Georgia Aitaki
Datos Biográficos
| ID | 3047260 |
|---|---|
| NOMBRE | Georgia Aitaki |
| NOMBRES | Georgia |
| APELLIDO | Aitaki |
| FIRMA | AITAKI G |
| AFILIACIONES | Örebro University |
| ORCID | 0000-0002-3872-5096 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 5 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Digital Geographies of Hope
This thematic issue advances digital geographies of hope as a lens for examining how possibilities for action, connection, and alternative futures take shape in a deeply datafied and platformized world. While critical scholarship has documented extraction, surveillance, bordering, and algorithmic injustice, the contributions foreground hope as situated, relational, and contested, emerging within crisis rather than outside of it. Drawing on utopia…
Audiovisual fiction and democracy
Polarisation and an increased blending of politics and fiction in various media outlets makes audiovisual storytelling and politics increasingly intertwined. This article presents the first systematic literature review of what we know about the relationship between audiovisual fiction and democracy. We investigate how articles conceptualise 1)democracy and 2) the relationships between politics, fiction, and audiences. Wefind that most articles im…
Stretching authenticity in times of restricted mobility
The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality TV, documentary and authenticity, the study…
Television in and After the Archive
This editorial essay introduces the VIEW Journal of European Television History and Culture Special Issue on how algorithmic curation mediates archival practices and influences the management, preservation and accessibility of television content. Within this scope, it examines the evolving role of television archiving in the shaping of audiovisual culture against the backdrop of significant advancements in media technologies and infrastructures. …
Greek Film Noir
Investigates how film noir has been received, adapted and developed in Greece, from the 1940s to the present Traces the evolution of a scholarly neglected – in the Greek context – film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the fi…
Farmer Wants a (Swedish) Wife
In this article we discuss discourses of white mobility in reality television, a genre whose problematic post-racial and neoliberal discourses have long been exposed. Moving beyond the widely researched Anglophone media landscapes, we interrogate the discursive construction of white mobilities in the Swedish romance reality show Bonde Söker Fru – Jorden Runt (TV4, 2019–2020) [Farmer Seeks Wife – Around the World] where Swedish North-to-South migr…
Making television fiction in a commercial context
This article draws from interviews with creators of television fiction (directors and screenwriters) with professional experience in Greek private television and examines how and why fiction programmes are produced in a commercial context. By focusing on the first decade of private television in Greece, an era popularly remembered as the ‘golden age of Greek television’, this study makes use of accounts from ‘exclusive informants’ in order to com…
Greek screen industries
This introductory article to the Special Issue ‘Greek Screen Industries’ of the Journal of Greek Media and Culture offers a critical overview of the recently emerging field of Media Industry Studies and situates existing work on Greek screen industries in its context. It argues that the current fragmentation and lack of dialogue between social sciences and arts and humanities approaches on the topic is particularly marked in the Greek context, a …
In search of the Greek television author
The process of mapping a national television landscape can take many different directions and require multiple strategies if it is to secure visibility for media cultures and products that are neither easily accessed by foreign audiences nor immediately attractive to scholars.1 The academic study of Greek television now appears to be gaining momentum, ‘benefiting’ from unprecedented conditions resulting from changes to the country’s general media…
Television Drama in Israel
Television Drama in Israel: Identities in Post-TV Culture by Itay Harlap activates a national lens on the study of television drama, shedding light on a non-Anglophone media culture which, however
Domesticating pathogenies, evaluating change
This article investigates how the Eurozone crisis is thematically negotiated in a popular Greek television comedy. Inspired by the increasing interest in the ideological role of news media during the Eurozone crisis of the late 2000s, it turns the spotlight on the sphere of entertainment in an attempt to address the importance of fictional mediations and meaning-making processes. To that end, it proposes an understanding of television fiction as …
The academic study of Greek television
Laughing with / at the national self
This study engages with the cultural consequences of the self-disparaging politics of television satire. It focuses on an emblematic program of Greek television fiction, Oi Afthairetoi (MEGA channel, 1989–1991) and the ways it both constructs and ridicules a particular version of the Greek self, the “Neoellinas”. By proposing a wider understanding of the political side-effects of television satire, which have so far been mainly addressed within t…
Laughing with / at the national self
This study engages with the cultural consequences of the self-disparaging politics of television satire. It focuses on an emblematic program of Greek television fiction, Oi Afthairetoi (MEGA channel, 1989–1991) and the ways it both constructs and ridicules a particular version of the Greek self, the “Neoellinas”. By proposing a wider understanding of the political side-effects of television satire, which have so far been mainly addressed within t…
