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Ian Fleishman

Datos Biográficos

ID2767458
NOMBREIan Fleishman
NOMBRESIan
APELLIDOFleishman
FIRMAFLEISHMAN I
AFILIACIONESCalifornia University of Pennsylvania
ORCID0009-0001-4932-0238
VERIFICADOSí
TOTAL DE OBRAS10
TOTAL DE CITAS2
TOTAL COMO AUTOR9
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN2011
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • Gender, Literatur und Film. Perspektiven auf die Literaturverfilmungen von Rainer Werner Fassbinder. Von Aleksandra Eliseeva. Bielefeld

    Ian Fleishman•ARTICLE•Monatshefte•2025

    Gender, Literatur und Film. Perspektiven auf die Literaturverfilmungen von Rainer Werner Fassbinder. By Aleksandra Eliseeva. Bielefeld: transcript, 2024. 442 Seiten. €50,00 broschiert oder eBook. The comparatively restrained topical focus of Aleksandra Eliseeva’s Gender, Literatur und

  • Errant Equine Lines

    Ian Fleishman•ARTICLE•The Germanic Review Literature…•2024

  • The Madhouse

    Ian Fleishman•ARTICLE•Qui Parle•2023

    This essay theorizes an addiction to ecological anxiety that is characteristic of cultural reactions to climate change and made especially palpable in a time of pandemic. Borrowing from J. M. Coetzee’s identification in Franz Kafka of an epistemology of ever-evolving crisis, the essay surveys the growing corpus of scholarship on the Anthropocene, and, in particular, of quarantine writing, to examine the viral nature of first-person accounts of th…

  • Rolf Hammerschmidt’s Boytropolis and the Ethno-Ecological Imaginary

    Open Access•Ian Fleishman•ARTICLE•Environmental Humanities•2022

    Rolf Hammerschmidt, one of Europe’s most prolific gay porn directors and producers, first came to notoriety with an eco-utopian fantasy that descends into the dystopian. His two-part Boytropolis (1993, 1996) imagines a secluded woodland society of horny loincloth-clad young men whose insatiable sexual appetite appears to derive from a juice diet consisting of a mysterious emerald-colored potion that they extract from the local foliage, at least u…

  • Celluloid Revolt

    Open Access•Randall Halle, Christina Gerhardt et al.•BOOK•Celluloid Revolt•2019

    Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings

  • The World Unspoken

    Ian Fleishman, Fleishman Fleishman•ARTICLE•Comparative Literature Studies•2019•Referencias: 3

  • The Rustle of the Anthropocene

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•The Germanic Review Literature…•2017•Citada por: 1•Referencias: 8

    This article interrogates the uses and abuses of Franz Kafka's enigmatic figure Odradek as an illustration for three recent approaches in the environmental humanities: Timothy Morton's notion of the hyperobject, Jane Bennett's vital materialism, and J. Hillis Miller's theory of the ecotechnological. Putting pressure on the consonances and dissonances between these concepts will reveal an implicit attempt to make of Odradek an idiom capable of con…

  • Ce qui est coupé repousse

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•French Studies•2015•Citada por: 1

    This article explores the thematic and structural significance of the figure of the wound to Jean Genet's Pompes funèbres (1947) and Hélène Cixous's Souffles (1975). With reference to the differences between editions of Pompes funèbres and through a detailed genetic study of the hitherto unexamined manuscripts of Souffles (Cixous's direct response to Genet's novel), the article demonstrates how (self-)censorship becomes constitutive of narrative …

  • From Purkersdorf to Peking

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•Journal of Austrian Studies•2014

    Beginning with an off-color and seemingly off-topic parenthetical joke near the conclusion of Elfriede Jelinek’s novel Gier (2000), this article reads that book beside a draft fragment of Ingeborg Bachmann’s 1971 novel Malina called “Besichtigung einer alten Stadt” in order to reveal how both authors simultaneously resist but neverthe-less participate in international literary tourism relating to their native Austria. Both authors grapple with wh…

  • A Printed Proteus

    Open Access•Ian Fleishman, Ian Thomas Fleishman•ARTICLE•The German Quarterly•2011

    This essay concerns itself primarily with the fifth book and the Continuatio to Grimmelshausen's Der Abenteuerliche Simplicissimus Teutsch in order to demonstrate that the protagonist‐narrator's quest for self‐discovery is ineluctably subverted by the very nature of text. Reading the work as a trauma narrative, the article explores Simplicius's relation to writing in an era when the phenomenon of print is still a novelty—ultimately revealing text…

  • The Rustle of the Anthropocene

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•The Germanic Review Literature…•2017•Citada por: 1•Referencias: 8

    This article interrogates the uses and abuses of Franz Kafka's enigmatic figure Odradek as an illustration for three recent approaches in the environmental humanities: Timothy Morton's notion of the hyperobject, Jane Bennett's vital materialism, and J. Hillis Miller's theory of the ecotechnological. Putting pressure on the consonances and dissonances between these concepts will reveal an implicit attempt to make of Odradek an idiom capable of con…

