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Sianne Ngai

Datos Biográficos

ID311454
NOMBRESianne Ngai
NOMBRESSianne
APELLIDONgai
FIRMANGAI S
AFILIACIONESService de Santé de la Jeunesse
VERIFICADONo
TOTAL DE OBRAS16
TOTAL DE CITAS115
TOTAL COMO AUTOR15
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1974
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H5
  • Introduction au mignon, au zinzin et à l'intéressant

    Sianne Ngai, Sara Alonso Gómez•ARTICLE•Multitudes•2023

    Sara Alonso Gomez présente le début de sa traduction du livre de Sianne Ngai sur les catégories esthétiques. Trois nouvelles catégories semblent nécessaires à côté du sublime et du beau, pour rendre compte de la manière dont les expériences privées façonnent les discours esthétiques : le mignon qui renvoie à Adorno et à la consommation, le zinzin qui renvoie à Nietzsche et à la production, l'intéressant qui renvoie à Frédéric Schlegel et à la cir…

  • Cute

    Sianne Ngai•BOOK•Cute•2022

  • Theory of the Gimmick

    Open Access•Sianne Ngai•BOOK•Theory of the Gimmick•2020

    Acclaimed critic Sianne Ngai theorizes the gimmick as an aesthetic category reflecting the fundamental laws of capitalism. Gimmicks make promises of saving labor and increasing value that we distrust but also find attractive. Exploring the use of this form, Ngai shows how its aesthetic dissatisfactions reflect deeper anxieties about capitalism

  • Theory of the Gimmick

    Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 9•Referencias: 1

    Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…

  • Comedy Has Issues

    Lauren Berlant, Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 55•Referencias: 4

    Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …

  • Visceral Abstractions

    Sianne Ngai•ARTICLE•GLQ A Journal of Lesbian and Gay…•2015•Citada por: 5

    This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…

  • Merely Interesting

    Sianne Ngai•ARTICLE•Critical Inquiry•2008•Citada por: 11•Referencias: 7

  • The Cuteness of the Avant-Garde

    Sianne Ngai•ARTICLE•Critical Inquiry•2005•Citada por: 30•Referencias: 3

  • Ugly Feelings

    Sianne Ngai•BOOK•Ugly Feelings•2004

    Ngai mobilizes the aesthetics of unprestigious negative affects such as irritation, envy, and disgust to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism.

  • A Foul Lump Started Making Promises in My Voice

    Sianne Ngai•ARTICLE•American Literature•2002•Citada por: 2

    American Literature - Volume 74, Number 3, September 2002

  • Bad Timing (A Sequel). Paranoia, Feminism, and Poetry

    Sianne Ngai•ARTICLE•differences•2001

    differences: A Journal of Feminist Cultural Studies - Volume 12, Number 2, Summer 2001

  • Moody Subjects Projectile Objects

    Sianne Ngai•ARTICLE•Qui Parle•2001

    Research Article| December 01 2001 Moody Subjects Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock, Heidegger, and Melville Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 15–55. https://doi.org/10.1215/quiparle.12.2.15 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools…

  • Jealous Schoolgirls, Single White Females, and Other Bad Examples

    Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•2001•Citada por: 1•Referencias: 5

  • Stuplimity

    Open Access•Sianne Ngai•ARTICLE•Postmodern Culture•2000

    Postmodern Culture - Volume 10, Number 2, January 2000

  • How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman

    Aviva Briefel, Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•1996•Citada por: 2

    Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…

  • Marxism and Form

    Fredric Jameson, Sianne Ngai•BOOK•Marxism and Form•1974

  • Comedy Has Issues

    Lauren Berlant, Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 55•Referencias: 4

    Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …

  • The Cuteness of the Avant-Garde

    Sianne Ngai•ARTICLE•Critical Inquiry•2005•Citada por: 30•Referencias: 3

  • Merely Interesting

    Sianne Ngai•ARTICLE•Critical Inquiry•2008•Citada por: 11•Referencias: 7

  • Theory of the Gimmick

    Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 9•Referencias: 1

    Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…

  • Visceral Abstractions

    Sianne Ngai•ARTICLE•GLQ A Journal of Lesbian and Gay…•2015•Citada por: 5

    This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…

  • A Foul Lump Started Making Promises in My Voice

    Sianne Ngai•ARTICLE•American Literature•2002•Citada por: 2

    American Literature - Volume 74, Number 3, September 2002

  • How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman

    Aviva Briefel, Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•1996•Citada por: 2

    Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…

  • Jealous Schoolgirls, Single White Females, and Other Bad Examples

    Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•2001•Citada por: 1•Referencias: 5

  • Marxism and Form

    Fredric Jameson, Sianne Ngai•BOOK•Marxism and Form•1974

  • How much did you pay for this place?” Fear, Entitlement, and Urban Space in Bernard Rose's Candyman

