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Phil Crockett Thomas

Datos Biográficos

ID334319
NOMBREPhil Crockett Thomas
NOMBRESPhil Crockett
APELLIDOThomas
FIRMATHOMAS P C
AFILIACIONESUniversity of Glasgow
ORCID0000-0002-8960-098X
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS1
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2014
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Making Light of Imprisonment

    Open Access•Fergus Mcneill, Lucy Cathcart Frödén et al.•ARTICLE•International Journal of Offender…•2026

    In previous papers, we have explored how songs written in prison, and the process of collaborative songwriting that produced them, served as devices for solving relational and personal problems that imprisonment poses. Here, drawing on data from the same project (Distant Voices: Coming Home), we explore and analyse how humour featured both in the songwriting process and in some of the songs, focussing on two songs written by women in prison. Our …

  • Straying with the Trouble

    Open Access•Phil Crockett Thomas•ARTICLE•The Sociological Review•2025•Referencias: 33

    Prisons continue to dominate our collective social imagination of the best way to respond to social harm, despite the overwhelming evidence that they do not make society safer or enact justice. To support the urgent work of thinking beyond prisons, this article focuses on the anti-carceral imagination of activists and scholars involved in the movement for prison abolition. I discuss findings from Prison Break: Imagining Alternatives to Prison in …

  • The researcher as unreliable narrator

    Open Access•Phil Crockett Thomas•ARTICLE•Law and Humanities•2022

    Whilst works of art, including fiction, are well established as legitimate objects of sociological analysis, and the narratives crafted by the subjects of social research are widely understood to be meaningful, the use of creative writing as a methodology is still quite novel within law and the social sciences. In this article, I seek to demonstrate how the practice and process of creating fiction can extend the aesthetic, affective, and ontologi…

  • Writing Sociological Crime Fiction

    Open Access•Phil Crockett Thomas•ARTICLE•Art/Research International A…•2021

    In this article I share and discuss a poetic work of experimental sociological crime fiction titled “You Will Have Your Day in Court” (in Crockett Thomas, 2020c). In it I reimagine the “true crime” story of “King Con” Paul Bint, who for a period in 2009 successfully impersonated Keir Starmer, the then Director of Public Prosecutions. I first introduce my collaborative approach to writing sociological crime fiction, connections to poststructuralis…

  • Imaginative Criminology by Maggie O’Neill & Lizzie Seal

    Open Access•Phil Crockett Thomas•ARTICLE•The Sociological Review Magazine•2020

  • Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices

    Open Access•Phil Crockett Thomas, Jo Collinson Scott et al.•ARTICLE•Law/text/culture•2020

    In this article we share some findings from the Distant Voices – Coming Home project. It is a partnership between the Universities of Glasgow, Edinburgh and the West of Scotland, and the Glasgow-based arts charity Vox Liminis. Distant Voices aims to explore and practice re/integration after punishment through creative collaborations (primarily songwriting) and action-research. The project is complex and interdisciplinary, blurring boundaries betw…

  • Stir

    Open Access•Phil Crockett Thomas•ARTICLE•Crime Media Culture An…•2020•Referencias: 9

    In this brief research note I discuss and share from, Stir (2020): a collection of poems that were written while I was the research associate on the Distant Voices project based at the University of Glasgow (2017–2021). These poems reflect on my experience of doing ethnographic research in carceral spaces, and are written from the perspective of an outsider with a pass that allowed access for a limited time only. The collection is open access and…

  • Reintegration, Hospitality and Hostility

    Open Access•Alison Urie, Fergus Mcneill et al.•ARTICLE•Journal of Extreme Anthropology•2019•Citada por: 1

    Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…

  • The Oxford Handbook of Dance and the Popular Screen

    Phil Crockett Thomas, Melissa Blanco Borelli•BOOK•Oxford Handbook of Dance and the…•2014

    This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple ch…

  • Reintegration, Hospitality and Hostility

    Open Access•Alison Urie, Fergus Mcneill et al.•ARTICLE•Journal of Extreme Anthropology•2019•Citada por: 1

    Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…

  • The Oxford Handbook of Dance and the Popular Screen

    Phil Crockett Thomas, Melissa Blanco Borelli•BOOK•Oxford Handbook of Dance and the…•2014

