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Linda Hutcheon

Datos Biográficos

ID328461
NOMBRELinda Hutcheon
NOMBRESLinda
APELLIDOHutcheon
FIRMAHUTCHEON L
AFILIACIONESUniversity of Toronto
ORCID0000-0002-1523-9394
VERIFICADOSí
TOTAL DE OBRAS41
TOTAL DE CITAS31
TOTAL COMO AUTOR41
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1983
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H3
  • Robert Sholl , Olivier Messiaen

    Linda Hutcheon, Michael Hutcheon•ARTICLE•French Studies•2025

  • “Something there is that doesn’t love a wall”

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Le Simplegadi•2023

    Quando una studiosa di teoria della letteratura e un medico collaborano per studiare l’opera, molti confini disciplinari devono essere negoziati. Guardando sia l’esperienza personale che la letteratura scientifica, questo articolo indaga il processo di tale collaborazione interdisciplinare ed esplora i suoi vantaggi e i suoi rischi

  • In Memoriam

    Open Access•Linda Hutcheon•ARTICLE•Revista Canadiense de Estudios…•2020

    Nota In Memoriam

  • Bodily Charm

    Linda Hutcheon, Michael Hutcheon et al.•ARTICLE•Mosaic•2017

    On 31 March 2001 at the Fort Garry Hotel in Winnipeg, Linda Hutcheon (LH) and Michael Hutcheon (MH) delivered the Sidney Warhaft Memorial Lecture “Staging the Visual Arts: The Operatic Gaze.” On the occasion of the Warhaft Lecture, Dawne McCance (DM) conducted an inter(re)view with the Hutcheons on their book Bodily Charm: Living Opera. This interview was originally published in the June 2002 issue of Mosaic (35.2)

  • Roundtable on Interdisciplinarity

    Sander L Gilman, Linda Hutcheon et al.•ARTICLE•Mosaic•2017

    The following roundtable discussion took place at the University of Queensland, Australia on 12 June 2001 as the concluding session of the No Sense of Discipline conference. The discussion brought together Mosaic Editor Dawne McCance (DM) with conference plenary speakers Sander Gilman (SG), Linda Hutcheon (LH), Michael Hutcheon (MH), and Helen Tiffin (HT). Mosaic is pleased to publish this roundtable discussion, which originally appeared in Mosai…

  • A crítica como réplica bakhtiniana

    Open Access•Linda Hutcheon•ARTICLE•Bakhtiniana Revista de Estudos do…•2016

    O artigo propõe uma leitura do trabalho do teórico pós-colonial Edward Said por meio de um olhar bakhtiniano. Ainda que Said e Bakhtin tenham se engajado de forma diferente na política de suas respectivas épocas e que tivessem ideias distintas sobre a relação entre ética e política, seus escritos abrangentes têm sido adaptados e suas ideias apropriadas por estudiosos em diferentes áreas - com frequência, as mesmas. Eles compartilharam a paixão pe…

  • The Inward Turn

    Linda Hutcheon, Michael Hutcheon•ARTICLE•Canadian Review of American Studies•2014•Referencias: 5

    Many modern American operas revisit canonical American literature (e.g., The Great Gatsby, A Streetcar Named Desire, Of Mice and Men, An American Tragedy, A View from a Bridge, Moby-Dick, McTeague, Margaret Garner) or base themselves on historical events, especially recent ones (e.g., X: The Life and Times of Malcolm X, Nixon in China, Dr. Atomic). However, what is striking is that the focus of the latter is most often on the remarkable or heroic…

  • A Theory of Adaptation

    Linda Hutcheon•BOOK•A theory of adaptation•2012

    A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussi…

  • Interdisciplinary Opera

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Journal of the Royal Musical…•2009