    Aviva Briefel, Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•1996•Citada por: 2

    Research Article| January 01 1996 "How much did you pay for this place?" Fear, Entitlement, and Urban Space in Bernard Rose's Candyman Aviva Briefel; Aviva Briefel Search for other works by this author on: This Site Google Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Camera Obscura (1996) 13 (1 (37)): 69–91. https://doi.org/10.1215/02705346-13-1_37-69 Cite Icon Cite Share Icon Share Twitter Permissions Search…

  • Stuplimity

    Open Access•Sianne Ngai•ARTICLE•Postmodern Culture•2000

    Postmodern Culture - Volume 10, Number 2, January 2000

  • Bad Timing (A Sequel). Paranoia, Feminism, and Poetry

    Sianne Ngai•ARTICLE•differences•2001

    differences: A Journal of Feminist Cultural Studies - Volume 12, Number 2, Summer 2001

  • Moody Subjects Projectile Objects

    Sianne Ngai•ARTICLE•Qui Parle•2001

    Research Article| December 01 2001 Moody Subjects Projectile Objects: Anxiety and Intellectual Displacement in Hitchcock, Heidegger, and Melville Sianne Ngai Sianne Ngai Search for other works by this author on: This Site Google Qui Parle (2001) 12 (2): 15–55. https://doi.org/10.1215/quiparle.12.2.15 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools…

  • Jealous Schoolgirls, Single White Females, and Other Bad Examples

    Sianne Ngai•ARTICLE•Camera Obscura Feminism Culture…•2001•Citada por: 1•Referencias: 5

  • A Foul Lump Started Making Promises in My Voice

    Sianne Ngai•ARTICLE•American Literature•2002•Citada por: 2

    American Literature - Volume 74, Number 3, September 2002

  • Ugly Feelings

    Sianne Ngai•BOOK•Ugly Feelings•2004

    Ngai mobilizes the aesthetics of unprestigious negative affects such as irritation, envy, and disgust to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism.

  • The Cuteness of the Avant-Garde

    Sianne Ngai•ARTICLE•Critical Inquiry•2005•Citada por: 30•Referencias: 3

  • Merely Interesting

    Sianne Ngai•ARTICLE•Critical Inquiry•2008•Citada por: 11•Referencias: 7

  • Visceral Abstractions

    Sianne Ngai•ARTICLE•GLQ A Journal of Lesbian and Gay…•2015•Citada por: 5

    This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the "soldier's body" qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012). It argues that both Marx and Halpern rely on catachresis, a trope of "necessary and forced usage," to represent the material, synthetic effects of social abstraction…

  • Theory of the Gimmick

    Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 9•Referencias: 1

    Previous articleNext article FreeTheory of the GimmickSianne NgaiSianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore1. Labor-Saving DeviceWhat are we as subjects of capitalist lifeworlds implicitly saying when we call something a gimmick, regardless of the inevitably varying objects to which the evaluation is applied and varying identit…

  • Comedy Has Issues

    Lauren Berlant, Sianne Ngai•ARTICLE•Critical Inquiry•2017•Citada por: 55•Referencias: 4

    Previous articleNext article FreeComedy Has IssuesLauren Berlant and Sianne NgaiLauren Berlant and Sianne NgaiPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMorePermanent CarnivalComedy's pleasure comes in part from its ability to dispel anxiety, as so many of its theoreticians have noted, but it doesn't simply do that.1 As both an aesthetic mode …

  • Theory of the Gimmick

    Open Access•Sianne Ngai•BOOK•Theory of the Gimmick•2020

    Acclaimed critic Sianne Ngai theorizes the gimmick as an aesthetic category reflecting the fundamental laws of capitalism. Gimmicks make promises of saving labor and increasing value that we distrust but also find attractive. Exploring the use of this form, Ngai shows how its aesthetic dissatisfactions reflect deeper anxieties about capitalism

  • Cute

    Sianne Ngai•BOOK•Cute•2022

  • Introduction au mignon, au zinzin et à l'intéressant

    Sianne Ngai, Sara Alonso Gómez•ARTICLE•Multitudes•2023

    Sara Alonso Gomez présente le début de sa traduction du livre de Sianne Ngai sur les catégories esthétiques. Trois nouvelles catégories semblent nécessaires à côté du sublime et du beau, pour rendre compte de la manière dont les expériences privées façonnent les discours esthétiques : le mignon qui renvoie à Adorno et à la consommation, le zinzin qui renvoie à Nietzsche et à la production, l'intéressant qui renvoie à Frédéric Schlegel et à la cir…

Art (11 obras) · Computer Science (6 obras) · Psychology (6 obras) · Cinema and Media Studies (5 obras) · Literature (5 obras) · Philosophy (5 obras) · Aesthetics (4 obras) · Philosophy (4 obras) · Psychoanalysis (4 obras) · Sociology (4 obras)

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