    This anthology offers contemporary perspectives on dance in the context of the popular screen. It analyzes the role played by the dancing body in popular culture and its multi-layered meanings in film, television, music videos, video games, commercials, and Internet sites such as YouTube. It explores how dance and choreography function within the filmic apparatus, and how the narrative, dancing bodies, and/or dance style set in motion multiple ch…

  • Reintegration, Hospitality and Hostility

    Open Access•Alison Urie, Fergus Mcneill et al.•ARTICLE•Journal of Extreme Anthropology•2019•Citada por: 1

    Distant Voices is an ongoing, interdisciplinary collaborative action research project, drawing on criminology, community development, politics, practice-led research and songwriting to explore crime, punishment and reintegration through creative conversations that aim to challenge and unsettle understandings of and approaches to rehabilitation and reintegration. In this paper, we discuss some of the thinking behind the project and we reflect on o…

  • Imaginative Criminology by Maggie O’Neill & Lizzie Seal

    Open Access•Phil Crockett Thomas•ARTICLE•The Sociological Review Magazine•2020

  • Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices

    Open Access•Phil Crockett Thomas, Jo Collinson Scott et al.•ARTICLE•Law/text/culture•2020

    In this article we share some findings from the Distant Voices – Coming Home project. It is a partnership between the Universities of Glasgow, Edinburgh and the West of Scotland, and the Glasgow-based arts charity Vox Liminis. Distant Voices aims to explore and practice re/integration after punishment through creative collaborations (primarily songwriting) and action-research. The project is complex and interdisciplinary, blurring boundaries betw…

  • Stir

    Open Access•Phil Crockett Thomas•ARTICLE•Crime Media Culture An…•2020•Referencias: 9

    In this brief research note I discuss and share from, Stir (2020): a collection of poems that were written while I was the research associate on the Distant Voices project based at the University of Glasgow (2017–2021). These poems reflect on my experience of doing ethnographic research in carceral spaces, and are written from the perspective of an outsider with a pass that allowed access for a limited time only. The collection is open access and…

  • Writing Sociological Crime Fiction

    Open Access•Phil Crockett Thomas•ARTICLE•Art/Research International A…•2021

    In this article I share and discuss a poetic work of experimental sociological crime fiction titled “You Will Have Your Day in Court” (in Crockett Thomas, 2020c). In it I reimagine the “true crime” story of “King Con” Paul Bint, who for a period in 2009 successfully impersonated Keir Starmer, the then Director of Public Prosecutions. I first introduce my collaborative approach to writing sociological crime fiction, connections to poststructuralis…

  • The researcher as unreliable narrator

    Open Access•Phil Crockett Thomas•ARTICLE•Law and Humanities•2022

    Whilst works of art, including fiction, are well established as legitimate objects of sociological analysis, and the narratives crafted by the subjects of social research are widely understood to be meaningful, the use of creative writing as a methodology is still quite novel within law and the social sciences. In this article, I seek to demonstrate how the practice and process of creating fiction can extend the aesthetic, affective, and ontologi…

  • Straying with the Trouble

    Open Access•Phil Crockett Thomas•ARTICLE•The Sociological Review•2025•Referencias: 33

    Prisons continue to dominate our collective social imagination of the best way to respond to social harm, despite the overwhelming evidence that they do not make society safer or enact justice. To support the urgent work of thinking beyond prisons, this article focuses on the anti-carceral imagination of activists and scholars involved in the movement for prison abolition. I discuss findings from Prison Break: Imagining Alternatives to Prison in …

  • Making Light of Imprisonment

    Open Access•Fergus Mcneill, Lucy Cathcart Frödén et al.•ARTICLE•International Journal of Offender…•2026

    In previous papers, we have explored how songs written in prison, and the process of collaborative songwriting that produced them, served as devices for solving relational and personal problems that imprisonment poses. Here, drawing on data from the same project (Distant Voices: Coming Home), we explore and analyse how humour featured both in the songwriting process and in some of the songs, focussing on two songs written by women in prison. Our …

Sociology (6 obras) · Art (5 obras) · Criminology (5 obras) · Aesthetics (4 obras) · Psychology (4 obras) · Crime and Detective Fiction Studies (2 obras) · Crime Patterns and Interventions (2 obras) · Criminal Justice and Corrections Analysis (2 obras) · History (2 obras) · Law (2 obras)

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