Mads Krogh
Datos Biográficos
| ID | 301557 |
|---|---|
| NOMBRE | Mads Krogh |
| NOMBRES | Mads |
| APELLIDO | Krogh |
| FIRMA | KROGH M |
| AFILIACIONES | Aarhus University |
| ORCID | 0000-0001-9062-7736 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 2 |
Rampant Abstraction as a Strategy of Singularization
If processes of categorization are central to cultural sociology, then current developments as regards genre formation in the realm of music-streaming services call for attention. A double process of computerized genre analysis (producing a potentially infinite array of categories) and increasingly context-specific music recommendation (accommodating a vision of limitless personalization) challenges established, scene- and identity-based ideas ab…
Affective Landscapes, Scenes, and Arrangements
This article discusses the affective dynamics of two interwoven spheres of musical life: on the one hand, the sphere of local musical engagements, often connected to the notion of scene; on the other, the sphere of digital music promotion and distribution via social media and streaming platforms. The almost omnipresent importance of the latter raises questions about motivational investments in local music-making in digital times. The discussion t…
Methodologies of Affective Experimentation
Methodologies of Affective Experimentation
A Beat is a Hybrid
This article aims to discuss the notion of music as material practice from a perspective of mediation theory. It attempts a non-reductivist understanding of the role of things and material settings for processes of human action and interaction in the context of musical events. Having considered Tia DeNora's micro-sociological reconceptualisation of Adornian materialism (DeNora, T. 2003. After Adorno. Cambridge: Cambridge University Press), it inv…
Spillover Censorship
This article discusses how current practices of corporate self-censorship within the US record industry, originating in a local legal and political context and moral climate, spill over into foreign markets as a side effect of the global operations of dominant multinational entertainment and media conglomerates. A specific case, the dissemination of D12’s “Purple Pills” in various versions on the Danish market since its release in 2001, illustrat…
Music, radio and mediatization
Mediatization has become a key concept for understanding the relations between media and other cultural and social fields. Contributing to the discussions related to the concept of mediatization, this article discusses how practices of radio and music(al life) influence each other. We follow Deacon’s and Stanyer’s advice to supplement the concept of mediatization with ‘a series of additional concepts at lower levels of abstraction’ and suggest, i…
Rampant Abstraction as a Strategy of Singularization
If processes of categorization are central to cultural sociology, then current developments as regards genre formation in the realm of music-streaming services call for attention. A double process of computerized genre analysis (producing a potentially infinite array of categories) and increasingly context-specific music recommendation (accommodating a vision of limitless personalization) challenges established, scene- and identity-based ideas ab…
Spillover Censorship
This article discusses how current practices of corporate self-censorship within the US record industry, originating in a local legal and political context and moral climate, spill over into foreign markets as a side effect of the global operations of dominant multinational entertainment and media conglomerates. A specific case, the dissemination of D12’s “Purple Pills” in various versions on the Danish market since its release in 2001, illustrat…
Spillover Censorship
This article discusses how current practices of corporate self-censorship within the US record industry, originating in a local legal and political context and moral climate, spill over into foreign markets as a side effect of the global operations of dominant multinational entertainment and media conglomerates. A specific case, the dissemination of D12’s “Purple Pills” in various versions on the Danish market since its release in 2001, illustrat…
Music, radio and mediatization
Mediatization has become a key concept for understanding the relations between media and other cultural and social fields. Contributing to the discussions related to the concept of mediatization, this article discusses how practices of radio and music(al life) influence each other. We follow Deacon’s and Stanyer’s advice to supplement the concept of mediatization with ‘a series of additional concepts at lower levels of abstraction’ and suggest, i…
A Beat is a Hybrid
This article aims to discuss the notion of music as material practice from a perspective of mediation theory. It attempts a non-reductivist understanding of the role of things and material settings for processes of human action and interaction in the context of musical events. Having considered Tia DeNora's micro-sociological reconceptualisation of Adornian materialism (DeNora, T. 2003. After Adorno. Cambridge: Cambridge University Press), it inv…
Methodologies of Affective Experimentation
Methodologies of Affective Experimentation
Affective Landscapes, Scenes, and Arrangements
This article discusses the affective dynamics of two interwoven spheres of musical life: on the one hand, the sphere of local musical engagements, often connected to the notion of scene; on the other, the sphere of digital music promotion and distribution via social media and streaming platforms. The almost omnipresent importance of the latter raises questions about motivational investments in local music-making in digital times. The discussion t…
Rampant Abstraction as a Strategy of Singularization
If processes of categorization are central to cultural sociology, then current developments as regards genre formation in the realm of music-streaming services call for attention. A double process of computerized genre analysis (producing a potentially infinite array of categories) and increasingly context-specific music recommendation (accommodating a vision of limitless personalization) challenges established, scene- and identity-based ideas ab…
Sociology (6 obras) · Art (4 obras) · Music History and Culture (4 obras) · Aesthetics (3 obras) · Computer Science (3 obras) · History (3 obras) · Musical (3 obras) · Psychology (3 obras) · Social science (3 obras) · Abstraction (2 obras)