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Empty Cage

    Linda Hutcheon•ARTICLE•Comparative Literature Studies•2007

    Book Review| January 01 2007 The Empty Cage: Inquiry into the Mysterious Disappearance of the Author The Empty Cage: Inquiry into the Mysterious Disappearance of the AuthorBenedetti, Carla; Harley, William J. Linda Hutcheon Linda Hutcheon Search for other works by this author on: This Site Google Comparative Literature Studies (2007) 44 (3): 378–380. https://doi.org/10.2307/25659602 Cite Icon Cite Share Icon Share Twitter Permissions Search Site …

  • On the Origin of Adaptations

    Gary R Bortolotti, Linda Hutcheon•ARTICLE•New Literary History•2007•Citada por: 4

    Like that early evolutionary theory (though unlike Darwin himself), much work in literary adaptation today thinks only in terms of higher and lower forms, that is, considering adaptations as more or less "faithful" to the "original". In biology, it was only when this sort of evaluative discourse was discarded that new questions could be asked and therefore new answers offered. To that end, a biologist and a literary theorist work to develop the h…

  • A Theory of Adaptation

    Linda Hutcheon•BOOK•Theory of Adaptation•2006

  • Afterword

    Open Access•Linda Hutcheon•ARTICLE•Comparative Critical Studies•2006•Referencias: 1

  • Pastiche

    Linda Hutcheon•ARTICLE•Comparative Literature Studies•2005•Citada por: 2

    Book Review| January 01 2005 Pastiche: Cultural Memory in Art, Film, Literature Pastiche: Cultural Memory in Art, Film, LiteratureHoesterey, Ingeborg Linda Hutcheon Linda Hutcheon Search for other works by this author on: This Site Google Comparative Literature Studies (2005) 42 (2): 323–326. https://doi.org/10.2307/40247484 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Hutcheon; Pastiche: Cultural Memory in Art, …

  • The "Phenomenal Image" in Opera

    Linda Hutcheon, Michael Hutcheon•ARTICLE•South Atlantic Quarterly•2005

    Research Article| January 01 2005 The “Phenomenal Image” in Opera Linda Hutcheon; Linda Hutcheon Search for other works by this author on: This Site Google Michael Hutcheon Michael Hutcheon Search for other works by this author on: This Site Google South Atlantic Quarterly (2005) 104 (1): 63–77. https://doi.org/10.1215/00382876-104-1-63 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Linda Hutcheo…

  • On the art of adaptation

    Open Access•Linda Hutcheon•ARTICLE•Daedalus•2004

  • Irony's Edge

    Linda Hutcheon•BOOK•Irony's Edge•2003

    The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references fr…

  • The Politics of Postmodernism

    Linda Hutcheon•BOOK•Politics of Postmodernism•2003

    This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten…

  • A Poetics of Postmodernism

    Linda Hutcheon•BOOK•Poetics of Postmodernism•2003

    Postmodernisme membawa berbagai efek terhadap kehidupan. Salah satunya dalam karya sastra termasuk puisi. Dimulai dengan modernisme tahun 1960an. Buku ini berisi permasalahan sejarah postmodernisme dan kritik-kritik tentang postmodernisme terhadap puisi, juga model postmodernisme terhadap parodi dan politik. Selain memberikan fokus terhadap kesejarahan metafiksi.

  • Requiem for Edward Said

    Linda Hutcheon•ARTICLE•Comparative Studies of South Asia…•2003•Citada por: 1

    Research Article| August 01 2003 Requiem for Edward Said LINDA HUTCHEON LINDA HUTCHEON Search for other works by this author on: This Site Google Comparative Studies of South Asia, Africa and the Middle East (2003) 23 (1-2): 5. https://doi.org/10.1215/1089201X-23-1-2-5 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation LINDA HUTCHEON; Requiem for Edward Said. Comparative Studies of South Asia, Africa and the Middle East 1 Au…

