay between various forms of self-measurement and affective processes in three female cancer patients’ storytelling on Instagram. It argues that self-measurement should be approached as an epistemic, relational, biopolitical and affective practice of valuation, which simultaneously produces knowledge about the self, enacts social and technological relations, reproduces bodily discourses and motivates affective modu…

  • Understanding cultural participation through participation – inventiveness, multivalence and epistemic modernisation

    Carsten Stage, Birgit Eriksson et al.•ARTICLE•Cultural Trends•2019•Citada por: 3•Referencias: 10

    This article analyses the methodology of the “Reccord” research project, which had the dual ambition of (1) being participatory and (2) studying cultural participation within a specific type of under-researched cultural institution in which participation is frequently stressed as a key objective: cultural centres. To address how the methodology is understood as participatory, the article outlines five existing definitions of “a participatory meth…

  • Interspecies Park Life

    Open Access•B T Knudsen, Carsten Stage et al.•ARTICLE•Space and Culture•2019•Citada por: 2•Referencias: 14

    This article analyses the design and outcomes of the research project Rewilding Lystrup, which involved a partnership with local authorities in Aarhus, Denmark, to merge two distinct processes: climate adaptation and the biodiversity transformation of a public park. Our key interest in the article is the potential offered by experimental participatory events to support the biodiverse transformation of public areas by creating micro-utopian entang…

  • Networked Cancer

    Open Access•Carsten Stage•BOOK•Networked Cancer•2017

  • Street Protests and Affects on YouTube Investigating DIY Videos of Violent Street Protests as an Archive of Affect and Event Desire

    Open Access•Christoffer Kølvraa, Carsten Stage•ARTICLE•Culture Unbound Journal of…•2016•Referencias: 21

    This article argues that YouTube, as a platform for sharing DIY videos, is an useful resource for understanding the role of affective processes before, during and after protest events. As a case study the article investigates the documentation on YouTube of two antagonistic demonstrations in Aarhus, Denmark, on 31 March 2012. We argue that the collected material, consisting of 71 YouTube videos, can be analysed to reveal a wish or will to experie…

  • Introduction

    Open Access•B T Knudsen, Carsten Stage•CHAPTER•Affective Methodologies•2015

    The motivation for this anthology is a challenge raised in the growing volume of academic work on affective processes — or what is often termed ‘the affective turn’ in contemporary cultural analysis (Clough, 2007; Thrift, 2008; Gregg and Seigworth, 2010; Brennan, 2004; Massumi, 2002; Blackman, 2012; Wethereil, 2012; Leys, 2011; Ahmed, 2004). The challenge under discussion is how to develop and account for methodologies that enable cultural resear…

  • Sygdom på sociale medier

    Open Access•Carsten Stage•ARTICLE•K&K - Kultur og Klasse•2015

    The article investigates how new forms of illness communication online are challenging the famous ’sick role’ described by Talcott Parsons in favour of more activist, participatory and entrepreneurial illness voices. The article more specifically makes a case study of online platforms made by the English blogger Stephen Sutton and it discusses his extremely positive and spirited way of handling a life threatening cancer disease, which resulted in…

  • Affective Methodologies

    Open Access•Britta Timm Knudsen, Carsten Stage•BOOK•Affective Methodologies•2015•Citada por: 51

    The collection proposes inventive research strategies for the study of the affective and fluctuating dimensions of cultural life. It presents studies of nightclubs, YouTube memes, political provocatio

  • Global Media, Biopolitics, and Affect

    B T Knudsen, Carsten Stage•BOOK•Global Media, Biopolitics, and…•2014

    Global Media, Biopolitics and Affect shows how mediations of bodily vulnerability have become a strong political force in contemporary societies. In discussions and struggles concerning war involvement, healthcare issues, charity, democracy movements, contested national pasts, and climate change, performances of bodily vulnerability is increasingly used by citizens to raise awareness, create sympathy, encourage political action, and to circulate …

  • Anthony McCosker

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2014•Citada por: 1

    Recently, various books and edited collections have investigated the emotional-aff ective

  • Lisa Blackman

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2013•Citada por: 15

    of London, has written a very interesting but also challenging book about bodily affect and mediation.It is interesting because she traces the contemporary exploration of affect across the humanities, often referred to as 'the affective turn' (theorized by, for example

