Treva B Lindsey
Datos Biográficos
| ID | 265156 |
|---|---|
| NOMBRE | Treva B Lindsey |
| NOMBRES | Treva B |
| APELLIDO | Lindsey |
| FIRMA | LINDSEY T B |
| AFILIACIONES | The Ohio State University, Columbus, USA |
| VERIFICADO | No |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 67 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 5 |
Ain’t Nobody Got Time for That
In the era of #BlackLivesMatter, anti-Black state violence is a primary focus. From police brutality to the Flint Water Crisis, organizers within the Movement for Black Lives draw important connections between various sites of racial injustice as experienced by people of African descent in the United States. One of the many sites where anti-Black violence and victimization occurs is in our classrooms. This article explores the classroom as a site…
Introduction
As the most recent iteration of Black freedom struggles in the United States, what is the story of the Movement for Black Lives (M4BL)? This special issue is interested both in the political life of the M4BL and in the stories of those who made this movement possible. We are interested in the critical moment of encounter, when because someone's life was taken, a community's life, an activist's life, or our collective lives changed. From represent…
Colored No More
Colored No More: Reinventing Black Womanhood in Washington, D.C. examines the expressive culture of African American women in Washington, D.C. during the early twentieth century. Honing in on the intellectual and cultural strivings of African American women communities in New Negro era Washington, I unveil a city in which African American women sought to configure themselves as authorial subjects. Between 1860 and 1930, the population of black wo…
Negro Women May Be Dangerous
This article examines “insurgency” as a tradition within Black women’s activism in the United States. Connecting contemporary insurgent acts of Black women activists to their Black feminist foremothers, I explore a distinct genealogy of Black women’s radical activism. Anchored in intersectional praxes, committed to combating interlocking oppression, and warring against multiple jeopardy, Black women insurgents of the 21st century build on the wor…
The #BlackFeministFiyah Re-Up
Let Me Blow Your Mind
This essay brings together key theoretical interventions in hip-hop feminism to explore the continued, but undervalued, significance of hip-hop feminism in urban education. More specifically, the essay challenges narrow conceptualizations of the hip hop subject as Black and male by using hip-hop feminist theory to incorporate the lived experiences of Black and Brown girls and women. With a particular emphasis on the realities of violence Black an…
A Love Letter to Black Feminism
One week after the suspicious and brutal deaths of Sandra Bland and Kindra Chapman, I finished this introduction to our two-part special issue on new directions in Black feminist studies. I thought
Post-Ferguson
In the post-Trayvon Martin era of racial terror against Black people in the U.S., many scholars frame contemporary anti-Black racial violence in the U.S. as an injustice primarily experienced by Black men and boys. This framing, however, fails to capture the deeply entrenched reality of Black violability. Black violability encapsulates the lived and historical experiences of Black people with state-initiated and state-sanctioned violence. This es…
Ula Y. Taylor's “Making Waves
(2014). Ula Y. Taylor's “Making Waves: The Theory and Practice of Black Feminism”. The Black Scholar: Vol. 44, No. 3, pp. 48-51
Searching for Climax
In August 2013, the newly launched YouTube channel, All Def Digital, posted a video entitled "The Harriet Tubman Sextape." Reactions to the tape were swift and overwhelmingly negative. Decrying the desecration of the iconic Tubman and the positing of sexual transactions as a liberatory tool for enslaved black women, responses to the digital short shed light upon uncomfortable and complicated interpretations of the role of sex, sexuality, sexual e…
If You Look in My Life
This essay reflects upon Mary J. Blige's lyrical content as an entry point for delving into the relationship between hip-hop soul and contemporary African American womanhood. Hip hop is often viewed as a music-scape predominated by assertions of African American male identities. Hip-hop soul artists such as Blige created a distinct space for explorations of African American womanhood through their crafting and performing of women-centered hip-hop…
Complicated crossroads
This article will explore pro-sex, black feminist performance, and more specifically, the music videos of contemporary African-American female popular music entertainers. African-American politics of respectability continue to influence how black feminists, and more broadly, how African-American communities, delineate what constitutes hypersexuality and objectification. Contemporary black female entertainers and their sexually explicit performanc…
One Time for My Girls”
Ain’t Nobody Got Time for That
In the era of #BlackLivesMatter, anti-Black state violence is a primary focus. From police brutality to the Flint Water Crisis, organizers within the Movement for Black Lives draw important connections between various sites of racial injustice as experienced by people of African descent in the United States. One of the many sites where anti-Black violence and victimization occurs is in our classrooms. This article explores the classroom as a site…
Let Me Blow Your Mind
This essay brings together key theoretical interventions in hip-hop feminism to explore the continued, but undervalued, significance of hip-hop feminism in urban education. More specifically, the essay challenges narrow conceptualizations of the hip hop subject as Black and male by using hip-hop feminist theory to incorporate the lived experiences of Black and Brown girls and women. With a particular emphasis on the realities of violence Black an…
Post-Ferguson
In the post-Trayvon Martin era of racial terror against Black people in the U.S., many scholars frame contemporary anti-Black racial violence in the U.S. as an injustice primarily experienced by Black men and boys. This framing, however, fails to capture the deeply entrenched reality of Black violability. Black violability encapsulates the lived and historical experiences of Black people with state-initiated and state-sanctioned violence. This es…
Searching for Climax
In August 2013, the newly launched YouTube channel, All Def Digital, posted a video entitled "The Harriet Tubman Sextape." Reactions to the tape were swift and overwhelmingly negative. Decrying the desecration of the iconic Tubman and the positing of sexual transactions as a liberatory tool for enslaved black women, responses to the digital short shed light upon uncomfortable and complicated interpretations of the role of sex, sexuality, sexual e…
