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G Cavallo

Datos Biográficos

ID29658
NOMBREG Cavallo
NOMBRESG
APELLIDOCavallo
FIRMACAVALLO G
AFILIACIONESUniversity of Applied Sciences and Arts of Southern Switzerland
ORCID0000-0002-3668-7794
VERIFICADOSí
TOTAL DE OBRAS17
TOTAL DE CITAS77
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1971
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H6
  • A mineralogical and geochemical database of Fe‐bearing mineral pigments from the south‐eastern alpine region

    Open Access•G Cavallo, Maria Pia Riccardi et al.•ARTICLE•Archaeometry•2025•Citada por: 1•Referencias: 56

    The provenance of yellow, red, and green Fe‐bearing mineral pigments used in archaeological and artistic contexts is pivotal in archaeological science providing information on trading activities, commercial routes, and procurement of appropriate raw materials. To support these studies, mineralogical and geochemical databases are required. The research presents a complete database of raw materials collected in the western sector of the Lessini Mou…

  • Non-invasive study of Early Medieval wall paintings in the churches of St. Stephan in Chur and St. Martin in Disentis (Switzerland)

    Open Access•Patrizia Moretti, Francesca Piqué et al.•ARTICLE•Journal of Cultural Heritage•2024

    The Early Medieval wall paintings preserved in historical sites of the ancient Raetia Curiensis region (today's Swiss Canton of Grisons and parts of Northern Italy and Austria) provide a rare testimony of the art of this period. This contribution presents the results of the non-invasive scientific campaigns carried out in the churches of St. Stephan in Chur and St. Martin in Disentis/Mustér (Canton of Grisons, Switzerland). In the church of St. S…

  • Geochemical and Petrographic Analyses on Middle and Upper Palaeolithic Cherts from the Central Region of Mediterranean Iberia

    A Eixea, Clodoaldo Roldán et al.•ARTICLE•Lithic Technology•2023•Citada por: 1•Referencias: 53

    This paper presents the geochemical and petrographic characterization, along with the macroscopic observations, of several cherts from the central region of the Mediterranean Iberia. To determine the microfacies and microtextural features, thin-section samples were analyzed using polarizing light microscopy (PLM) and scanning electron microscopy coupled with an energy-dispersive X-ray spectrometer (SEM/EDX). Geochemical analyses were performed us…

  • Experimental analysis on natural heated goethite from ponte di Veja (Mt Lessini, NE Italy)

    Open Access•G Cavallo, Gloria Ischia et al.•ARTICLE•Journal of Archaeological Science…•2021•Citada por: 1•Referencias: 15

  • Glass-based pigments in painting

    Open Access•G Cavallo, Maria Pia Riccardi•ARTICLE•Archaeological and Anthropological…•2021•Citada por: 15•Referencias: 62

    Glass-based pigments have an important role in the panorama of artistic production due to the fact that their manufacturing processes involve a combination of different skills and understanding, and they have a role in disciplines ranging from glass technology to metallurgy, from glazed ceramic to stone imitation and from vitreous mosaic tesserae to painting materials. The main goal of this manuscript is to present a critical review of the litera…

  • Characterization and sources of Paleolithic–Mesolithic ochre from Coves de Santa Maira (Valencian Region, Spain)

    Open Access•J Emili Aura Tortosa, Gianni Gallello et al.•ARTICLE•Geoarchaeology•2020•Citada por: 8•Referencias: 20

    The origin of iron‐oxide materials found at Paleolithic and Neolithic sites in the Spanish Mediterranean region is a pivotal issue that has not yet been explored. The aim of this study is to investigate the exploitation of local ochre sources during the different archaeological phases identified at the site of Coves de Santa Maira (Valencian Region, Eastern Spain). A sampling strategy and a methodological approach were developed. Lumps of ochre a…

  • Preliminary non-invasive study of Carolingian pigments in the churches of St. John at Müstair and St. Benedict at Malles

    Open Access•G Cavallo, M Aceto et al.•ARTICLE•Archaeological and Anthropological…•2020•Citada por: 6•Referencias: 14

  • Gypsum in Ticinese stucco artworks of the 16–17th century

    Open Access•Marta Caroselli, G Cavallo et al.•ARTICLE•Journal of Archaeological Science…•2019•Citada por: 2

  • Heat Treatment of Mineral Pigment During the Upper Palaeolithic in North‐East Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeometry•2018•Citada por: 12•Referencias: 40

