Scott Bukatman
Datos Biográficos
| ID | 295503 |
|---|---|
| NOMBRE | Scott Bukatman |
| NOMBRES | Scott |
| APELLIDO | Bukatman |
| FIRMA | BUKATMAN S |
| AFILIACIONES | Stanford University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAS | 61 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1985 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 3 |
Black Panther
Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn't just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impecca…
Walter Benjamin Reimagined
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Hellboy's World
Hellboy, Mike Mignola’s famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequence…
Sculpture, Stasis, the Comics, and Hellboy
Blade Runner
Little Utopias of Disorder
Matters of Gravity
Postcards from the Posthuman Solar System
The subject 'is [the] body and [the] body is the potentiality of a certain world', according to Maurice Merleau-Ponty (p. 106). At the intersection of cybernetics and phenomenology, the body already operates as an interface between mind and experience, but in contemporary SF and horror, the body is also narrated as a site of exploration and transfiguration, through which an interface with an electronically-based postmodern experience is inscribed…
Cut‐ups, white noise and cyberblitz in spectacular science fiction
Terminal Identity
Gibson's Typewriter
Research Article| October 01 1993 Gibson’s Typewriter Scott Bukatman Scott Bukatman Search for other works by this author on: This Site Google South Atlantic Quarterly (1993) 92 (4): 627–645. https://doi.org/10.1215/00382876-92-4-627 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Scott Bukatman; Gibson’s Typewriter. South Atlantic Quarterly 1 October 1993; 92 (4): 627–645. doi: https://doi.org/10…
Postcards from the Posthuman Solar System
At the intersection of cybernetics and phenomenology, the body already operates as an interface between mind and experience, but in contemporary science fiction and horror, the body is also narrated as a site of exploration and transfiguration through which an interface with an electronically-based postmodern experience is inscribed. The obsessive restaging of the refiguration of the body posits a constant redefinition of the subject through the …
There's Always Tomorrowland
In the early days of Disneyland, one Tomorrowland attraction was the Autopia, where youngsters could drive actual, though miniature, automobiles. Disney intended these young citizens-to-be to thus learn traffic safety at an early age and hence to be prepared to enter the L.A. freeway system. Unfortunately, the children took demented delight in crashing the cars, and the ride had to be put on tracks.' One can hardly blame the kids for resisting th…
Paralysis in Motion
The National Conference of the Society for Cinema Studies New Orleans, Louisiana April 3–6, 1986
Session: Phenomenology and Film Session: “Narration” Sessions: Parody and Bakhtin Session: EARLY CINEMA Session: Approaches to Interpretation Session: Trends and Concepts in Chinese Cinema Session: Narrative in Japanese Cinema Classical German Film Theory Session: Hitchcock and Authorship Session: JERRY LEWIS Session: Women and the Avant garde Sessions: Television and Reception Theory. Theorizing Television: Text, Textuality, Intertextuality. Ses…
Terminal Identity
There's Always Tomorrowland
In the early days of Disneyland, one Tomorrowland attraction was the Autopia, where youngsters could drive actual, though miniature, automobiles. Disney intended these young citizens-to-be to thus learn traffic safety at an early age and hence to be prepared to enter the L.A. freeway system. Unfortunately, the children took demented delight in crashing the cars, and the ride had to be put on tracks.' One can hardly blame the kids for resisting th…
Sculpture, Stasis, the Comics, and Hellboy
Gibson's Typewriter
Research Article| October 01 1993 Gibson’s Typewriter Scott Bukatman Scott Bukatman Search for other works by this author on: This Site Google South Atlantic Quarterly (1993) 92 (4): 627–645. https://doi.org/10.1215/00382876-92-4-627 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Scott Bukatman; Gibson’s Typewriter. South Atlantic Quarterly 1 October 1993; 92 (4): 627–645. doi: https://doi.org/10…
The National Conference of the Society for Cinema Studies New Orleans, Louisiana April 3–6, 1986
Session: Phenomenology and Film Session: “Narration” Sessions: Parody and Bakhtin Session: EARLY CINEMA Session: Approaches to Interpretation Session: Trends and Concepts in Chinese Cinema Session: Narrative in Japanese Cinema Classical German Film Theory Session: Hitchcock and Authorship Session: JERRY LEWIS Session: Women and the Avant garde Sessions: Television and Reception Theory. Theorizing Television: Text, Textuality, Intertextuality. Ses…
Paralysis in Motion
Postcards from the Posthuman Solar System
At the intersection of cybernetics and phenomenology, the body already operates as an interface between mind and experience, but in contemporary science fiction and horror, the body is also narrated as a site of exploration and transfiguration through which an interface with an electronically-based postmodern experience is inscribed. The obsessive restaging of the refiguration of the body posits a constant redefinition of the subject through the …
There's Always Tomorrowland
In the early days of Disneyland, one Tomorrowland attraction was the Autopia, where youngsters could drive actual, though miniature, automobiles. Disney intended these young citizens-to-be to thus learn traffic safety at an early age and hence to be prepared to enter the L.A. freeway system. Unfortunately, the children took demented delight in crashing the cars, and the ride had to be put on tracks.' One can hardly blame the kids for resisting th…
Terminal Identity
Gibson's Typewriter
Research Article| October 01 1993 Gibson’s Typewriter Scott Bukatman Scott Bukatman Search for other works by this author on: This Site Google South Atlantic Quarterly (1993) 92 (4): 627–645. https://doi.org/10.1215/00382876-92-4-627 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Scott Bukatman; Gibson’s Typewriter. South Atlantic Quarterly 1 October 1993; 92 (4): 627–645. doi: https://doi.org/10…
Cut‐ups, white noise and cyberblitz in spectacular science fiction
Postcards from the Posthuman Solar System
The subject 'is [the] body and [the] body is the potentiality of a certain world', according to Maurice Merleau-Ponty (p. 106). At the intersection of cybernetics and phenomenology, the body already operates as an interface between mind and experience, but in contemporary SF and horror, the body is also narrated as a site of exploration and transfiguration, through which an interface with an electronically-based postmodern experience is inscribed…
Matters of Gravity
Little Utopias of Disorder
Blade Runner
Sculpture, Stasis, the Comics, and Hellboy
Hellboy's World
Hellboy, Mike Mignola’s famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequence…
Walter Benjamin Reimagined
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Black Panther
Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn't just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impecca…
Art (11 obras) · Computer Science (8 obras) · Art history (6 obras) · Visual arts (5 obras) · Aesthetics (4 obras) · Literature (4 obras) · Artificial Intelligence (3 obras) · Digital Games and Media (3 obras) · Philosophy (3 obras) · Sociology (3 obras)