One Time for My Girls”
A Love Letter to Black Feminism
One week after the suspicious and brutal deaths of Sandra Bland and Kindra Chapman, I finished this introduction to our two-part special issue on new directions in Black feminist studies. I thought
Complicated crossroads
This article will explore pro-sex, black feminist performance, and more specifically, the music videos of contemporary African-American female popular music entertainers. African-American politics of respectability continue to influence how black feminists, and more broadly, how African-American communities, delineate what constitutes hypersexuality and objectification. Contemporary black female entertainers and their sexually explicit performanc…
Negro Women May Be Dangerous
This article examines “insurgency” as a tradition within Black women’s activism in the United States. Connecting contemporary insurgent acts of Black women activists to their Black feminist foremothers, I explore a distinct genealogy of Black women’s radical activism. Anchored in intersectional praxes, committed to combating interlocking oppression, and warring against multiple jeopardy, Black women insurgents of the 21st century build on the wor…
The #BlackFeministFiyah Re-Up
If You Look in My Life
This essay reflects upon Mary J. Blige's lyrical content as an entry point for delving into the relationship between hip-hop soul and contemporary African American womanhood. Hip hop is often viewed as a music-scape predominated by assertions of African American male identities. Hip-hop soul artists such as Blige created a distinct space for explorations of African American womanhood through their crafting and performing of women-centered hip-hop…
Complicated crossroads
This article will explore pro-sex, black feminist performance, and more specifically, the music videos of contemporary African-American female popular music entertainers. African-American politics of respectability continue to influence how black feminists, and more broadly, how African-American communities, delineate what constitutes hypersexuality and objectification. Contemporary black female entertainers and their sexually explicit performanc…
One Time for My Girls”
If You Look in My Life
This essay reflects upon Mary J. Blige's lyrical content as an entry point for delving into the relationship between hip-hop soul and contemporary African American womanhood. Hip hop is often viewed as a music-scape predominated by assertions of African American male identities. Hip-hop soul artists such as Blige created a distinct space for explorations of African American womanhood through their crafting and performing of women-centered hip-hop…
Ula Y. Taylor's “Making Waves
(2014). Ula Y. Taylor's “Making Waves: The Theory and Practice of Black Feminism”. The Black Scholar: Vol. 44, No. 3, pp. 48-51
Searching for Climax
In August 2013, the newly launched YouTube channel, All Def Digital, posted a video entitled "The Harriet Tubman Sextape." Reactions to the tape were swift and overwhelmingly negative. Decrying the desecration of the iconic Tubman and the positing of sexual transactions as a liberatory tool for enslaved black women, responses to the digital short shed light upon uncomfortable and complicated interpretations of the role of sex, sexuality, sexual e…
Let Me Blow Your Mind
This essay brings together key theoretical interventions in hip-hop feminism to explore the continued, but undervalued, significance of hip-hop feminism in urban education. More specifically, the essay challenges narrow conceptualizations of the hip hop subject as Black and male by using hip-hop feminist theory to incorporate the lived experiences of Black and Brown girls and women. With a particular emphasis on the realities of violence Black an…
A Love Letter to Black Feminism
One week after the suspicious and brutal deaths of Sandra Bland and Kindra Chapman, I finished this introduction to our two-part special issue on new directions in Black feminist studies. I thought
Post-Ferguson
In the post-Trayvon Martin era of racial terror against Black people in the U.S., many scholars frame contemporary anti-Black racial violence in the U.S. as an injustice primarily experienced by Black men and boys. This framing, however, fails to capture the deeply entrenched reality of Black violability. Black violability encapsulates the lived and historical experiences of Black people with state-initiated and state-sanctioned violence. This es…
The #BlackFeministFiyah Re-Up
Colored No More
Colored No More: Reinventing Black Womanhood in Washington, D.C. examines the expressive culture of African American women in Washington, D.C. during the early twentieth century. Honing in on the intellectual and cultural strivings of African American women communities in New Negro era Washington, I unveil a city in which African American women sought to configure themselves as authorial subjects. Between 1860 and 1930, the population of black wo…
Negro Women May Be Dangerous
This article examines “insurgency” as a tradition within Black women’s activism in the United States. Connecting contemporary insurgent acts of Black women activists to their Black feminist foremothers, I explore a distinct genealogy of Black women’s radical activism. Anchored in intersectional praxes, committed to combating interlocking oppression, and warring against multiple jeopardy, Black women insurgents of the 21st century build on the wor…
Ain’t Nobody Got Time for That
In the era of #BlackLivesMatter, anti-Black state violence is a primary focus. From police brutality to the Flint Water Crisis, organizers within the Movement for Black Lives draw important connections between various sites of racial injustice as experienced by people of African descent in the United States. One of the many sites where anti-Black violence and victimization occurs is in our classrooms. This article explores the classroom as a site…
Introduction
As the most recent iteration of Black freedom struggles in the United States, what is the story of the Movement for Black Lives (M4BL)? This special issue is interested both in the political life of the M4BL and in the stories of those who made this movement possible. We are interested in the critical moment of encounter, when because someone's life was taken, a community's life, an activist's life, or our collective lives changed. From represent…
Gender Studies (12 obras) · Sociology (12 obras) · Political science (9 obras) · Race, History, and American Society (8 obras) · Law (6 obras) · Aesthetics (5 obras) · Art (5 obras) · Anthropology (4 obras) · Black feminism (4 obras) · Gender Studies (4 obras)