Rand Hazou
Datos Biográficos
| ID | 3063593 |
|---|---|
| NOMBRE | Rand Hazou |
| NOMBRES | Rand |
| APELLIDO | Hazou |
| FIRMA | HAZOU R |
| AFILIACIONES | Massey University |
| ORCID | 0000-0002-8753-072X |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2008 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Linking Wage to Well-Being
Humanitarian Work Psychology (HWP) has challenged historical claims that wage and wellbeing are barely connected. Contradicting SDGs 1, 3, 8, and 10, earlier research prioritized middle-class samples (for whom wage was less salient) and assumed linearity (instead of actually curvilinear poverty traps). Nonetheless, even in HWP research, the wage–wellbeing connection has remained modest. Has HWP overlooked a crucial, proximal mediator between wage…
Unshackling the Body, Mind, and Spirit
This article explores a creative project entitled Performing Liberation which sought to empower communities with direct experience of incarceration to create and share creative work as part of transnational dialogue. One of the aims of the project was to facilitate creative dialogue and exchange between two incarcerated communities: prisoners at Auckland Prison and prisoners at San Quentin Prison in San Francisco. Written using autoethnographic m…
Weaving together
In 2017, as part of a restructuring of the Bachelor of Arts degree, Massey University introduced the compulsory second-year citizenship course Tū Rangaranga: Global Encounters. Tū Rangaranga is a Māori word meaning to weave together or establish connections. The course explores citizenship from a global perspective with a focus on rights and responsibilities. In the course, students are encouraged both to reflect on the multiple factors shaping t…
Carcerality, theatre, rights
Threatened with ever-increasing levels of surveillance and confinement, this special issue attempts to extend the discussion of Prison Theatre to consider ‘carcerality’ as a pervasive neoliberal strategy. The issue aims to steer the discussion away from considerations of utility and the aesthetics of redemption, towards understandings of the arts in carceral spaces as a fundamental human right. What role can theatre and performance play in highli…
Performing Te Whare Tapa Whā
Ngā Pātū Kōrero: Walls That Talk (2019) is a documentary theatre production staged by incarcerated men at Unit 8 Te Piriti at Auckland Prison in Aotearoa New Zealand. The performance was built around Te Whare Tapa Whā (The House of Four Sides) – a model of Māori health that participants engaged with as part of their therapy for being convicted of sex offences. This article discusses the use of masks in performance and the significance of Te Whare…
Decoloniality and Contemporary Asian Theatre in New Zealand
This essay explores three examples of contemporary Asian theatre in New Zealand: Renee Liang’s opera The Bone Feeder (2017), Mei-Lin Te Puea Hansen’s The Mooncake and the Kumara (2015), and Alice Canton’s OTHER [chinese] (2017). Enlisting a decolonial approach in its analysis, the essay explores how these recent theatre examples challenge constructions of white settler colonialism by imagining and representing different relationships between Chin…
The Freedom Theatre
Reviewed by: The Freedom Theatre: Performing Cultural Resistance in Palestine ed. by Ola Johansson and Johanna Wallin Rand T. Hazou THE FREEDOM THEATRE: PERFORMING CULTURAL RESISTANCE IN PALESTINE. Edited by Ola Johansson and Johanna Wallin. New Delhi: LeftWord Books, 2018; n.p. The Freedom Theatre (TFT) was established in the Jenin refugee camp in the Palestinian Occupied West Bank in 2006. In 2011, cofounder Juliano Mer-Khamis was assassinated …
Performing manaaki and New Zealand refugee theatre
In September 2015, and in response to the Syrian refugee crisis, there were widespread calls in New Zealand urging the Government to raise its annual Refugee Quota. Māori Party co-leader Marama Fox argued that New Zealand could afford to take on more refugees as part of its global citizenship and suggested that New Zealand’s policy might be shaped by manaaki. The Māori concept of manaaki is most often translated as hospitality, care-giving, and c…
E(Lab)orating performance
E(Lab)orating Performance is a transnational collaborative teaching and learning project involving Massey University (New Zealand), University of Cape Town (South Africa), UWC Mahindra College (India), and University of the Witwatersrand (South Africa). The project was devised to facilitate creative engagements between students and educators in theatre and performance classrooms at the participating institutions. By using online platforms to crea…
Dreaming of Shakespeare in Palestine
In September 2011, I travelled to the Palestinian Occupied Territories to participate in an internship with the Al Kasaba Theatre in Ramallah. As part of my internship I was invited to attend rehearsals of A Midsummer Night's Dream with students of the Drama Academy Ramallah. Directed by Samer Al-Saber, with movement and choreography by Petra Barghouthi, the production premiered as a work in progress in Palestine before touring to Essen, Germany,…
Refugitive and the theatre of dys-appearance
This paper focuses on issues of embodiment specific to the experiences of an asylum seeker represented in the play Refugitive (2003). The play was written and performed by Shahin Shafaei, an Iranian asylum seeker who spent a period of 22 months in an Australian detention centre. The narrative of the play emerges through a conversation between the hunger-striking protagonist and his hungry belly. The unfolding narrative suggests an asylum seeker e…
Dreaming of Shakespeare in Palestine