    The use of red ochre for utilitarian, symbolic and artistic purposes is widely documented in prehistoric contexts. The absence of adequate red‐coloured raw materials influenced the development of technological activities aimed at modifying the original physiochemical properties of yellow ochre. The heat treatment of goethite to obtain hematite was investigated in the western sector of the Lessini Mountains in north‐east Italy, where red ochre was…

  • Textural, microstructural, and compositional characteristics of Fe‐based geomaterials and Upper Paleolithic ocher in the Lessini Mountains, Northeast Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Geoarchaeology•2017•Citada por: 11•Referencias: 14

    Provenance research of archaeological ocher contributes to understanding the capabilities of prehistoric humans to select, process, and treat suitable raw materials for symbolic and utilitarian purposes. The western part of the Lessini Mountains in the Veneto region of northeast Italy is an ideal location for this type of study as it features several different Fe‐rich deposits, and many examples of archaeological ocher have been found in the near…

  • Sourcing and processing of ochre during the late upper Palaeolithic at Tagliente rock-shelter (NE Italy) based on conventional X-ray powder diffraction analysis

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeological and Anthropological…•2017•Citada por: 14•Referencias: 25

  • Archaeological, Stylistic and Scientific Research on 11th–13th Century Ad Painted Fragments From the San Giovanni Battista Church in Cevio (Switzerland)

    Open Access•G Cavallo, R Cardani Vergani et al.•ARTICLE•Archaeometry•2012•Citada por: 1•Referencias: 2

    The painted fragments collected during the archaeological excavation campaign in the San Giovanni Battista church in Cevio represent a unique patrimony of Romanesque wall painting in Tessin, Switzerland, having a strong stylistic linkage with the Lombardic art of the same period. The archaeological and stylistic research allowed the fragments to be dated between the 11th and 13th centuries ad and to group them in three chronological phases. The s…

  • Gilding on wall paintings from a period

    Open Access•G Cavallo, Marcel Verda•ARTICLE•ArchéoSciences•2009

    The use of gildings on wall paintings enjoyed its largest development in Italy between the 13th and 14th centuries AD. This work covers a few important artefacts from the Lombard lake region, dating from a period between 1360 and 1520, and painted by the Seregnesi, Da Tradate and De Passeri studios. Its purpose is to understand the gilding techniques by means of scientific examinations (OM, SEM/EDS, FTIR), integrated with information from ancient…

  • The Emigration of Prealpine Lake Masters

    Open Access•G Cavallo, L DERIGHETTI et al.•ARTICLE•Archaeometry•2005•Citada por: 4

    This work illustrates the possible connections between the phenomenon of the seasonal emigration of lake masters and the production of artistic artefacts. Within the ambit of these dynamics, a stucco mantelpiece was taken into consideration. Nothing was known about the object: neither its origin, nor the artist who produced it, nor the period of execution. Historical, stylistic and formal analyses of the materials and of the technique with which …

  • Fenomenologia ‘Libraria’ Della Maiuscola Greca

    Open Access•G Cavallo•ARTICLE•Bulletin of the Institute of…•1972

    FENOMENOLOGIA ‘LIBRARIA’ DELLA MAIUSCOLA GRECA: STILE, CANONE, MIMESI GRAFICA Get access G. Cavallo G. Cavallo Università di Roma Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Pages 131–140, https://doi.org/10.1111/j.2041-5370.1972.tb00315.x Published: 12 March 2010

  • Ricerche sulla maiuscola biblica

    N G Wilson, G Cavallo•ARTICLE•The Journal of Egyptian Archaeology•1971•Citada por: 1

  • Qualche annotazione sulla trasmissione dei classici nella tarda antichità

    G Cavallo

  • Glass-based pigments in painting

    Open Access•G Cavallo, Maria Pia Riccardi•ARTICLE•Archaeological and Anthropological…•2021•Citada por: 15•Referencias: 62

    Glass-based pigments have an important role in the panorama of artistic production due to the fact that their manufacturing processes involve a combination of different skills and understanding, and they have a role in disciplines ranging from glass technology to metallurgy, from glazed ceramic to stone imitation and from vitreous mosaic tesserae to painting materials. The main goal of this manuscript is to present a critical review of the litera…

  • Sourcing and processing of ochre during the late upper Palaeolithic at Tagliente rock-shelter (NE Italy) based on conventional X-ray powder diffraction analysis

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeological and Anthropological…•2017•Citada por: 14•Referencias: 25

