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Mori Ōgai

Datos Biográficos

ID337528
NOMBREMori Ōgai
NOMBRESMori
APELLIDOŌgai
FIRMAŌGAI M
VERIFICADONo
TOTAL DE OBRAS16
TOTAL DE CITAS3
TOTAL COMO AUTOR16
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1954
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H1
  • Hanako

    Open Access•Mori Ōgai, Roger Pulvers•ARTICLE•Japan focus•2022

    Mori Ogai (1862-1922), novelist, essayist, translator and one of the towering figures of the literary world in the Meiji and Taisho eras, was a master stylist. His prose style could not be farther away from the flowing, often seemingly random and excessively emotional, style of Miyazawa Kenji. It is controlled, concise, rational, formal, and chockablock with erudite Japanese and foreign historical references, the latter being chiefly classical Ch…

  • Youth and Other Stories

    Marvin Marcus, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1995•Citada por: 2

    Ogai's (1862-1922) stature among modern Japanese writers is unparalleled, but until recently his work in translation has languished in scholarly monographs and journals. Japan scholar Rimer has gathered several of Ogai's best-known stories and the first complete translation of a major work, Seinen (

  • Paragons of the Ordinary

    Stephen Snyder, Stephen J Snyder et al.•ARTICLE•Monumenta Nipponica•1993

  • Mori Ogai. The State of the Field

    Yoshiyuki Nakai, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1980

  • The Historical Literature of Mori Ogai. Volume I

    James T Araki, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1978

  • Maihime. (The Dancing Girl)

    Mori Ōgai, Richard Bowring•ARTICLE•Monumenta Nipponica•1975

    T_ ,-% HEY HAVE FINISHED loading the coal, and the tables here in the secondclass saloon stand in silence. Even the bright glare from the electric lights seems wasted, for tonight the group of card players who usually gather here of an evening are staying in a hotel and I am left alone on board. It is now five years since the hopes I cherished for so long were fulfilled and I received orders to go to Europe. When I arrived here in the port of Sai…

  • Utakata no Ki

    Mori Ōgai, Richard Bowring•ARTICLE•Monumenta Nipponica•1974

  • Vita Sexualis

    David A Dilworth, David Dilworth et al.•ARTICLE•Monumenta Nipponica•1973

  • Hannichi

    Mori Ōgai, Darcy Murray•ARTICLE•Monumenta Nipponica•1973

  • Kanzan Jittoku. (Han Shan and Shih-Te)

    Mori Ōgai, David Dilworth et al.•ARTICLE•Monumenta Nipponica•1971

  • Suginohara Shina

    Mori Ōgai, David A Dilworth et al.•ARTICLE•Monumenta Nipponica•1971

  • Hebi-Tsuina-Sakazuki

    Mori Ōgai, John W Dower•ARTICLE•Monumenta Nipponica•1971

  • The Takase Boat

    Mori Ōgai, Edmund R Skrzypczak•ARTICLE•Monumenta Nipponica•1971

  • Delusion Moso

    Mori Ōgai, John W Dower•ARTICLE•Monumenta Nipponica•1970•Citada por: 1

  • The Wild Geese

    Charles E Hamilton, Mori Ōgai et al.•ARTICLE•Journal of the American Oriental…•1960

  • Sansho Dayu

    G W Baxter, Mori Ōgai et al.•ARTICLE•The Far Eastern Quarterly•1954

  • Youth and Other Stories

    Marvin Marcus, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1995•Citada por: 2

    Ogai's (1862-1922) stature among modern Japanese writers is unparalleled, but until recently his work in translation has languished in scholarly monographs and journals. Japan scholar Rimer has gathered several of Ogai's best-known stories and the first complete translation of a major work, Seinen (

  • Delusion Moso

    Mori Ōgai, John W Dower•ARTICLE•Monumenta Nipponica•1970•Citada por: 1

  • Sansho Dayu

    G W Baxter, Mori Ōgai et al.•ARTICLE•The Far Eastern Quarterly•1954

  • The Wild Geese

    Charles E Hamilton, Mori Ōgai et al.•ARTICLE•Journal of the American Oriental…•1960

  • Delusion Moso

    Mori Ōgai, John W Dower•ARTICLE•Monumenta Nipponica•1970•Citada por: 1

  • Kanzan Jittoku. (Han Shan and Shih-Te)

    Mori Ōgai, David Dilworth et al.•ARTICLE•Monumenta Nipponica•1971

  • Suginohara Shina

    Mori Ōgai, David A Dilworth et al.•ARTICLE•Monumenta Nipponica•1971

  • Hebi-Tsuina-Sakazuki

    Mori Ōgai, John W Dower•ARTICLE•Monumenta Nipponica•1971

  • The Takase Boat

    Mori Ōgai, Edmund R Skrzypczak•ARTICLE•Monumenta Nipponica•1971

  • Vita Sexualis

    David A Dilworth, David Dilworth et al.•ARTICLE•Monumenta Nipponica•1973

  • Hannichi

    Mori Ōgai, Darcy Murray•ARTICLE•Monumenta Nipponica•1973

  • Utakata no Ki

    Mori Ōgai, Richard Bowring•ARTICLE•Monumenta Nipponica•1974

  • Maihime. (The Dancing Girl)

    Mori Ōgai, Richard Bowring•ARTICLE•Monumenta Nipponica•1975

    T_ ,-% HEY HAVE FINISHED loading the coal, and the tables here in the secondclass saloon stand in silence. Even the bright glare from the electric lights seems wasted, for tonight the group of card players who usually gather here of an evening are staying in a hotel and I am left alone on board. It is now five years since the hopes I cherished for so long were fulfilled and I received orders to go to Europe. When I arrived here in the port of Sai…

  • The Historical Literature of Mori Ogai. Volume I

    James T Araki, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1978

  • Mori Ogai. The State of the Field

    Yoshiyuki Nakai, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1980

  • Paragons of the Ordinary

    Stephen Snyder, Stephen J Snyder et al.•ARTICLE•Monumenta Nipponica•1993

  • Youth and Other Stories

    Marvin Marcus, Mori Ōgai et al.•ARTICLE•Monumenta Nipponica•1995•Citada por: 2

    Ogai's (1862-1922) stature among modern Japanese writers is unparalleled, but until recently his work in translation has languished in scholarly monographs and journals. Japan scholar Rimer has gathered several of Ogai's best-known stories and the first complete translation of a major work, Seinen (

  • Hanako

    Open Access•Mori Ōgai, Roger Pulvers•ARTICLE•Japan focus•2022

    Mori Ogai (1862-1922), novelist, essayist, translator and one of the towering figures of the literary world in the Meiji and Taisho eras, was a master stylist. His prose style could not be farther away from the flowing, often seemingly random and excessively emotional, style of Miyazawa Kenji. It is controlled, concise, rational, formal, and chockablock with erudite Japanese and foreign historical references, the latter being chiefly classical Ch…

Art (7 obras) · History (7 obras) · Japanese History and Culture (7 obras) · History (6 obras) · Literature (2 obras) · Philosophy (2 obras) · Psychology (2 obras) · African history and culture analysis (1 obras) · African history and culture studies (1 obras) · American Constitutional Law and Politics (1 obras)

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