  • The online crowd

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2013•Citada por: 22•Referencias: 9

    The aim of the article is to investigate whether the concept of the 'crowd' as developed by Gustave Le Bon can help us understand the new types of affectively charged collectivities created via spontaneous interaction on various social media platforms. To do this I analyze the case of Eva Dien Brine Markvoort's blog, 65 Red Roses, through the lens of crowd psychology. Initially I make a theoretical distinction between three different types of cro…

  • Screens of intensification

    Open Access•Carsten Stage•ARTICLE•Journal of AESTHETICS & CULTURE•2012•Citada por: 1•Referencias: 2

    The article is based on the analysis of user-generated videos from a particular event: the Lady Gaga concert in Denmark on October 20, 2010. Within the theoretical framework of a media practice perspective, theories of a media cultural movement from sign to signal, and an affective understanding of the experience of liveness, I argue that the DIY videos do not only attest to the documentation or representation of the concert event, but rather sho…

Siguiente
  • Affective Methodologies

    Open Access•Britta Timm Knudsen, Carsten Stage•BOOK•Affective Methodologies•2015•Citada por: 51

    The collection proposes inventive research strategies for the study of the affective and fluctuating dimensions of cultural life. It presents studies of nightclubs, YouTube memes, political provocatio

  • The online crowd

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2013•Citada por: 22•Referencias: 9

    The aim of the article is to investigate whether the concept of the 'crowd' as developed by Gustave Le Bon can help us understand the new types of affectively charged collectivities created via spontaneous interaction on various social media platforms. To do this I analyze the case of Eva Dien Brine Markvoort's blog, 65 Red Roses, through the lens of crowd psychology. Initially I make a theoretical distinction between three different types of cro…

  • Online war memorials

    Open Access•B T Knudsen, Carsten Stage•ARTICLE•Memory Studies•2012•Citada por: 16•Referencias: 7

    In this article, we analyze 28 YouTube video tributes to fallen Danish soldiers in Afghanistan and Iraq with two analytical goals. The goals are to first understand how the soldier as an object of communal grief is affectively and discursively established, discussed, and challenged in the videos and comments, and second to investigate what type of commemorative practices the specific media space of YouTube enables. Our first observation is that t…

  • Lisa Blackman

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2013•Citada por: 15

    of London, has written a very interesting but also challenging book about bodily affect and mediation.It is interesting because she traces the contemporary exploration of affect across the humanities, often referred to as 'the affective turn' (theorized by, for example

  • Vital Media

    Open Access•Carsten Stage, Karen Hvidtfeldt et al.•ARTICLE•Social Media + Society•2020•Citada por: 9•Referencias: 56

    This article presents results from a research project investigating young cancer patients' general use of social media and their lived experience of the choices and dilemmas involved in using social media in relation to moments of existential crisis. This article's key finding-based on an extensive survey with 205 young cancer patients and 25 qualitative interviews-is that social media becomes increasingly important for young people after a cance…

  • Genetic hauntings

    Open Access•Ann-Katrine Schmidt Nielsen, Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2023•Citada por: 3•Referencias: 5

    Through the development of a 'health hauntological' approach, this article investigates how pre-patient illness narratives are mediated and negotiated in and around the DR documentary series Gentesten ændrede mit liv (2020) [The gene test changed my life]. We argue that this documentary format attests to how the expansion of genetic testing technologies alters experiences, genres, and narratives of illness that increasingly move to a pre-diagnost…

  • Affective measures

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2019•Citada por: 3•Referencias: 13

    This article explores the interplay between various forms of self-measurement and affective processes in three female cancer patients’ storytelling on Instagram. It argues that self-measurement should be approached as an epistemic, relational, biopolitical and affective practice of valuation, which simultaneously produces knowledge about the self, enacts social and technological relations, reproduces bodily discourses and motivates affective modu…

  • Understanding cultural participation through participation – inventiveness, multivalence and epistemic modernisation

    Carsten Stage, Birgit Eriksson et al.•ARTICLE•Cultural Trends•2019•Citada por: 3•Referencias: 10

    This article analyses the methodology of the “Reccord” research project, which had the dual ambition of (1) being participatory and (2) studying cultural participation within a specific type of under-researched cultural institution in which participation is frequently stressed as a key objective: cultural centres. To address how the methodology is understood as participatory, the article outlines five existing definitions of “a participatory meth…

