Sara Kazmi
Datos Biográficos
| ID | 287039 |
|---|---|
| NOMBRE | Sara Kazmi |
| NOMBRES | Sara |
| APELLIDO | Kazmi |
| FIRMA | KAZMI S |
| AFILIACIONES | University of Cambridge |
| ORCID | 0000-0002-9379-6874 |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
An Archaeology of Silences
Worker, Peasant, Dravidian
This article introduces and analyzes the anticaste Marxist politics of the Dehaat Mazdoor Tanzeem (DMT, Agrarian Workers Organization) in 1970s Punjab, Pakistan. The DMT was a suborganization of the Mazdoor Kissan (Workers and Peasants) Party (MKP), a Maoist political party that focused on revolutionary organizing in the Pakistani countryside. The DMT drew on and combined Dravidianist theories of India's past, global Marxism, and regional histori…
The Periodical as Political Educator
This essay discusses how forms like political magazines, cultural journals, and party newspapers produced by twentieth-century anticolonial, left, and oppositional movements instituted practices of alternative pedagogy and political education across the Global South. These "revolutionary papers" served as a pedagogical infrastructure encompassing a critical curriculum drawn from ongoing movements, alternative histories, and regional literary prod…
Radical Re-tellings of Hir
This paper explores the feminist poetics of postcolonial Punjabi poetry, focusing specifically on Amrita Pritam and Nasreen Anjum Bhatti. Through a close reading of their poems, “Ajj aakhan Waris Shah nu” [“Today I Call on Waris Shah”] and “Nil karaiyan nilkan” [“Blue Cloth Dyed Blue”], I argue that these progressive poets deployed the contestatory genre of Hir to critique the multiple patriarchies of nation, region and community. Their radical r…
Sin obras prominentes en esta página.
Radical Re-tellings of Hir
This paper explores the feminist poetics of postcolonial Punjabi poetry, focusing specifically on Amrita Pritam and Nasreen Anjum Bhatti. Through a close reading of their poems, “Ajj aakhan Waris Shah nu” [“Today I Call on Waris Shah”] and “Nil karaiyan nilkan” [“Blue Cloth Dyed Blue”], I argue that these progressive poets deployed the contestatory genre of Hir to critique the multiple patriarchies of nation, region and community. Their radical r…
The Periodical as Political Educator
This essay discusses how forms like political magazines, cultural journals, and party newspapers produced by twentieth-century anticolonial, left, and oppositional movements instituted practices of alternative pedagogy and political education across the Global South. These "revolutionary papers" served as a pedagogical infrastructure encompassing a critical curriculum drawn from ongoing movements, alternative histories, and regional literary prod…
An Archaeology of Silences
Worker, Peasant, Dravidian
This article introduces and analyzes the anticaste Marxist politics of the Dehaat Mazdoor Tanzeem (DMT, Agrarian Workers Organization) in 1970s Punjab, Pakistan. The DMT was a suborganization of the Mazdoor Kissan (Workers and Peasants) Party (MKP), a Maoist political party that focused on revolutionary organizing in the Pakistani countryside. The DMT drew on and combined Dravidianist theories of India's past, global Marxism, and regional histori…
Politics (3 obras) · Law (2 obras) · Political science (2 obras) · Politics and Conflicts in Afghanistan, Pakistan, and Middle East (2 obras) · South Asian Studies and Conflicts (2 obras) · South Asian Studies and Diaspora (2 obras) · Agrarian society (1 obras) · Archaeology (1 obras) · Art (1 obras) · Caste (1 obras)