Edward T Cone
Datos Biográficos
| ID | 306728 |
|---|---|
| NOMBRE | Edward T Cone |
| NOMBRES | Edward T |
| APELLIDO | Cone |
| FIRMA | CONE E T |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1975 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2009 |
| ÍNDICE H | 1 |
Hearing and Knowing Music
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musica…
Duo for Violin and 'Cello
On Derivation
All of us know what we mean, or think we know what we mean, when we say that one musical passage is derived from another; yet we may find it hard to come up with a precise definition that will fit all those cases that we consider examples of derivation, and only those cases. I have previously suggested the following formulation: y is derived from x (y<-x), or, to use the active voice, x generates y (x--y), if y resembles x and y follows x' either…
In Defense of Song
Hearing and Knowing Music
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musica…
On Derivation
All of us know what we mean, or think we know what we mean, when we say that one musical passage is derived from another; yet we may find it hard to come up with a precise definition that will fit all those cases that we consider examples of derivation, and only those cases. I have previously suggested the following formulation: y is derived from x (y<-x), or, to use the active voice, x generates y (x--y), if y resembles x and y follows x' either…
In Defense of Song
On Derivation
All of us know what we mean, or think we know what we mean, when we say that one musical passage is derived from another; yet we may find it hard to come up with a precise definition that will fit all those cases that we consider examples of derivation, and only those cases. I have previously suggested the following formulation: y is derived from x (y<-x), or, to use the active voice, x generates y (x--y), if y resembles x and y follows x' either…
Duo for Violin and 'Cello
Hearing and Knowing Music
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musica…
Computer Science (3 obras) · Art (2 obras) · Art history (2 obras) · Music and Audio Processing (2 obras) · Musicology and Musical Analysis (2 obras) · Cello (1 obras) · Diverse Music Education Insights (1 obras) · Diverse Musicological Studies (1 obras) · Download (1 obras) · History (1 obras)