  • Collaborative Circles

    Linda Hutcheon•REVIEW•Common Knowledge•2003•Citada por: 1

  • Rhetoric and Competition

    Linda Hutcheon•ARTICLE•Common Knowledge•2003

    Research Article| January 01 2003 Rhetoric and Competition: Academic Agonistics Linda Hutcheon Linda Hutcheon Search for other works by this author on: This Site Google Common Knowledge (2003) 9 (1): 42–49. https://doi.org/10.1215/0961754X-9-1-42 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Hutcheon; Rhetoric and Competition: Academic Agonistics. Common Knowledge 1 January 2003; 9 (1): 42–49. doi: https://doi.org…

  • O corpo perigoso

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Revista Estudos Feministas•2003•Citada por: 3•Referencias: 10

    A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto

  • The Politics of Postmodernism

    Linda Hutcheon, Hutcheon L Staff•BOOK•Politics of Postmodernism•2002

    Continuing the project begun in The Poetics of Postmodernism, Linda Hutcheon focuses on the politics of representation. Looking at both mass media and high art forms, she challenges the seeming transparency and apparent apolitical innocence of our visual images and verbal stories, asserting that these construct rather than reflect or express our experience of the world.

  • Death drive

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Cambridge Opera Journal•1999

    In their different ways, a series of Germanic artists and thinkers – the poet Novalis, the philosophers Arthur Schopenhauer and Friedrich Nietzsche, the father of psychoanalysis Sigmund Freud, and, most powerfully, composer Richard Wagner – all espoused at one point in their lives the view that death should not only be welcomed but ardently desired, even sought after as the final rest after a life of striving and suffering.

Siguiente
  • The Politics of Postmodernism

    Linda Hutcheon•ARTICLE•Cultural Critique•1986•Citada por: 13

    That postmodern theses have deep roots in the present human conditions is confirmed today in the document on architecture issued by the Polish union Solidarity. This text accuses the modern city of being the product of an alliance between bureaucracy and totalitarianism, and singles out the great error of moder architecture in the break of historical continuity. Solidarity's words should be meditated upon, especially by those who have confused a …

  • Narcissistic Narrative

    Linda Hutcheon•ARTICLE•Poetics Today•1984•Citada por: 6

  • On the Origin of Adaptations

    Gary R Bortolotti, Linda Hutcheon•ARTICLE•New Literary History•2007•Citada por: 4

    Like that early evolutionary theory (though unlike Darwin himself), much work in literary adaptation today thinks only in terms of higher and lower forms, that is, considering adaptations as more or less "faithful" to the "original". In biology, it was only when this sort of evaluative discourse was discarded that new questions could be asked and therefore new answers offered. To that end, a biologist and a literary theorist work to develop the h…

  • O corpo perigoso

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Revista Estudos Feministas•2003•Citada por: 3•Referencias: 10

    A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto

  • Pastiche

    Linda Hutcheon•ARTICLE•Comparative Literature Studies•2005•Citada por: 2

    Book Review| January 01 2005 Pastiche: Cultural Memory in Art, Film, Literature Pastiche: Cultural Memory in Art, Film, LiteratureHoesterey, Ingeborg Linda Hutcheon Linda Hutcheon Search for other works by this author on: This Site Google Comparative Literature Studies (2005) 42 (2): 323–326. https://doi.org/10.2307/40247484 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Hutcheon; Pastiche: Cultural Memory in Art, …

  • Requiem for Edward Said

    Linda Hutcheon•ARTICLE•Comparative Studies of South Asia…•2003•Citada por: 1

    Research Article| August 01 2003 Requiem for Edward Said LINDA HUTCHEON LINDA HUTCHEON Search for other works by this author on: This Site Google Comparative Studies of South Asia, Africa and the Middle East (2003) 23 (1-2): 5. https://doi.org/10.1215/1089201X-23-1-2-5 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation LINDA HUTCHEON; Requiem for Edward Said. Comparative Studies of South Asia, Africa and the Middle East 1 Au…

  • Collaborative Circles

    Linda Hutcheon•REVIEW•Common Knowledge•2003•Citada por: 1

  • Postmodernism

    Open Access•Hamid Shirvani, Frederic Jameson et al.•ARTICLE•American Quarterly•1994•Citada por: 1