  • Heat Treatment of Mineral Pigment During the Upper Palaeolithic in North‐East Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeometry•2018•Citada por: 12•Referencias: 40

    The use of red ochre for utilitarian, symbolic and artistic purposes is widely documented in prehistoric contexts. The absence of adequate red‐coloured raw materials influenced the development of technological activities aimed at modifying the original physiochemical properties of yellow ochre. The heat treatment of goethite to obtain hematite was investigated in the western sector of the Lessini Mountains in north‐east Italy, where red ochre was…

  • Textural, microstructural, and compositional characteristics of Fe‐based geomaterials and Upper Paleolithic ocher in the Lessini Mountains, Northeast Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Geoarchaeology•2017•Citada por: 11•Referencias: 14

    Provenance research of archaeological ocher contributes to understanding the capabilities of prehistoric humans to select, process, and treat suitable raw materials for symbolic and utilitarian purposes. The western part of the Lessini Mountains in the Veneto region of northeast Italy is an ideal location for this type of study as it features several different Fe‐rich deposits, and many examples of archaeological ocher have been found in the near…

  • Characterization and sources of Paleolithic–Mesolithic ochre from Coves de Santa Maira (Valencian Region, Spain)

    Open Access•J Emili Aura Tortosa, Gianni Gallello et al.•ARTICLE•Geoarchaeology•2020•Citada por: 8•Referencias: 20

    The origin of iron‐oxide materials found at Paleolithic and Neolithic sites in the Spanish Mediterranean region is a pivotal issue that has not yet been explored. The aim of this study is to investigate the exploitation of local ochre sources during the different archaeological phases identified at the site of Coves de Santa Maira (Valencian Region, Eastern Spain). A sampling strategy and a methodological approach were developed. Lumps of ochre a…

  • Preliminary non-invasive study of Carolingian pigments in the churches of St. John at Müstair and St. Benedict at Malles

    Open Access•G Cavallo, M Aceto et al.•ARTICLE•Archaeological and Anthropological…•2020•Citada por: 6•Referencias: 14

  • The Emigration of Prealpine Lake Masters

    Open Access•G Cavallo, L DERIGHETTI et al.•ARTICLE•Archaeometry•2005•Citada por: 4

    This work illustrates the possible connections between the phenomenon of the seasonal emigration of lake masters and the production of artistic artefacts. Within the ambit of these dynamics, a stucco mantelpiece was taken into consideration. Nothing was known about the object: neither its origin, nor the artist who produced it, nor the period of execution. Historical, stylistic and formal analyses of the materials and of the technique with which …

  • Gypsum in Ticinese stucco artworks of the 16–17th century

    Open Access•Marta Caroselli, G Cavallo et al.•ARTICLE•Journal of Archaeological Science…•2019•Citada por: 2

  • A mineralogical and geochemical database of Fe‐bearing mineral pigments from the south‐eastern alpine region

    Open Access•G Cavallo, Maria Pia Riccardi et al.•ARTICLE•Archaeometry•2025•Citada por: 1•Referencias: 56

    The provenance of yellow, red, and green Fe‐bearing mineral pigments used in archaeological and artistic contexts is pivotal in archaeological science providing information on trading activities, commercial routes, and procurement of appropriate raw materials. To support these studies, mineralogical and geochemical databases are required. The research presents a complete database of raw materials collected in the western sector of the Lessini Mou…

  • Geochemical and Petrographic Analyses on Middle and Upper Palaeolithic Cherts from the Central Region of Mediterranean Iberia

    A Eixea, Clodoaldo Roldán et al.•ARTICLE•Lithic Technology•2023•Citada por: 1•Referencias: 53

    This paper presents the geochemical and petrographic characterization, along with the macroscopic observations, of several cherts from the central region of the Mediterranean Iberia. To determine the microfacies and microtextural features, thin-section samples were analyzed using polarizing light microscopy (PLM) and scanning electron microscopy coupled with an energy-dispersive X-ray spectrometer (SEM/EDX). Geochemical analyses were performed us…

  • Experimental analysis on natural heated goethite from ponte di Veja (Mt Lessini, NE Italy)

    Open Access•G Cavallo, Gloria Ischia et al.•ARTICLE•Journal of Archaeological Science…•2021•Citada por: 1•Referencias: 15

  • Archaeological, Stylistic and Scientific Research on 11th–13th Century Ad Painted Fragments From the San Giovanni Battista Church in Cevio (Switzerland)