  • Shame, Chronic Illness and Participatory Storytelling

    Open Access•Carsten Stage•ARTICLE•Body & Society•2022•Citada por: 2•Referencias: 33

    The article explores the complex roles shame plays in the lives of people with one or more chronic conditions. This is achieved through a participatory research process in which people with chronic conditions were invited to share stories of shame on the public social media profiles of a peer-led patient community called 'Chronic Influencers'. The crowdsourced material shows that 7 out of 10 experience shame in relation to their illness on a dail…

  • Interspecies Park Life

    Open Access•B T Knudsen, Carsten Stage et al.•ARTICLE•Space and Culture•2019•Citada por: 2•Referencias: 14

    This article analyses the design and outcomes of the research project Rewilding Lystrup, which involved a partnership with local authorities in Aarhus, Denmark, to merge two distinct processes: climate adaptation and the biodiversity transformation of a public park. Our key interest in the article is the potential offered by experimental participatory events to support the biodiverse transformation of public areas by creating micro-utopian entang…

  • Thingifying Neda

    Open Access•Carsten Stage•ARTICLE•Culture Unbound Journal of…•2011•Citada por: 2•Referencias: 9

    The article investigates how the participatory creation of global interest in the shooting of Neda Agda Soltan was not only influenced by the online dissemination of texts and images, but also by the construction of things or 'image-objects'. By analyzing three specific cases that turn images of Neda into material objects I argue that the cultural role of these 'thingifications' is to enable 1) the opening of the present towards a specific histor…

  • Health Hauntology

    Open Access•Carsten Stage, Ann-Katrine Schmidt Nielsen•ARTICLE•Somatechnics•2025•Citada por: 1•Referencias: 5

  • Anthony McCosker

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2014•Citada por: 1

    Recently, various books and edited collections have investigated the emotional-aff ective

  • Screens of intensification

    Open Access•Carsten Stage•ARTICLE•Journal of AESTHETICS & CULTURE•2012•Citada por: 1•Referencias: 2

    The article is based on the analysis of user-generated videos from a particular event: the Lady Gaga concert in Denmark on October 20, 2010. Within the theoretical framework of a media practice perspective, theories of a media cultural movement from sign to signal, and an affective understanding of the experience of liveness, I argue that the DIY videos do not only attest to the documentation or representation of the concert event, but rather sho…

  • Consumption that matters

    Open Access•Sophie Esmann Andersen, Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2010•Referencias: 1

    The purpose of this article is to contribute to the understanding of a rising mode of ethical consumption by exploring the brand concept (RED) and its intertwinement of commerce and charity. Based on an analysis of central online media texts, we focus on: 1) the campaign's 'cool' visual and verbal structures of appeal, and 2) the discursive struggle concerning the ethical potential of consumption motivated by the campaign. The analysis is followe…

  • Thingifying Neda

    Open Access•Carsten Stage•ARTICLE•Culture Unbound Journal of…•2011•Citada por: 2•Referencias: 9

    The article investigates how the participatory creation of global interest in the shooting of Neda Agda Soltan was not only influenced by the online dissemination of texts and images, but also by the construction of things or 'image-objects'. By analyzing three specific cases that turn images of Neda into material objects I argue that the cultural role of these 'thingifications' is to enable 1) the opening of the present towards a specific histor…

  • Screens of intensification

    Open Access•Carsten Stage•ARTICLE•Journal of AESTHETICS & CULTURE•2012•Citada por: 1•Referencias: 2

    The article is based on the analysis of user-generated videos from a particular event: the Lady Gaga concert in Denmark on October 20, 2010. Within the theoretical framework of a media practice perspective, theories of a media cultural movement from sign to signal, and an affective understanding of the experience of liveness, I argue that the DIY videos do not only attest to the documentation or representation of the concert event, but rather sho…

  • Online war memorials

    Open Access•B T Knudsen, Carsten Stage•ARTICLE•Memory Studies•2012•Citada por: 16•Referencias: 7

    In this article, we analyze 28 YouTube video tributes to fallen Danish soldiers in Afghanistan and Iraq with two analytical goals. The goals are to first understand how the soldier as an object of communal grief is affectively and discursively established, discussed, and challenged in the videos and comments, and second to investigate what type of commemorative practices the specific media space of YouTube enables. Our first observation is that t…

