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Geoffrey H Hartman

Datos Biográficos

ID316574
NOMBREGeoffrey H Hartman
NOMBRESGeoffrey H
APELLIDOHartman
FIRMAHARTMAN G H
AFILIACIONESYale University
VERIFICADONo
TOTAL DE OBRAS54
TOTAL DE CITAS103
TOTAL COMO AUTOR54
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1955
AÑO MÁS RECIENTE DE PUBLICACIÓN2013
ÍNDICE H4
  • Theology and the Imagination

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•The Jewish Quarterly Review•2013

    Levinas has said that Judaism is a religion for adults. He said this not to disparage other religions but in the context of valuing the Talmudic/midrashic mode of commentary and law-finding. In Midrash, he claims, reason recognizes itself. My argument here is that imagination too should recognize itself, in all religions. For illustration this essay chooses a basic theological constant, the story of Creation. It is my hope that when theology's im…

  • Psychoanalysis as a Cultural Ideal

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•American imago•2008

    The literary quality of Freud’s prose is generally acknowledged, and his case histories have the allure of novellas. The present essay explores what Freud himself, in a letter to Fliess, called “form feeling” ( Formgefühl ). Focusing mainly on his Gradiva commentary, the author argues that this form sensitivity has not only presentational importance but is deeply involved in the revisionary cultural aims of the new science of psychoanalysis. Freu…

  • Wandlung des kulturellen Gedächtnisses. Wordsworth als Balladenautor«

    Geoffrey H Hartman, Geoffrey Hartman•CHAPTER•Arbeit am Gedächtnis•2007

  • Homage toGlas

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Critical Inquiry•2007•Citada por: 1•Referencias: 1

  • The Passing of the Canon

    Geoffrey H Hartman, Geoffrey Hartman•CHAPTER•Pleasure and Change•2006

    This chapter focuses on the response of Geoffrey Hartman to Frank Kermode's lectures. Hartman questions the role of pleasure set forth by Kermode. He criticizes the use of the term pleasure as “problematic or abysmal” and “remains descriptively poor when thematized this way.” Hartmann then discusses his own interpretation of Wordsworth's “Resolution and Independence” and moves on to suggest that a way of approaching the discussion on canon format…

  • The Humanities of Testimony

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Poetics Today•2006•Citada por: 4

  • El comentario literario como literatura

    Open Access•Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Acta Poética•2005

    El comentario literario como literatura

  • The Power of Contestation

    Geoffrey H Hartman, Kevin Hart•BOOK•The power of contestation•2004

    "One of the first French intellectuals to take a systematic interest in questions of language and meaning, Maurice Blanchot (1907-2003) substantially influenced such thinkers as Deleuze, Foucault, Barthes, Levinas, and Derrida. Until recently, Blanchot's work remained largely unknown outside France, in part because of its complexity and in part because Blanchot shunned intellectual celebrity. Over the past decade, however, nearly all of Blanchot'…

  • The Geoffrey Hartman Reader

    Geoffrey H Hartman, Geoffrey Hartman et al.•BOOK•Geoffrey Hartman Reader•2004

    Winner of the 2006 Truman Capote Prize for Literary Achievement Geoffrey Hartman's interests range over almost the entire field of contemporary literature and culture. In this, the first Reader of his work, significant essays reflect his abiding interest in English and American poetry, focusing not only on Romanticism but also on the transition from early modern to modern and including reflections on the radical elements in artistic representatio…

  • Narrative and Beyond

    Geoffrey H Hartman•ARTICLE•Literature and medicine•2004

    In "Narrative and Beyond," a teacher, who has also been active setting up interviews with Holocaust survivors, reflects on the role literary study can play in fostering the listening process. While recognizing the difference between survivor interviews and specifically medical relationships, his essay argues for the personal as well as strictly medicinal benefit to both sides when life stories are elicited and an alliance is established in which …

  • ‘Language and Culture after the Holocaust’

    Geoffrey H Hartman•CHAPTER•Holocaust•2003

  • Witnessing Video Testimony

    Geoffrey H Hartman, Jennifer Ballengee et al.•ARTICLE•Yale journal of criticism/ The…•2001