    Open Access•G Cavallo, R Cardani Vergani et al.•ARTICLE•Archaeometry•2012•Citada por: 1•Referencias: 2

    The painted fragments collected during the archaeological excavation campaign in the San Giovanni Battista church in Cevio represent a unique patrimony of Romanesque wall painting in Tessin, Switzerland, having a strong stylistic linkage with the Lombardic art of the same period. The archaeological and stylistic research allowed the fragments to be dated between the 11th and 13th centuries ad and to group them in three chronological phases. The s…

  • Ricerche sulla maiuscola biblica

    N G Wilson, G Cavallo•ARTICLE•The Journal of Egyptian Archaeology•1971•Citada por: 1

  • Ricerche sulla maiuscola biblica

    N G Wilson, G Cavallo•ARTICLE•The Journal of Egyptian Archaeology•1971•Citada por: 1

  • Fenomenologia ‘Libraria’ Della Maiuscola Greca

    Open Access•G Cavallo•ARTICLE•Bulletin of the Institute of…•1972

    FENOMENOLOGIA ‘LIBRARIA’ DELLA MAIUSCOLA GRECA: STILE, CANONE, MIMESI GRAFICA Get access G. Cavallo G. Cavallo Università di Roma Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Pages 131–140, https://doi.org/10.1111/j.2041-5370.1972.tb00315.x Published: 12 March 2010

  • The Emigration of Prealpine Lake Masters

    Open Access•G Cavallo, L DERIGHETTI et al.•ARTICLE•Archaeometry•2005•Citada por: 4

    This work illustrates the possible connections between the phenomenon of the seasonal emigration of lake masters and the production of artistic artefacts. Within the ambit of these dynamics, a stucco mantelpiece was taken into consideration. Nothing was known about the object: neither its origin, nor the artist who produced it, nor the period of execution. Historical, stylistic and formal analyses of the materials and of the technique with which …

  • Gilding on wall paintings from a period

    Open Access•G Cavallo, Marcel Verda•ARTICLE•ArchéoSciences•2009

    The use of gildings on wall paintings enjoyed its largest development in Italy between the 13th and 14th centuries AD. This work covers a few important artefacts from the Lombard lake region, dating from a period between 1360 and 1520, and painted by the Seregnesi, Da Tradate and De Passeri studios. Its purpose is to understand the gilding techniques by means of scientific examinations (OM, SEM/EDS, FTIR), integrated with information from ancient…

  • Archaeological, Stylistic and Scientific Research on 11th–13th Century Ad Painted Fragments From the San Giovanni Battista Church in Cevio (Switzerland)

    Open Access•G Cavallo, R Cardani Vergani et al.•ARTICLE•Archaeometry•2012•Citada por: 1•Referencias: 2

    The painted fragments collected during the archaeological excavation campaign in the San Giovanni Battista church in Cevio represent a unique patrimony of Romanesque wall painting in Tessin, Switzerland, having a strong stylistic linkage with the Lombardic art of the same period. The archaeological and stylistic research allowed the fragments to be dated between the 11th and 13th centuries ad and to group them in three chronological phases. The s…

  • Textural, microstructural, and compositional characteristics of Fe‐based geomaterials and Upper Paleolithic ocher in the Lessini Mountains, Northeast Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Geoarchaeology•2017•Citada por: 11•Referencias: 14

    Provenance research of archaeological ocher contributes to understanding the capabilities of prehistoric humans to select, process, and treat suitable raw materials for symbolic and utilitarian purposes. The western part of the Lessini Mountains in the Veneto region of northeast Italy is an ideal location for this type of study as it features several different Fe‐rich deposits, and many examples of archaeological ocher have been found in the near…

  • Sourcing and processing of ochre during the late upper Palaeolithic at Tagliente rock-shelter (NE Italy) based on conventional X-ray powder diffraction analysis

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeological and Anthropological…•2017•Citada por: 14•Referencias: 25

  • Heat Treatment of Mineral Pigment During the Upper Palaeolithic in North‐East Italy

    Open Access•G Cavallo, Federica Fontana et al.•ARTICLE•Archaeometry•2018•Citada por: 12•Referencias: 40

    The use of red ochre for utilitarian, symbolic and artistic purposes is widely documented in prehistoric contexts. The absence of adequate red‐coloured raw materials influenced the development of technological activities aimed at modifying the original physiochemical properties of yellow ochre. The heat treatment of goethite to obtain hematite was investigated in the western sector of the Lessini Mountains in north‐east Italy, where red ochre was…

