Anette Stenslund
Datos Biográficos
| ID | 304104 |
|---|---|
| NOMBRE | Anette Stenslund |
| NOMBRES | Anette |
| APELLIDO | Stenslund |
| FIRMA | STENSLUND A |
| AFILIACIONES | Roskilde University |
| ORCID | 0000-0002-2918-5227 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 11 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2013 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
A Killjoy of Architecture
This article critically examines the emerging trend of architecting happiness and its implications for social sustainability in architecture. Using a recent commercial promotion initiative by the Danish Association of Architectural Firms as a point of departure, alongside select international examples, the study explores the risks of prescriptive spatial design that seeks to orchestrate emotional experiences. Rather than tracing behavioral outcom…
Atmosphere in Urban Design
Collaging atmosphere
In recent decades, research has paid attention to the atmospheric ways computer-generated imagery (CGI) marks the experience of future urban design. What has been addressed in the generic abbreviation CGI has, however, exclusively concerned visualisations that communicate with stakeholders beyond designers and architects. Based on fieldwork within an urban design lab, the paper differentiates among the range of CGI used by urban designers. Focusi…
The harsh smell of scentless art
Smell has been portrayed as the mute sense, difficult to pin down in words but also hushed for reasons of etiquette. This paper presents, discusses and conceptualises the curious incidence of a surprisingly high frequency of museum-goers who would, unprompted, address smell in order to describe the atmosphere of an art installation by the Scandinavian artist duo Elmgreen & Dragset. In more than 20 of roughly 150 interviews, the atmosphere of the …
The house' as a framing device for public engagement in STEM museums
In the last five to ten years, several science, technology, engineering and medicine (STEM) museums have been experimenting with new forms of public engagement, aiming to be places for curiosity-driven investigation of the cultures of science via multiple perspectives, bringing artists, scientists, researchers, clinicians, members of the public and others together. Yet these diverse and rapidly evolving sites lack a clear definition of their fami…
A Whiff of Nothing
This article uses the figure of “presence of absence” to consider the phenomenological significance of dimensions of smell that easily slip out of apprehension. The discussion highlights how not only loud smell but also absence of smell manages to exert an influence over the way people feel. Smells linked to emotions and bodily sensations are addressed as atmospheric, and facets of an atmospheric absence of smell are unfurled within the framework…
Kom Nærmere - Lugten i Galleriet
Baseret på erfaringer hentet fra den allerførste museumsudstilling nogensinde dedikeret udelukkende til duft, problematiserer jeg i artiklen det abstrakte objek- tiverende niveau, dufte ofte håndteres på. Jeg viser, at objektiverende tilgange til duft fordrer en eksistentiel distance, og i et forsøg på at komme nærmere lugt- erfaringers ontologiske fundament introducerer jeg en alternativ tilgang udviklet med inspiration hentet hos Martin Heidegg…
Multimodal Revelations
Multimodal Approaches to Learning organized by Art Beyond Sight and the Metropolitan Museum of art, New York City, October 26-28, 2012
A Whiff of Nothing
This article uses the figure of “presence of absence” to consider the phenomenological significance of dimensions of smell that easily slip out of apprehension. The discussion highlights how not only loud smell but also absence of smell manages to exert an influence over the way people feel. Smells linked to emotions and bodily sensations are addressed as atmospheric, and facets of an atmospheric absence of smell are unfurled within the framework…
Multimodal Revelations
Multimodal Approaches to Learning organized by Art Beyond Sight and the Metropolitan Museum of art, New York City, October 26-28, 2012
Kom Nærmere - Lugten i Galleriet
Baseret på erfaringer hentet fra den allerførste museumsudstilling nogensinde dedikeret udelukkende til duft, problematiserer jeg i artiklen det abstrakte objek- tiverende niveau, dufte ofte håndteres på. Jeg viser, at objektiverende tilgange til duft fordrer en eksistentiel distance, og i et forsøg på at komme nærmere lugt- erfaringers ontologiske fundament introducerer jeg en alternativ tilgang udviklet med inspiration hentet hos Martin Heidegg…
A Whiff of Nothing
This article uses the figure of “presence of absence” to consider the phenomenological significance of dimensions of smell that easily slip out of apprehension. The discussion highlights how not only loud smell but also absence of smell manages to exert an influence over the way people feel. Smells linked to emotions and bodily sensations are addressed as atmospheric, and facets of an atmospheric absence of smell are unfurled within the framework…
The harsh smell of scentless art
Smell has been portrayed as the mute sense, difficult to pin down in words but also hushed for reasons of etiquette. This paper presents, discusses and conceptualises the curious incidence of a surprisingly high frequency of museum-goers who would, unprompted, address smell in order to describe the atmosphere of an art installation by the Scandinavian artist duo Elmgreen & Dragset. In more than 20 of roughly 150 interviews, the atmosphere of the …
The house' as a framing device for public engagement in STEM museums
In the last five to ten years, several science, technology, engineering and medicine (STEM) museums have been experimenting with new forms of public engagement, aiming to be places for curiosity-driven investigation of the cultures of science via multiple perspectives, bringing artists, scientists, researchers, clinicians, members of the public and others together. Yet these diverse and rapidly evolving sites lack a clear definition of their fami…
Collaging atmosphere
In recent decades, research has paid attention to the atmospheric ways computer-generated imagery (CGI) marks the experience of future urban design. What has been addressed in the generic abbreviation CGI has, however, exclusively concerned visualisations that communicate with stakeholders beyond designers and architects. Based on fieldwork within an urban design lab, the paper differentiates among the range of CGI used by urban designers. Focusi…
Atmosphere in Urban Design
A Killjoy of Architecture
This article critically examines the emerging trend of architecting happiness and its implications for social sustainability in architecture. Using a recent commercial promotion initiative by the Danish Association of Architectural Firms as a point of departure, alongside select international examples, the study explores the risks of prescriptive spatial design that seeks to orchestrate emotional experiences. Rather than tracing behavioral outcom…
Art (4 obras) · Museums and Cultural Heritage (4 obras) · Sociology (4 obras) · Archaeology (3 obras) · Visual arts (3 obras) · Aesthetics (2 obras) · Architecture (2 obras) · Art history (2 obras) · Computer Science (2 obras) · Epistemology (2 obras)