    Geoffrey Hartman's role as co-founder of Yale University's Fortunoff Archive for Holocaust Testimonies and his continued involvement with the Archive have provided the catalyst for his work on video testimony. While such considerations may seem far from the studies of Wordsworth that marked the beginning of his career, an interest in vision and the visual, as well as a concern with literature and the aesthetic, manifests itself in both his early …

  • Criticism in the Wilderness

    Geoffrey H Hartman, Geoffrey Hartman•BOOK•Criticism in the Wilderness•1999

  • Benjamin in Hope

    Geoffrey H Hartman•ARTICLE•Critical Inquiry•1999•Citada por: 2

  • Learning from Survivors

    Geoffrey H Hartman•ARTICLE•Holocaust and Genocide Studies•1995•Citada por: 6

    The Fortunoff Video Archive for Holocaust Testimionies at Yale University, founded in 1981, is dedicated to recording the experiences of those who survived the Holocaust and of others not directly persecuted who witnessed aspects of the genocide. Videotaping in England, France, Belgium, Slovakia, Yugoslavia, Israel and Argentina as well as In the USA, the Yale Archive may be one of the largest audiovisual efforts of its kind, an “oral testimony” …

  • On Traumatic Knowledge and Literary Studies

    Geoffrey H Hartman•ARTICLE•New Literary History•1995•Citada por: 52•Referencias: 4

    On Traumatic Knowledge and Literary Studies Geoffrey H. Hartman (bio) I Both philosophical and linguistic skepticism, whether of the anarchic or the methodical kind, have challenged the possibility of certain knowledge. Trauma theory introduces a psychoanalytic skepticism as well, which does not give up on knowledge but suggests the existence of a traumatic kind, one that cannot be made entirely conscious, in the sense of being fully retrieved or…

  • Midrash as Law and Literature

    Geoffrey H Hartman•ARTICLE•The Journal of Religion•1994•Citada por: 2

  • Higher Education in the 1990s

    Geoffrey H Hartman•ARTICLE•New Literary History•1993•Citada por: 2

    SWANT TO DESCRIBE an important if obvious tension in the university today. The pressure to modify the openness of American society, coming from those who say that an unthinking or unrestricted cultural relativism will damage education and so jeopardize, if not the state directly then the quality of citizenship we bring to it, is countered by those who claim that this openness is either inadequate or a sham, and that racial, cultural, and genderba…

  • Shakespeare and the Question of Theory

    Michael Manheim, Patricia A Parker et al.•ARTICLE•South Atlantic Review•1989

  • Hartman's Contagious Orbit

    Alexander J Argyros, Alexander Argyros et al.•ARTICLE•diacritics•1987

  • Bitburg in Moral and Political Perspective

    Susan Derwin, Geoffrey H Hartman•ARTICLE•Modern Language Notes•1987

  • Midrash and Literature

    Adele Berlin, Geoffrey H Hartman et al.•ARTICLE•Journal of the American Oriental…•1987

  • Shakespeare and the Question of Theory

    B Mch, Patricia A Parker et al.•ARTICLE•Poetics Today•1987

    The theoretical ferment which has affected literary studies over the last decade has called into question traditional ways of thinking about, classifying and interpreting texts. Shakespeare has been not just the focus of a variety of divergent critical movements within recent years, but also increasingly the locus of emerging debates within, and with, theory itself. This collection of essays, written by distinguished and powerful critics in the f…

  • Midrash and Literature

    Martin Melaver, Geoffrey H Hartman et al.•ARTICLE•Poetics Today•1987

  • The gaze of Orpheus, and other literary essays

    Maurice Blanchot, Geoffrey H Hartman et al.

Siguiente
  • On Traumatic Knowledge and Literary Studies

    Geoffrey H Hartman•ARTICLE•New Literary History•1995•Citada por: 52•Referencias: 4

    On Traumatic Knowledge and Literary Studies Geoffrey H. Hartman (bio) I Both philosophical and linguistic skepticism, whether of the anarchic or the methodical kind, have challenged the possibility of certain knowledge. Trauma theory introduces a psychoanalytic skepticism as well, which does not give up on knowledge but suggests the existence of a traumatic kind, one that cannot be made entirely conscious, in the sense of being fully retrieved or…

