Robin Adèle Greeley
Datos Biográficos
| ID | 335320 |
|---|---|
| NOMBRE | Robin Adèle Greeley |
| NOMBRES | Robin Adèle |
| APELLIDO | Greeley |
| FIRMA | GREELEY R A |
| AFILIACIONES | University of Connecticut |
| ORCID | 0000-0002-7523-9679 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 15 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2001 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 2 |
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
An aesthetics of the human
This article examines the role of an aesthetics of memorialization in symbolic reparations for victims of gross violations of human rights. By looking at the production, aesthetics and reception of the Ojo que Llora (Eye that Cries), a memorial cited as a symbolic reparation by the Inter-American Court of Human Rights in the case of Castro Castro v Peru (2006), the authors investigate tensions around concepts of ‘victim’, ‘perpetrator’, and the b…
Cruzvillegas, Abraham
Margolles, Teresa
The Color of Experience
In the aftermath of World War II, South American artists and critics saw color as a key to liberation from the crisis of the art object and the related crisis of modernity. In so doing, they resisted an entrenched postwar suspicion of color's expressive qualities that elsewhere resulted in color either being repositioned as readymade or purged outright. The essays comprising "Color and Abstraction in Latin America" investigate what was at stake i…
The Logic of Disorder
Two models of object experience dominate definitions of sculpture today. One argues that commodification is a universally uniform experience of relentless violence that frames all materialities everywhere within the demands of the globalized market. The second argues that the "unruliness of things" can still disrupt the "rule of the commodity." The autoconstrucción sculptural practice of Abraham Cruzvillegas, argues Greeley, marks a third positio…
Dalí’s Fascism; Lacan’s Paranoia
In February 1934 Breton summoned Salvador Dalí before a Surrealist ‘court’ on charges of Nazi sympathizing. In Breton’s mind, Dalí’s fascination with Hitler threatened to bring about the ‘ruin of Surrealism’ by exposing the ideological flaws in existing Surrealist attempts to distinguish between right-wing and left-wing politics in relation to aesthetic production. To Breton’s dismay, Dalí seemed to take literally Breton’s call in the First Surre…
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
The Logic of Disorder
Two models of object experience dominate definitions of sculpture today. One argues that commodification is a universally uniform experience of relentless violence that frames all materialities everywhere within the demands of the globalized market. The second argues that the "unruliness of things" can still disrupt the "rule of the commodity." The autoconstrucción sculptural practice of Abraham Cruzvillegas, argues Greeley, marks a third positio…
Dalí’s Fascism; Lacan’s Paranoia
In February 1934 Breton summoned Salvador Dalí before a Surrealist ‘court’ on charges of Nazi sympathizing. In Breton’s mind, Dalí’s fascination with Hitler threatened to bring about the ‘ruin of Surrealism’ by exposing the ideological flaws in existing Surrealist attempts to distinguish between right-wing and left-wing politics in relation to aesthetic production. To Breton’s dismay, Dalí seemed to take literally Breton’s call in the First Surre…
Dalí’s Fascism; Lacan’s Paranoia
In February 1934 Breton summoned Salvador Dalí before a Surrealist ‘court’ on charges of Nazi sympathizing. In Breton’s mind, Dalí’s fascination with Hitler threatened to bring about the ‘ruin of Surrealism’ by exposing the ideological flaws in existing Surrealist attempts to distinguish between right-wing and left-wing politics in relation to aesthetic production. To Breton’s dismay, Dalí seemed to take literally Breton’s call in the First Surre…
The Color of Experience
In the aftermath of World War II, South American artists and critics saw color as a key to liberation from the crisis of the art object and the related crisis of modernity. In so doing, they resisted an entrenched postwar suspicion of color's expressive qualities that elsewhere resulted in color either being repositioned as readymade or purged outright. The essays comprising "Color and Abstraction in Latin America" investigate what was at stake i…
The Logic of Disorder
Two models of object experience dominate definitions of sculpture today. One argues that commodification is a universally uniform experience of relentless violence that frames all materialities everywhere within the demands of the globalized market. The second argues that the "unruliness of things" can still disrupt the "rule of the commodity." The autoconstrucción sculptural practice of Abraham Cruzvillegas, argues Greeley, marks a third positio…
Cruzvillegas, Abraham
Margolles, Teresa
Special Issue
In this article, we approach the news photojournalism of the 2015 European migration ‘crisis’ as a political encounter between western publics and arriving migrants, where the latter are not simply ‘the represented’ but people who act within the photographic space. Inspired by Azoulay’s view of photography as ‘civic duty’, where “those represented continue to be present there at the time they are being watched in the photograph” and, in so doing,…
An aesthetics of the human
This article examines the role of an aesthetics of memorialization in symbolic reparations for victims of gross violations of human rights. By looking at the production, aesthetics and reception of the Ojo que Llora (Eye that Cries), a memorial cited as a symbolic reparation by the Inter-American Court of Human Rights in the case of Castro Castro v Peru (2006), the authors investigate tensions around concepts of ‘victim’, ‘perpetrator’, and the b…
Repairing Symbolic Reparations
∞ The power of memorialization is widely recognized as a form of symbolic reparation aimed at overcoming deep social divisions in the aftermath of mass violence. Yet memorialization as a juridical tool of repair lacks systematic conceptual elaboration, and its potential remains underutilized. This often results in ineffective, even detrimental monuments, and in programmatic failures to integrate memorial practices into multilayered strategies for…
Art (5 obras) · Law (5 obras) · Political science (5 obras) · Sociology (5 obras) · Law (4 obras) · Aesthetics (3 obras) · Memory, Trauma, and Commemoration (3 obras) · Psychology (3 obras) · Art, Politics, and Modernism (2 obras) · Epistemology (2 obras)