In September 2011, I travelled to the Palestinian Occupied Territories to participate in an internship with the Al Kasaba Theatre in Ramallah. As part of my internship I was invited to attend rehearsals of A Midsummer Night's Dream with students of the Drama Academy Ramallah. Directed by Samer Al-Saber, with movement and choreography by Petra Barghouthi, the production premiered as a work in progress in Palestine before touring to Essen, Germany,…
Refugitive and the theatre of dys-appearance
This paper focuses on issues of embodiment specific to the experiences of an asylum seeker represented in the play Refugitive (2003). The play was written and performed by Shahin Shafaei, an Iranian asylum seeker who spent a period of 22 months in an Australian detention centre. The narrative of the play emerges through a conversation between the hunger-striking protagonist and his hungry belly. The unfolding narrative suggests an asylum seeker e…
E(Lab)orating performance
E(Lab)orating Performance is a transnational collaborative teaching and learning project involving Massey University (New Zealand), University of Cape Town (South Africa), UWC Mahindra College (India), and University of the Witwatersrand (South Africa). The project was devised to facilitate creative engagements between students and educators in theatre and performance classrooms at the participating institutions. By using online platforms to crea…
Dreaming of Shakespeare in Palestine
In September 2011, I travelled to the Palestinian Occupied Territories to participate in an internship with the Al Kasaba Theatre in Ramallah. As part of my internship I was invited to attend rehearsals of A Midsummer Night's Dream with students of the Drama Academy Ramallah. Directed by Samer Al-Saber, with movement and choreography by Petra Barghouthi, the production premiered as a work in progress in Palestine before touring to Essen, Germany,…
Performing manaaki and New Zealand refugee theatre
In September 2015, and in response to the Syrian refugee crisis, there were widespread calls in New Zealand urging the Government to raise its annual Refugee Quota. Māori Party co-leader Marama Fox argued that New Zealand could afford to take on more refugees as part of its global citizenship and suggested that New Zealand’s policy might be shaped by manaaki. The Māori concept of manaaki is most often translated as hospitality, care-giving, and c…
The Freedom Theatre
Reviewed by: The Freedom Theatre: Performing Cultural Resistance in Palestine ed. by Ola Johansson and Johanna Wallin Rand T. Hazou THE FREEDOM THEATRE: PERFORMING CULTURAL RESISTANCE IN PALESTINE. Edited by Ola Johansson and Johanna Wallin. New Delhi: LeftWord Books, 2018; n.p. The Freedom Theatre (TFT) was established in the Jenin refugee camp in the Palestinian Occupied West Bank in 2006. In 2011, cofounder Juliano Mer-Khamis was assassinated …
Decoloniality and Contemporary Asian Theatre in New Zealand
This essay explores three examples of contemporary Asian theatre in New Zealand: Renee Liang’s opera The Bone Feeder (2017), Mei-Lin Te Puea Hansen’s The Mooncake and the Kumara (2015), and Alice Canton’s OTHER [chinese] (2017). Enlisting a decolonial approach in its analysis, the essay explores how these recent theatre examples challenge constructions of white settler colonialism by imagining and representing different relationships between Chin…
Carcerality, theatre, rights
Threatened with ever-increasing levels of surveillance and confinement, this special issue attempts to extend the discussion of Prison Theatre to consider ‘carcerality’ as a pervasive neoliberal strategy. The issue aims to steer the discussion away from considerations of utility and the aesthetics of redemption, towards understandings of the arts in carceral spaces as a fundamental human right. What role can theatre and performance play in highli…
Performing Te Whare Tapa Whā
Ngā Pātū Kōrero: Walls That Talk (2019) is a documentary theatre production staged by incarcerated men at Unit 8 Te Piriti at Auckland Prison in Aotearoa New Zealand. The performance was built around Te Whare Tapa Whā (The House of Four Sides) – a model of Māori health that participants engaged with as part of their therapy for being convicted of sex offences. This article discusses the use of masks in performance and the significance of Te Whare…
Unshackling the Body, Mind, and Spirit
This article explores a creative project entitled Performing Liberation which sought to empower communities with direct experience of incarceration to create and share creative work as part of transnational dialogue. One of the aims of the project was to facilitate creative dialogue and exchange between two incarcerated communities: prisoners at Auckland Prison and prisoners at San Quentin Prison in San Francisco. Written using autoethnographic m…
Weaving together
In 2017, as part of a restructuring of the Bachelor of Arts degree, Massey University introduced the compulsory second-year citizenship course Tū Rangaranga: Global Encounters. Tū Rangaranga is a Māori word meaning to weave together or establish connections. The course explores citizenship from a global perspective with a focus on rights and responsibilities. In the course, students are encouraged both to reflect on the multiple factors shaping t…
Linking Wage to Well-Being
Humanitarian Work Psychology (HWP) has challenged historical claims that wage and wellbeing are barely connected. Contradicting SDGs 1, 3, 8, and 10, earlier research prioritized middle-class samples (for whom wage was less salient) and assumed linearity (instead of actually curvilinear poverty traps). Nonetheless, even in HWP research, the wage–wellbeing connection has remained modest. Has HWP overlooked a crucial, proximal mediator between wage…
Sociology (10 obras) · Political science (8 obras) · Law (7 obras) · Art (6 obras) · Gender Studies (6 obras) · History (6 obras) · History (5 obras) · Law (5 obras) · Theatre and Performance Studies (5 obras) · Criminology (4 obras)