  • Bitburg in Moral and Political Perspective

    Fritz Stern, Geoffrey H Hartman•ARTICLE•Foreign Affairs•1986•Citada por: 32

  • Learning from Survivors

    Geoffrey H Hartman•ARTICLE•Holocaust and Genocide Studies•1995•Citada por: 6

    The Fortunoff Video Archive for Holocaust Testimionies at Yale University, founded in 1981, is dedicated to recording the experiences of those who survived the Holocaust and of others not directly persecuted who witnessed aspects of the genocide. Videotaping in England, France, Belgium, Slovakia, Yugoslavia, Israel and Argentina as well as In the USA, the Yale Archive may be one of the largest audiovisual efforts of its kind, an “oral testimony” …

  • The Humanities of Testimony

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Poetics Today•2006•Citada por: 4

  • Benjamin in Hope

    Geoffrey H Hartman•ARTICLE•Critical Inquiry•1999•Citada por: 2

  • Midrash as Law and Literature

    Geoffrey H Hartman•ARTICLE•The Journal of Religion•1994•Citada por: 2

  • Higher Education in the 1990s

    Geoffrey H Hartman•ARTICLE•New Literary History•1993•Citada por: 2

    SWANT TO DESCRIBE an important if obvious tension in the university today. The pressure to modify the openness of American society, coming from those who say that an unthinking or unrestricted cultural relativism will damage education and so jeopardize, if not the state directly then the quality of citizenship we bring to it, is countered by those who claim that this openness is either inadequate or a sham, and that racial, cultural, and genderba…

  • Homage toGlas

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Critical Inquiry•2007•Citada por: 1•Referencias: 1

  • Wordsworth and Goethe in Literary History

    Geoffrey H Hartman, Donald G Marshall•ARTICLE•New Literary History•1975•Citada por: 1

    importance for the person we consider its principal founder. I may soon persecute you with a Psychology drawn from the poems of Ossian, Herder warns the reader in his letters on German Art published in I773-1 psychology he refers to is clearly what we now call historicism. The human race is destined to undergo a procession of scenes, of types of culture and manners: woe to the man who does not like his part in the drama in which he must act out a…

  • The Use and Abuse of Structural Analysis

    Geoffrey H Hartman•ARTICLE•New Literary History•1975•Citada por: 1

    There is a Yew-tree, pride of Lorton Vale, Which to this day stands single, in the midst Of its own darkness, as it stood of yore: Not loth to furnish weapons for the bands Of Umfraville or Percy ere they marched 5 To Scotland's heaths; or those that crossed the sea And drew their sounding bows at Azincour, Perhaps at earlier Crecy, or Poictiers. Of vast circumference and gloom profound This solitary Tree! a living thing 10 Produced too slowly ev…

  • The Fulness and Nothingness of Literature

    Geoffrey H Hartman•ARTICLE•Yale French Studies•1955

  • The Taming of History

    Geoffrey H Hartman•ARTICLE•Yale French Studies•1957

  • Milton's Counterplot

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•ELH•1958

  • Camus and Malraux

    Geoffrey H Hartman•ARTICLE•Yale French Studies•1960

  • Marvell, St. Paul, and the Body of Hope

    Geoffrey H Hartman•ARTICLE•ELH•1964

    Stanzas V and VI of The have become the cruxes of many contemporary interpretations of the poem.' Starting with an analysis of their difficulties, I would like to come to a more adequate reading of both The Garden and the Mower Poems. My first section will be a purely contextual study of V and VI, but I shall seek help, after that, from the relations of seventeenth-century poetry to religious thought and to emblem techniques. 1

  • Magnifying Wordsworth

    Robert Langbaum, Geoffrey H Hartman•ARTICLE•ELH•1966

  • Structuralism

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Yale French Studies•1966

  • Adam on the Grass with Balsamum

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•ELH•1969

    This is a curious first image. Reeking need not have the pejorative sense it bears today,2 but the picture of the sun feeding on man's sweat is startling enough. If it is a conceit on evaporation3 one wonders about the decorum of introducing it at a point which is the inaugural moment of human consciousness. If it stresses the place of the sun, its subordination to man who is the Heir of the World

  • History-Writing as Answerable Style

    Geoffrey H Hartman•ARTICLE•New Literary History•1970

    ALL MEN desire knowledge; but not the knowledge explosion. Knowledge may always have had mortal taste yet it used 1 to contain the promise of better position in the scale of being and surer sense of one's true or effective identity. But what if earth becomes an earth of ideas? The sea a metaphor for the multiplication of facts and sensations? What can soul desire, sitting unhappily on superstructures of explanation, poor bird, not knowing which w…