    THE CONCEPT OF POSTMODERNISM HAS BEEN ENORMOUSLY IMPORTANT for literary critics and art historians in recent years. Yet within American studies, it has been an underused resource, perhaps because it marks a point of rupture in a field characterized by studies that stress continuity. Yet scholars of U.S. culture cannot afford to isolate themselves from the important currents of cultural criticism generated by the idea of postmodernity. In his rece…

  • A Poetics of Postmodernism

    Linda Hutcheon, Timothy J Reiss et al.•ARTICLE•diacritics•1983

  • Narcissistic Narrative

    Linda Hutcheon•ARTICLE•Poetics Today•1984•Citada por: 6

  • A theory of parody

    Linda Hutcheon•BOOK•A theory of parody•1985

    In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the text…

  • Formalism and the Freudian Aesthetic

    Richard Macksey, Linda Hutcheon•ARTICLE•Modern Language Notes•1985

    This study has a double focus: in the first place, it seeks to chart the parallel re-evaluation of both formalism and psychology in twentieth-century literary theory by using the work and career of the French literary critic, Charles Mauron (1899-1966) as a scaffolding. Using a structure of biography and literary history, it investigates Mauron's rather odd position, both inside and outside two different critical contexts, the French and the Engl…

  • Subject in/of/to History and His Story

    Linda Hutcheon, Teresa De Lauretis et al.•ARTICLE•diacritics•1986

  • The Politics of Postmodernism

    Linda Hutcheon•ARTICLE•Cultural Critique•1986•Citada por: 13

    That postmodern theses have deep roots in the present human conditions is confirmed today in the document on architecture issued by the Polish union Solidarity. This text accuses the modern city of being the product of an alliance between bureaucracy and totalitarianism, and singles out the great error of moder architecture in the break of historical continuity. Solidarity's words should be meditated upon, especially by those who have confused a …

  • Games Authors Play

    Anthony Cheal Pugh, Peter Hutchinson et al.•ARTICLE•Poetics Today•1986

  • The Heterotopian Space of the Discussions on Postmodernism

    Ernst Van Alphen, Linda Hutcheon et al.•ARTICLE•Poetics Today•1989

  • The Politics of Postmodernism

    B Mch, Linda Hutcheon et al.•ARTICLE•Poetics Today•1991

  • Eco's Echoes

    Linda Hutcheon, Umberto Eco et al.•ARTICLE•diacritics•1992

    When one theorist publishes book-a novel, at that-which contains in its title the name of another theorist, the academic reader is likely to be unable to resist looking for in-group ironies. When that novelist-theorist is Umberto Eco, who just happens to be someone who rarely mentions Michel Foucault by name, puzzlement may jostle for position with irony, even if we realize that Jean Bernard Leon Foucault was nineteenth-century physicist whose fa…

  • Postmodernism, or the Anxiety of Master Narratives

    Brian Mchale, Linda Hutcheon et al.•ARTICLE•diacritics•1992

  • Postmodernism

    Open Access•Hamid Shirvani, Frederic Jameson et al.•ARTICLE•American Quarterly•1994•Citada por: 1

    THE CONCEPT OF POSTMODERNISM HAS BEEN ENORMOUSLY IMPORTANT for literary critics and art historians in recent years. Yet within American studies, it has been an underused resource, perhaps because it marks a point of rupture in a field characterized by studies that stress continuity. Yet scholars of U.S. culture cannot afford to isolate themselves from the important currents of cultural criticism generated by the idea of postmodernity. In his rece…

  • "All Concord's Born of Contraries"

    Linda Hutcheon, Michael Hutcheon•ARTICLE•Tulsa Studies in Women s Literature•1995

    Over the last few years, we have discovered that the fact that a married couple?consisting of a literary theorist and a physician?was writing a book?about opera?has elicited not a little curiosity and even a bit of dismay (mostly, we must admit, from family and friends). We were never sure which was considered more bizarre: the collaborative concord of apparent disciplinary contraries (to borrow Ben Jonson's terms)1 or our choice of research area…