  • Ambiguous Imitations

    Open Access•Carsten Stage, Sophie Esmann Andersen•ARTICLE•Culture Unbound Journal of…•2012

    The purpose of this paper is to explore the concept of imitation as a key dimension of online DIY and participatory cultures on YouTube. The empirical point of departure is the viral stealth marketing YouTube video entitled 'Danish Mother Seeking', produced by the official national tourist organisation (Visit Denmark), and selected extracts of the online responses to this video. Framed by the notion of participatory culture (Jenkins 2006; Burgess…

  • Lisa Blackman

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2013•Citada por: 15

    of London, has written a very interesting but also challenging book about bodily affect and mediation.It is interesting because she traces the contemporary exploration of affect across the humanities, often referred to as 'the affective turn' (theorized by, for example

  • The online crowd

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2013•Citada por: 22•Referencias: 9

    The aim of the article is to investigate whether the concept of the 'crowd' as developed by Gustave Le Bon can help us understand the new types of affectively charged collectivities created via spontaneous interaction on various social media platforms. To do this I analyze the case of Eva Dien Brine Markvoort's blog, 65 Red Roses, through the lens of crowd psychology. Initially I make a theoretical distinction between three different types of cro…

  • Global Media, Biopolitics, and Affect

    B T Knudsen, Carsten Stage•BOOK•Global Media, Biopolitics, and…•2014

    Global Media, Biopolitics and Affect shows how mediations of bodily vulnerability have become a strong political force in contemporary societies. In discussions and struggles concerning war involvement, healthcare issues, charity, democracy movements, contested national pasts, and climate change, performances of bodily vulnerability is increasingly used by citizens to raise awareness, create sympathy, encourage political action, and to circulate …

  • Anthony McCosker

    Open Access•Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2014•Citada por: 1

    Recently, various books and edited collections have investigated the emotional-aff ective

  • Introduction

    Open Access•B T Knudsen, Carsten Stage•CHAPTER•Affective Methodologies•2015

    The motivation for this anthology is a challenge raised in the growing volume of academic work on affective processes — or what is often termed ‘the affective turn’ in contemporary cultural analysis (Clough, 2007; Thrift, 2008; Gregg and Seigworth, 2010; Brennan, 2004; Massumi, 2002; Blackman, 2012; Wethereil, 2012; Leys, 2011; Ahmed, 2004). The challenge under discussion is how to develop and account for methodologies that enable cultural resear…

  • Sygdom på sociale medier

    Open Access•Carsten Stage•ARTICLE•K&K - Kultur og Klasse•2015

    The article investigates how new forms of illness communication online are challenging the famous ’sick role’ described by Talcott Parsons in favour of more activist, participatory and entrepreneurial illness voices. The article more specifically makes a case study of online platforms made by the English blogger Stephen Sutton and it discusses his extremely positive and spirited way of handling a life threatening cancer disease, which resulted in…

  • Affective Methodologies

    Open Access•Britta Timm Knudsen, Carsten Stage•BOOK•Affective Methodologies•2015•Citada por: 51

    The collection proposes inventive research strategies for the study of the affective and fluctuating dimensions of cultural life. It presents studies of nightclubs, YouTube memes, political provocatio

  • Street Protests and Affects on YouTube Investigating DIY Videos of Violent Street Protests as an Archive of Affect and Event Desire

    Open Access•Christoffer Kølvraa, Carsten Stage•ARTICLE•Culture Unbound Journal of…•2016•Referencias: 21

    This article argues that YouTube, as a platform for sharing DIY videos, is an useful resource for understanding the role of affective processes before, during and after protest events. As a case study the article investigates the documentation on YouTube of two antagonistic demonstrations in Aarhus, Denmark, on 31 March 2012. We argue that the collected material, consisting of 71 YouTube videos, can be analysed to reveal a wish or will to experie…

  • Networked Cancer

    Open Access•Carsten Stage•BOOK•Networked Cancer•2017

  • Cultures of Participation

    Birgit Eriksson, Carsten Stage et al.•BOOK•Cultures of Participation•2019

    David Stevenson - ORCID: 0000-0002-8977-1818 https://orcid.org/0000-0002-8977-1818