  • Athletic Criticism

    Philip E Lewis, Philip Lewis et al.•ARTICLE•diacritics•1971

  • War in Heaven

    Geoffrey H Hartman, Harold Bloom•ARTICLE•diacritics•1973

  • The Interpreter

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•New Literary History•1973

    ONFESSION. have a superiority complex vis-a-vis other critics, and an inferiority complex vis-a-vis art. The interpreter, molded on me, is an overgoer with pen-envy strong enough to compel him into the foolishness of print. His self-disgust is merely that of the artist, intensified. Joe, throw my book away. Sometimes his discontent with the secondary act of writing-with living in the reflective or imitative sphere-makes him privilege some primary…

  • Christopher Smart's Magnificat

    Geoffrey H Hartman•ARTICLE•ELH•1974

  • Wordsworth and Goethe in Literary History

    Geoffrey H Hartman, Donald G Marshall•ARTICLE•New Literary History•1975•Citada por: 1

    importance for the person we consider its principal founder. I may soon persecute you with a Psychology drawn from the poems of Ossian, Herder warns the reader in his letters on German Art published in I773-1 psychology he refers to is clearly what we now call historicism. The human race is destined to undergo a procession of scenes, of types of culture and manners: woe to the man who does not like his part in the drama in which he must act out a…

  • The Use and Abuse of Structural Analysis

    Geoffrey H Hartman•ARTICLE•New Literary History•1975•Citada por: 1

    There is a Yew-tree, pride of Lorton Vale, Which to this day stands single, in the midst Of its own darkness, as it stood of yore: Not loth to furnish weapons for the bands Of Umfraville or Percy ere they marched 5 To Scotland's heaths; or those that crossed the sea And drew their sounding bows at Azincour, Perhaps at earlier Crecy, or Poictiers. Of vast circumference and gloom profound This solitary Tree! a living thing 10 Produced too slowly ev…

  • Literary Criticism and Its Discontents

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Critical Inquiry•1976

  • The Concept of Character in Lawrence's First Play

    Geoffrey H Hartman•ARTICLE•The Bulletin of the Midwest…•1977

  • The Recognition Scene of Criticism

    Geoffrey H Hartman, Geoffrey Hartman•ARTICLE•Critical Inquiry•1977

  • A Short History of Practical Criticism

    Geoffrey H Hartman•ARTICLE•New Literary History•1979

    T HAT AT PRESENT preoccupies scholars and students in the / literary humanities is clear: the lack of interaction between v v their profession and the mainstream of society. Though this is a recurrent problem, I. A. Richards had thought to find a secure place for literary studies by denying the existence of a phantom aesthetic state and basing the critic's work on two pillars. two pillars upon which a theory of must rest are an account of value a…

  • Interview with Geoffrey Hartman, Yale University, March 19, 1979

    Robert Moynihan, Geoffrey H Hartman et al.•ARTICLE•boundary 2•1980

    Hartman: I'm not sure that I complain about it. I show that there is a difference of traditions, that in the case of Anglo-American criticism or style of thought as it has developed through the academy, there is a greater emphasis on a certain kind of pedagogical decorum. Whereas in Europe, although that is a large generalization, there seems to be more flexibility in terms of audience or style of thought. Clearly, there is a university style in …

  • Geoffrey Hartman, Geoffrey Hartman

    Daniel Hughes, Geoffrey H Hartman•ARTICLE•Modern Language Notes•1981

  • Saving the Text

    Gerald L Bruns, Geoffrey H Hartman et al.•ARTICLE•SubStance•1981

  • Criticism in the Wilderness

    Willis G Regier, Geoffrey H Hartman et al.•ARTICLE•SubStance•1981

  • Saving the Text

    William J Kennedy, Geoffrey H Hartman•ARTICLE•The German Quarterly•1982

  • Criticism in the Wilderness

    Robert Detweiler, Geoffrey H Hartman•ARTICLE•South Atlantic Review•1982

Art (39 obras) · History (26 obras) · Philosophy (26 obras) · Literature (19 obras) · Epistemology (11 obras) · Criticism (9 obras) · History (9 obras) · Philosophy (9 obras) · Sociology (9 obras) · Political science (8 obras)

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