  • The Politics of Impossible Worlds

    Linda Hutcheon•CHAPTER•Fiction Updated•1996

  • Famous last breaths

    Linda Hutcheon, Michael Hutcheon•ARTICLE•Parallax•1996•Referencias: 1

    (1996). Famous last breaths: The tubercular heroine in Opera. Parallax: Vol. 2, Theory/Practice, pp. 1-22

  • Death drive

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Cambridge Opera Journal•1999

    In their different ways, a series of Germanic artists and thinkers – the poet Novalis, the philosophers Arthur Schopenhauer and Friedrich Nietzsche, the father of psychoanalysis Sigmund Freud, and, most powerfully, composer Richard Wagner – all espoused at one point in their lives the view that death should not only be welcomed but ardently desired, even sought after as the final rest after a life of striving and suffering.

  • Beve, Beve Con Me”

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Forum Italicum A Journal of…•1999•Referencias: 22

  • The Politics of Postmodernism

    Linda Hutcheon, Hutcheon L Staff•BOOK•Politics of Postmodernism•2002

    Continuing the project begun in The Poetics of Postmodernism, Linda Hutcheon focuses on the politics of representation. Looking at both mass media and high art forms, she challenges the seeming transparency and apparent apolitical innocence of our visual images and verbal stories, asserting that these construct rather than reflect or express our experience of the world.

  • Irony's Edge

    Linda Hutcheon•BOOK•Irony's Edge•2003

    The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references fr…

  • The Politics of Postmodernism

    Linda Hutcheon•BOOK•Politics of Postmodernism•2003

    This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten…

  • A Poetics of Postmodernism

    Linda Hutcheon•BOOK•Poetics of Postmodernism•2003

    Postmodernisme membawa berbagai efek terhadap kehidupan. Salah satunya dalam karya sastra termasuk puisi. Dimulai dengan modernisme tahun 1960an. Buku ini berisi permasalahan sejarah postmodernisme dan kritik-kritik tentang postmodernisme terhadap puisi, juga model postmodernisme terhadap parodi dan politik. Selain memberikan fokus terhadap kesejarahan metafiksi.

  • Requiem for Edward Said

    Linda Hutcheon•ARTICLE•Comparative Studies of South Asia…•2003•Citada por: 1

    Research Article| August 01 2003 Requiem for Edward Said LINDA HUTCHEON LINDA HUTCHEON Search for other works by this author on: This Site Google Comparative Studies of South Asia, Africa and the Middle East (2003) 23 (1-2): 5. https://doi.org/10.1215/1089201X-23-1-2-5 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation LINDA HUTCHEON; Requiem for Edward Said. Comparative Studies of South Asia, Africa and the Middle East 1 Au…

  • Collaborative Circles

    Linda Hutcheon•REVIEW•Common Knowledge•2003•Citada por: 1

  • Rhetoric and Competition

    Linda Hutcheon•ARTICLE•Common Knowledge•2003

    Research Article| January 01 2003 Rhetoric and Competition: Academic Agonistics Linda Hutcheon Linda Hutcheon Search for other works by this author on: This Site Google Common Knowledge (2003) 9 (1): 42–49. https://doi.org/10.1215/0961754X-9-1-42 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Hutcheon; Rhetoric and Competition: Academic Agonistics. Common Knowledge 1 January 2003; 9 (1): 42–49. doi: https://doi.org…

  • O corpo perigoso

    Open Access•Linda Hutcheon, Michael Hutcheon•ARTICLE•Revista Estudos Feministas•2003•Citada por: 3•Referencias: 10

    A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto

Art (26 obras) · Literature (18 obras) · Philosophy (17 obras) · Computer Science (12 obras) · Psychology (10 obras) · Sociology (10 obras) · Aesthetics (9 obras) · History (9 obras) · Postmodernism (9 obras) · Art history (8 obras)

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