  • Gypsum in Ticinese stucco artworks of the 16–17th century

    Open Access•Marta Caroselli, G Cavallo et al.•ARTICLE•Journal of Archaeological Science…•2019•Citada por: 2

  • Characterization and sources of Paleolithic–Mesolithic ochre from Coves de Santa Maira (Valencian Region, Spain)

    Open Access•J Emili Aura Tortosa, Gianni Gallello et al.•ARTICLE•Geoarchaeology•2020•Citada por: 8•Referencias: 20

    The origin of iron‐oxide materials found at Paleolithic and Neolithic sites in the Spanish Mediterranean region is a pivotal issue that has not yet been explored. The aim of this study is to investigate the exploitation of local ochre sources during the different archaeological phases identified at the site of Coves de Santa Maira (Valencian Region, Eastern Spain). A sampling strategy and a methodological approach were developed. Lumps of ochre a…

  • Preliminary non-invasive study of Carolingian pigments in the churches of St. John at Müstair and St. Benedict at Malles

    Open Access•G Cavallo, M Aceto et al.•ARTICLE•Archaeological and Anthropological…•2020•Citada por: 6•Referencias: 14

  • Experimental analysis on natural heated goethite from ponte di Veja (Mt Lessini, NE Italy)

    Open Access•G Cavallo, Gloria Ischia et al.•ARTICLE•Journal of Archaeological Science…•2021•Citada por: 1•Referencias: 15

  • Glass-based pigments in painting

    Open Access•G Cavallo, Maria Pia Riccardi•ARTICLE•Archaeological and Anthropological…•2021•Citada por: 15•Referencias: 62

    Glass-based pigments have an important role in the panorama of artistic production due to the fact that their manufacturing processes involve a combination of different skills and understanding, and they have a role in disciplines ranging from glass technology to metallurgy, from glazed ceramic to stone imitation and from vitreous mosaic tesserae to painting materials. The main goal of this manuscript is to present a critical review of the litera…

  • Geochemical and Petrographic Analyses on Middle and Upper Palaeolithic Cherts from the Central Region of Mediterranean Iberia

    A Eixea, Clodoaldo Roldán et al.•ARTICLE•Lithic Technology•2023•Citada por: 1•Referencias: 53

    This paper presents the geochemical and petrographic characterization, along with the macroscopic observations, of several cherts from the central region of the Mediterranean Iberia. To determine the microfacies and microtextural features, thin-section samples were analyzed using polarizing light microscopy (PLM) and scanning electron microscopy coupled with an energy-dispersive X-ray spectrometer (SEM/EDX). Geochemical analyses were performed us…

  • Qualche annotazione sulla trasmissione dei classici nella tarda antichità

    G Cavallo

  • Non-invasive study of Early Medieval wall paintings in the churches of St. Stephan in Chur and St. Martin in Disentis (Switzerland)

    Open Access•Patrizia Moretti, Francesca Piqué et al.•ARTICLE•Journal of Cultural Heritage•2024

    The Early Medieval wall paintings preserved in historical sites of the ancient Raetia Curiensis region (today's Swiss Canton of Grisons and parts of Northern Italy and Austria) provide a rare testimony of the art of this period. This contribution presents the results of the non-invasive scientific campaigns carried out in the churches of St. Stephan in Chur and St. Martin in Disentis/Mustér (Canton of Grisons, Switzerland). In the church of St. S…

  • A mineralogical and geochemical database of Fe‐bearing mineral pigments from the south‐eastern alpine region

    Open Access•G Cavallo, Maria Pia Riccardi et al.•ARTICLE•Archaeometry•2025•Citada por: 1•Referencias: 56

    The provenance of yellow, red, and green Fe‐bearing mineral pigments used in archaeological and artistic contexts is pivotal in archaeological science providing information on trading activities, commercial routes, and procurement of appropriate raw materials. To support these studies, mineralogical and geochemical databases are required. The research presents a complete database of raw materials collected in the western sector of the Lessini Mou…

Archaeology (13 obras) · Art (10 obras) · Cultural Heritage Materials Analysis (10 obras) · Building materials and conservation (9 obras) · Geography (9 obras) · Geology (8 obras) · Conservation Techniques and Studies (6 obras) · Materials Science (6 obras) · Mineralogy (6 obras) · Chemistry (5 obras)

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