  • Cultures of Participation

    Birgit Eriksson, Carsten Stage et al.•BOOK•Cultures of Participation•2019

  • Affective measures

    Carsten Stage•ARTICLE•Distinktion Journal of Social…•2019•Citada por: 3•Referencias: 13

    This article explores the interplay between various forms of self-measurement and affective processes in three female cancer patients’ storytelling on Instagram. It argues that self-measurement should be approached as an epistemic, relational, biopolitical and affective practice of valuation, which simultaneously produces knowledge about the self, enacts social and technological relations, reproduces bodily discourses and motivates affective modu…

  • Understanding cultural participation through participation – inventiveness, multivalence and epistemic modernisation

    Carsten Stage, Birgit Eriksson et al.•ARTICLE•Cultural Trends•2019•Citada por: 3•Referencias: 10

    This article analyses the methodology of the “Reccord” research project, which had the dual ambition of (1) being participatory and (2) studying cultural participation within a specific type of under-researched cultural institution in which participation is frequently stressed as a key objective: cultural centres. To address how the methodology is understood as participatory, the article outlines five existing definitions of “a participatory meth…

  • Interspecies Park Life

    Open Access•B T Knudsen, Carsten Stage et al.•ARTICLE•Space and Culture•2019•Citada por: 2•Referencias: 14

    This article analyses the design and outcomes of the research project Rewilding Lystrup, which involved a partnership with local authorities in Aarhus, Denmark, to merge two distinct processes: climate adaptation and the biodiversity transformation of a public park. Our key interest in the article is the potential offered by experimental participatory events to support the biodiverse transformation of public areas by creating micro-utopian entang…

  • Vital Media

    Open Access•Carsten Stage, Karen Hvidtfeldt et al.•ARTICLE•Social Media + Society•2020•Citada por: 9•Referencias: 56

    This article presents results from a research project investigating young cancer patients' general use of social media and their lived experience of the choices and dilemmas involved in using social media in relation to moments of existential crisis. This article's key finding-based on an extensive survey with 205 young cancer patients and 25 qualitative interviews-is that social media becomes increasingly important for young people after a cance…

  • Ugly media feelings

    Open Access•Carsten Stage, Lisbeth Klastrup et al.•ARTICLE•First Monday•2021

    In contemporary media culture, social media have become important publics of care for young people with a serious illness. While much previous research has focused on the positive aspects of online support networks, this article investigates the affective experience of what we call ‘ugly media feelings’, such as envy, shame, annoyance, irritation and scepticism, based on an in-depth interview study of 25 young Danish cancer patients’ (aged 15–29)…

  • Methodologies of Affective Experimentation

    Open Access•Britta Timm Knudsen, Mads Krogh et al.•BOOK•Methodologies of Affective…•2022

  • Methodologies of Affective Experimentation

    Britta Timm Knudsen, Mads Krogh et al.•BOOK•Methodologies of Affective…•2022

  • Shame, Chronic Illness and Participatory Storytelling

    Open Access•Carsten Stage•ARTICLE•Body & Society•2022•Citada por: 2•Referencias: 33

    The article explores the complex roles shame plays in the lives of people with one or more chronic conditions. This is achieved through a participatory research process in which people with chronic conditions were invited to share stories of shame on the public social media profiles of a peer-led patient community called 'Chronic Influencers'. The crowdsourced material shows that 7 out of 10 experience shame in relation to their illness on a dail…

  • Genetic hauntings

    Open Access•Ann-Katrine Schmidt Nielsen, Carsten Stage•ARTICLE•MedieKultur Journal of media and…•2023•Citada por: 3•Referencias: 5

    Through the development of a 'health hauntological' approach, this article investigates how pre-patient illness narratives are mediated and negotiated in and around the DR documentary series Gentesten ændrede mit liv (2020) [The gene test changed my life]. We argue that this documentary format attests to how the expansion of genetic testing technologies alters experiences, genres, and narratives of illness that increasingly move to a pre-diagnost…

Sociology (20 obras) · Psychology (18 obras) · Political science (17 obras) · Law (12 obras) · Computer Science (9 obras) · Citizen journalism (8 obras) · Media studies (8 obras) · Art (7 obras) · Politics (7 obras) · Social media (7 obras)

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