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David H Slavin

Datos Biográficos

ID3090613
NOMBREDavid H Slavin
NOMBRESDavid H
APELLIDOSlavin
FIRMASLAVIN D H
VERIFICADONo
TOTAL DE OBRAS3
TOTAL DE CITAS11
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1991
AÑO MÁS RECIENTE DE PUBLICACIÓN1998
ÍNDICE H3
  • French Colonial Film before and after Itto

    David H Slavin•ARTICLE•French Historical Studies•1998•Citada por: 4

    French cinema's wave washed over the colonies as well as the metropole, and filmmakers were soon carting their cameras off to remote corners of the empire to record exotic habitats and peoples for display to audiences at home. Colonial staffs and film crews cooperated in making the documentaries, gravitating toward each other as cobearers of the civilizing mission. Narrative fictional film shot on location in the colonies, cinema's other first wa…

  • French Cinema's Other First Wave

    David H Slavin•ARTICLE•Cinema Journal•1997•Citada por: 4

    The French colonial lobby took an early interest in film and grasped its efficacy as a means of stimulating popular support for the Empire. Documentary travelogues gave way to narrative film in the 1920s; the stunning box office success of L'Atlantide (1921), made filming in exotic locales de rigueur for ambitious directors. In the popular imagination, Morocco and the Sahara, l'extreme Sud d'Alg6rie, remained wild, insecure, and untamed. In fact,…

  • The French Left and the Rif War, 1924-25

    Open Access•David H Slavin•ARTICLE•Journal of Contemporary History•1991•Citada por: 3•Referencias: 1

    In July 1921, a well-organized militia of Riffian Berbers attacked an invading Spanish army at the hamlet of Anual in north-eastern Morocco. Taking the Spaniards by surprise, they killed 8,000 Spanish soldiers in a week and dealt a stunning blow to Spain's decade-long effort to turn northern Morocco into a Spanish colony. After this initial victory, the Riffian leader Abd el-Krim organized a regular army, recruited guerrilla auxiliaries, founded …

  • French Colonial Film before and after Itto

    David H Slavin•ARTICLE•French Historical Studies•1998•Citada por: 4

    French cinema's wave washed over the colonies as well as the metropole, and filmmakers were soon carting their cameras off to remote corners of the empire to record exotic habitats and peoples for display to audiences at home. Colonial staffs and film crews cooperated in making the documentaries, gravitating toward each other as cobearers of the civilizing mission. Narrative fictional film shot on location in the colonies, cinema's other first wa…

  • French Cinema's Other First Wave

    David H Slavin•ARTICLE•Cinema Journal•1997•Citada por: 4

    The French colonial lobby took an early interest in film and grasped its efficacy as a means of stimulating popular support for the Empire. Documentary travelogues gave way to narrative film in the 1920s; the stunning box office success of L'Atlantide (1921), made filming in exotic locales de rigueur for ambitious directors. In the popular imagination, Morocco and the Sahara, l'extreme Sud d'Alg6rie, remained wild, insecure, and untamed. In fact,…

  • The French Left and the Rif War, 1924-25

    Open Access•David H Slavin•ARTICLE•Journal of Contemporary History•1991•Citada por: 3•Referencias: 1

    In July 1921, a well-organized militia of Riffian Berbers attacked an invading Spanish army at the hamlet of Anual in north-eastern Morocco. Taking the Spaniards by surprise, they killed 8,000 Spanish soldiers in a week and dealt a stunning blow to Spain's decade-long effort to turn northern Morocco into a Spanish colony. After this initial victory, the Riffian leader Abd el-Krim organized a regular army, recruited guerrilla auxiliaries, founded …

  • The French Left and the Rif War, 1924-25

    Open Access•David H Slavin•ARTICLE•Journal of Contemporary History•1991•Citada por: 3•Referencias: 1

    In July 1921, a well-organized militia of Riffian Berbers attacked an invading Spanish army at the hamlet of Anual in north-eastern Morocco. Taking the Spaniards by surprise, they killed 8,000 Spanish soldiers in a week and dealt a stunning blow to Spain's decade-long effort to turn northern Morocco into a Spanish colony. After this initial victory, the Riffian leader Abd el-Krim organized a regular army, recruited guerrilla auxiliaries, founded …

  • French Cinema's Other First Wave

    David H Slavin•ARTICLE•Cinema Journal•1997•Citada por: 4

    The French colonial lobby took an early interest in film and grasped its efficacy as a means of stimulating popular support for the Empire. Documentary travelogues gave way to narrative film in the 1920s; the stunning box office success of L'Atlantide (1921), made filming in exotic locales de rigueur for ambitious directors. In the popular imagination, Morocco and the Sahara, l'extreme Sud d'Alg6rie, remained wild, insecure, and untamed. In fact,…

  • French Colonial Film before and after Itto

    David H Slavin•ARTICLE•French Historical Studies•1998•Citada por: 4

    French cinema's wave washed over the colonies as well as the metropole, and filmmakers were soon carting their cameras off to remote corners of the empire to record exotic habitats and peoples for display to audiences at home. Colonial staffs and film crews cooperated in making the documentaries, gravitating toward each other as cobearers of the civilizing mission. Narrative fictional film shot on location in the colonies, cinema's other first wa…

African history and culture studies (3 obras) · Archaeology (3 obras) · History (3 obras) · History (3 obras) · Colonialism (2 obras) · Law (2 obras) · Law (2 obras) · North African History and Literature (2 obras) · Political science (2 obras) · Politics (2 obras)

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