  • Ce qui est coupé repousse

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•French Studies•2015•Citada por: 1

    This article explores the thematic and structural significance of the figure of the wound to Jean Genet's Pompes funèbres (1947) and Hélène Cixous's Souffles (1975). With reference to the differences between editions of Pompes funèbres and through a detailed genetic study of the hitherto unexamined manuscripts of Souffles (Cixous's direct response to Genet's novel), the article demonstrates how (self-)censorship becomes constitutive of narrative …

  • A Printed Proteus

    Open Access•Ian Fleishman, Ian Thomas Fleishman•ARTICLE•The German Quarterly•2011

    This essay concerns itself primarily with the fifth book and the Continuatio to Grimmelshausen's Der Abenteuerliche Simplicissimus Teutsch in order to demonstrate that the protagonist‐narrator's quest for self‐discovery is ineluctably subverted by the very nature of text. Reading the work as a trauma narrative, the article explores Simplicius's relation to writing in an era when the phenomenon of print is still a novelty—ultimately revealing text…

  • From Purkersdorf to Peking

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•Journal of Austrian Studies•2014

    Beginning with an off-color and seemingly off-topic parenthetical joke near the conclusion of Elfriede Jelinek’s novel Gier (2000), this article reads that book beside a draft fragment of Ingeborg Bachmann’s 1971 novel Malina called “Besichtigung einer alten Stadt” in order to reveal how both authors simultaneously resist but neverthe-less participate in international literary tourism relating to their native Austria. Both authors grapple with wh…

  • Ce qui est coupé repousse

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•French Studies•2015•Citada por: 1

    This article explores the thematic and structural significance of the figure of the wound to Jean Genet's Pompes funèbres (1947) and Hélène Cixous's Souffles (1975). With reference to the differences between editions of Pompes funèbres and through a detailed genetic study of the hitherto unexamined manuscripts of Souffles (Cixous's direct response to Genet's novel), the article demonstrates how (self-)censorship becomes constitutive of narrative …

  • The Rustle of the Anthropocene

    Ian Fleishman, Ian Thomas Fleishman•ARTICLE•The Germanic Review Literature…•2017•Citada por: 1•Referencias: 8

    This article interrogates the uses and abuses of Franz Kafka's enigmatic figure Odradek as an illustration for three recent approaches in the environmental humanities: Timothy Morton's notion of the hyperobject, Jane Bennett's vital materialism, and J. Hillis Miller's theory of the ecotechnological. Putting pressure on the consonances and dissonances between these concepts will reveal an implicit attempt to make of Odradek an idiom capable of con…

  • Celluloid Revolt

    Open Access•Randall Halle, Christina Gerhardt et al.•BOOK•Celluloid Revolt•2019

    Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings

  • The World Unspoken

    Ian Fleishman, Fleishman Fleishman•ARTICLE•Comparative Literature Studies•2019•Referencias: 3

  • Rolf Hammerschmidt’s Boytropolis and the Ethno-Ecological Imaginary

    Open Access•Ian Fleishman•ARTICLE•Environmental Humanities•2022

    Rolf Hammerschmidt, one of Europe’s most prolific gay porn directors and producers, first came to notoriety with an eco-utopian fantasy that descends into the dystopian. His two-part Boytropolis (1993, 1996) imagines a secluded woodland society of horny loincloth-clad young men whose insatiable sexual appetite appears to derive from a juice diet consisting of a mysterious emerald-colored potion that they extract from the local foliage, at least u…

  • The Madhouse

    Ian Fleishman•ARTICLE•Qui Parle•2023

    This essay theorizes an addiction to ecological anxiety that is characteristic of cultural reactions to climate change and made especially palpable in a time of pandemic. Borrowing from J. M. Coetzee’s identification in Franz Kafka of an epistemology of ever-evolving crisis, the essay surveys the growing corpus of scholarship on the Anthropocene, and, in particular, of quarantine writing, to examine the viral nature of first-person accounts of th…

  • Errant Equine Lines

    Ian Fleishman•ARTICLE•The Germanic Review Literature…•2024

  • Gender, Literatur und Film. Perspektiven auf die Literaturverfilmungen von Rainer Werner Fassbinder. Von Aleksandra Eliseeva. Bielefeld

    Ian Fleishman•ARTICLE•Monatshefte•2025

    Gender, Literatur und Film. Perspektiven auf die Literaturverfilmungen von Rainer Werner Fassbinder. By Aleksandra Eliseeva. Bielefeld: transcript, 2024. 442 Seiten. €50,00 broschiert oder eBook. The comparatively restrained topical focus of Aleksandra Eliseeva’s Gender, Literatur und

Art (8 obras) · Literature (6 obras) · Philosophy (6 obras) · Aesthetics (3 obras) · Epistemology (3 obras) · German Literature and Culture Studies (3 obras) · History (3 obras) · Philosophy (3 obras) · Sociology (3 obras) · Theology (3 obras)

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