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Cemre Aydoğan

Datos Biográficos

ID334222
NOMBRECemre Aydoğan
NOMBRESCemre
APELLIDOAydoğan
FIRMAAYDOĞAN C
AFILIACIONESYeditepe University
ORCID0000-0002-9528-9892
VERIFICADOSí
TOTAL DE OBRAS6
TOTAL DE CITAS0
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2021
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0
  • (Non)Art labor

    Open Access•Cemre Aydoğan•ARTICLE•Critical Sociology•2026

    This article examines how graphic designers in Turkey position their work within the ambiguous boundary between art and market-oriented production. Drawing on 41 in-depth interviews, it argues that this ambiguity is not a neutral structural condition but is unevenly lived across gendered subject positions under neoliberal labor regimes. Building on Katja Praznik’s framework of the “paradox of art,” whereby artistic labor is symbolically elevated …

  • Siyasal antropoloji bağlamında sosyal drama

    Open Access•Cemre Aydoğan•ARTICLE•Antropoloji•2025

    Bu çalışmanın amacı sosyal medya platformlarının kapatılmasıyla popülist siyasetin toplumda nasıl bir gerilim yarattığını incelemektir. Türkiye’de Instagram'ın kısa süreliğine kapanması (2-10 Ağustos 2024), toplumsal değerlerin dönüşümünü ve toplumda meydana gelen kutuplaşmaları anlamak için örnek teşkil etmektedir. Victor Turner’ın sosyal drama modeli kullanarak tasarlanan bu çalışma, bu sosyal tarz olayların toplumda nasıl kutuplaşma halleri ya…

  • I long, therefore I re-watch

    Open Access•Cemre Aydoğan•ARTICLE•International Journal of Cultural…•2025•Referencias: 9

    To what extent does rewatching old TV series evoke nostalgic sentiment? This study aims to examine the production and expression of nostalgia among viewers of two popular Turkish TV series, Avrupa Yakası (2004–2009) and Yabancı Damat (2004–2007), through an analysis of the comments on Instagram and YouTube. Using a mixed-methods approach, I employed thematic analysis of qualitative data from Instagram comments, complemented by quantitative data e…

  • The 1968 Political Generation in Turkey

    Cemre Aydoğan•ARTICLE•The Soviet and Post-Soviet Review•2025•Referencias: 2

    This study examines the memory of Turkey’s 1968 political generation by exploring their perceptions of the international left, particularly focusing on influential icons or heroes of socialist movements. Through interviews with participants in the 1968 protests, the research reveals a predominant reverence for the Soviet icons, despite their acknowledged flaws. This idealization of Soviet figures aligns with a broader pattern in which collective …

  • ‘I Do Not Like that Noise’

    Cemre Aydoğan•ARTICLE•International Review of the…•2023

  • Under the Banner of Islam

    Cemre Aydoğan•ARTICLE•Kurdish Studies•2021

    Book review of Under the Banner of Islam: Turks, Kurds, and the Limits of Religious Unity by Gülay Türkmen

Sin obras prominentes en esta página.

  • Under the Banner of Islam

    Cemre Aydoğan•ARTICLE•Kurdish Studies•2021

    Book review of Under the Banner of Islam: Turks, Kurds, and the Limits of Religious Unity by Gülay Türkmen

  • ‘I Do Not Like that Noise’

    Cemre Aydoğan•ARTICLE•International Review of the…•2023

  • Siyasal antropoloji bağlamında sosyal drama

    Open Access•Cemre Aydoğan•ARTICLE•Antropoloji•2025

    Bu çalışmanın amacı sosyal medya platformlarının kapatılmasıyla popülist siyasetin toplumda nasıl bir gerilim yarattığını incelemektir. Türkiye’de Instagram'ın kısa süreliğine kapanması (2-10 Ağustos 2024), toplumsal değerlerin dönüşümünü ve toplumda meydana gelen kutuplaşmaları anlamak için örnek teşkil etmektedir. Victor Turner’ın sosyal drama modeli kullanarak tasarlanan bu çalışma, bu sosyal tarz olayların toplumda nasıl kutuplaşma halleri ya…

  • I long, therefore I re-watch

    Open Access•Cemre Aydoğan•ARTICLE•International Journal of Cultural…•2025•Referencias: 9

    To what extent does rewatching old TV series evoke nostalgic sentiment? This study aims to examine the production and expression of nostalgia among viewers of two popular Turkish TV series, Avrupa Yakası (2004–2009) and Yabancı Damat (2004–2007), through an analysis of the comments on Instagram and YouTube. Using a mixed-methods approach, I employed thematic analysis of qualitative data from Instagram comments, complemented by quantitative data e…

  • The 1968 Political Generation in Turkey

    Cemre Aydoğan•ARTICLE•The Soviet and Post-Soviet Review•2025•Referencias: 2

    This study examines the memory of Turkey’s 1968 political generation by exploring their perceptions of the international left, particularly focusing on influential icons or heroes of socialist movements. Through interviews with participants in the 1968 protests, the research reveals a predominant reverence for the Soviet icons, despite their acknowledged flaws. This idealization of Soviet figures aligns with a broader pattern in which collective …

  • (Non)Art labor

    Open Access•Cemre Aydoğan•ARTICLE•Critical Sociology•2026

    This article examines how graphic designers in Turkey position their work within the ambiguous boundary between art and market-oriented production. Drawing on 41 in-depth interviews, it argues that this ambiguity is not a neutral structural condition but is unevenly lived across gendered subject positions under neoliberal labor regimes. Building on Katja Praznik’s framework of the “paradox of art,” whereby artistic labor is symbolically elevated …

Turkey's Politics and Society (5 obras) · Political science (4 obras) · Art (3 obras) · History (2 obras) · Law (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Sociology (2 obras) · Advertising (1 obras) · Ambiguity (1 obras)

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