Television Drama in Israel
Television Drama in Israel: Identities in Post-TV Culture by Itay Harlap activates a national lens on the study of television drama, shedding light on a non-Anglophone media culture which, however
Laughing with / at the national self
This study engages with the cultural consequences of the self-disparaging politics of television satire. It focuses on an emblematic program of Greek television fiction, Oi Afthairetoi (MEGA channel, 1989–1991) and the ways it both constructs and ridicules a particular version of the Greek self, the “Neoellinas”. By proposing a wider understanding of the political side-effects of television satire, which have so far been mainly addressed within t…
Domesticating pathogenies, evaluating change
This article investigates how the Eurozone crisis is thematically negotiated in a popular Greek television comedy. Inspired by the increasing interest in the ideological role of news media during the Eurozone crisis of the late 2000s, it turns the spotlight on the sphere of entertainment in an attempt to address the importance of fictional mediations and meaning-making processes. To that end, it proposes an understanding of television fiction as …
The academic study of Greek television
Television Drama in Israel
Television Drama in Israel: Identities in Post-TV Culture by Itay Harlap activates a national lens on the study of television drama, shedding light on a non-Anglophone media culture which, however
Making television fiction in a commercial context
This article draws from interviews with creators of television fiction (directors and screenwriters) with professional experience in Greek private television and examines how and why fiction programmes are produced in a commercial context. By focusing on the first decade of private television in Greece, an era popularly remembered as the ‘golden age of Greek television’, this study makes use of accounts from ‘exclusive informants’ in order to com…
Greek screen industries
This introductory article to the Special Issue ‘Greek Screen Industries’ of the Journal of Greek Media and Culture offers a critical overview of the recently emerging field of Media Industry Studies and situates existing work on Greek screen industries in its context. It argues that the current fragmentation and lack of dialogue between social sciences and arts and humanities approaches on the topic is particularly marked in the Greek context, a …
In search of the Greek television author
The process of mapping a national television landscape can take many different directions and require multiple strategies if it is to secure visibility for media cultures and products that are neither easily accessed by foreign audiences nor immediately attractive to scholars.1 The academic study of Greek television now appears to be gaining momentum, ‘benefiting’ from unprecedented conditions resulting from changes to the country’s general media…
Farmer Wants a (Swedish) Wife
In this article we discuss discourses of white mobility in reality television, a genre whose problematic post-racial and neoliberal discourses have long been exposed. Moving beyond the widely researched Anglophone media landscapes, we interrogate the discursive construction of white mobilities in the Swedish romance reality show Bonde Söker Fru – Jorden Runt (TV4, 2019–2020) [Farmer Seeks Wife – Around the World] where Swedish North-to-South migr…
Greek Film Noir
Investigates how film noir has been received, adapted and developed in Greece, from the 1940s to the present Traces the evolution of a scholarly neglected – in the Greek context – film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the fi…
Television in and After the Archive
This editorial essay introduces the VIEW Journal of European Television History and Culture Special Issue on how algorithmic curation mediates archival practices and influences the management, preservation and accessibility of television content. Within this scope, it examines the evolving role of television archiving in the shaping of audiovisual culture against the backdrop of significant advancements in media technologies and infrastructures. …
Audiovisual fiction and democracy
Polarisation and an increased blending of politics and fiction in various media outlets makes audiovisual storytelling and politics increasingly intertwined. This article presents the first systematic literature review of what we know about the relationship between audiovisual fiction and democracy. We investigate how articles conceptualise 1)democracy and 2) the relationships between politics, fiction, and audiences. Wefind that most articles im…
Stretching authenticity in times of restricted mobility
The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality TV, documentary and authenticity, the study…
Digital Geographies of Hope
This thematic issue advances digital geographies of hope as a lens for examining how possibilities for action, connection, and alternative futures take shape in a deeply datafied and platformized world. While critical scholarship has documented extraction, surveillance, bordering, and algorithmic injustice, the contributions foreground hope as situated, relational, and contested, emerging within crisis rather than outside of it. Drawing on utopia…
Art (9 obras) · Media studies (9 obras) · Sociology (9 obras) · Political science (8 obras) · Law (7 obras) · Literature (7 obras) · Contemporary and Historical Greek Studies (6 obras) · Politics (6 obras) · Aesthetics (5 obras) · History (5 obras)